Mural en San Andrés Cholula, Puebla. 2026

Love Begins
Cosimo Galluzzi
dirt enthusiast
Keni
Cosmic Funnies
he wasn't even looking at me and he found me
we're not kids anymore.

⁂
TVSTRANGERTHINGS
todays bird

Origami Around

oozey mess

pixel skylines
noise dept.

★
Show & Tell

tannertan36
Aqua Utopia|海の底で記憶を紡ぐ

祝日 / Permanent Vacation


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@updownfragile
Mural en San Andrés Cholula, Puebla. 2026

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[“Why is it so hard for men to feel like they can decide for themselves what their identity looks like? Why is it that we deny them vulnerability? The truth is that challenging masculinity norms and getting men to define themselves on their own terms is even more threatening to the system than women gaining their rights and challenging norms around femininity in society. The system relies on the inherent myth of male aggression and dominance to maintain its legitimacy.
Reichert spoke plainly on this. “We are more rigidly wedded to masculine norms, norms for male development. This is for a variety of reasons. There hasn’t been a movement comparable to the women’s movement advocating for freer expression of male emotions and challenging stereotypes. Also, I think it’s important to say that reproducing a prototypical male identity is more at the core of our social organization.”
Female identities, because they are not cast as the leading forces but rather as the following forces of our society, are treated as secondary. “The idea that a boy may be empowered to define himself as a man on his own terms is too threatening to the predictable reproductive process,” Reichert said, referring to reproduction in an academic sense—as the social organization that reproduces itself from generation to generation.
All of this has culminated in a notable absence of a gender revolution for men. While the idea that women are naturally communal and emotional and men are naturally self-interested and rational has stuck over time, women have been narrowing the gap when it comes to embracing more masculine-type behaviors including being competitive and individualistic. But there has been very little narrowing on the other end.
This can be partially explained by a lack of cultural or institutional change in the ways in which we devalue female-type characteristics, activities, and jobs. Where “women’s work” is seen as less prestigious, less skilled, more menial or petty, the incentive for men to leave their traditional spaces and take on such work is very weak. On the other end, many women seeking upward mobility are incentivized by the high value—culturally and institutionally—of men’s work.
To put it bluntly, our gender revolution may have succeeded in helping some groups of women access opportunities their mothers couldn’t, but it has failed abysmally in changing cultural norms around what is valued. This has not been just a gross oversight of the movement; it has so far been a fatal one.
In this case, telling women to hoard male-type opportunities, and not insisting on a full revaluing of gendered roles and work, still leaves large groups of women forced into performing essential and invisible emotional labor at a discount—or worse. And denying men basic human features like emotions and connected relationships is a short end of the straw for them too. Forcing men to be hypermasculine pushes them into destructive behaviors that threaten us all.
In the Promundo study, men in the United States and the United Kingdom who identified more strongly with the seven pillars of the man box were six to seven times more likely to report perpetrating physical in-person or online bullying compared to men who did not strongly identify with the pillars. They were six times more likely to report perpetrating sexual harassment and were more at risk of violence from others. They were also likely to engage in destructive behaviors like binge drinking and less likely to have close personal relationships.”]
rose hackman, from emotional labor: the invisible work shaping our lives and how to claim our power, 2023
Palestinian women in the snow. Jerusalem. فلسطينيات في الثلج. القدس. 1921.
When I am among the trees, especially the willows and the honey locust, equally the beech, the oaks and the pines, they give off such hints of gladness, I would almost say that they save me, and daily. I am so distant from the hope of myself, in which I have goodness, and discernment, and never hurry through the world but walk slowly, and bow often. Around me the trees stir in their leaves and call out, "Stay awhile." The light flows from their branches. And they call again, "It's simple," they say, "and you too have come into the world to do this, to go easy, to be filled with light, and to shine."
— Mary Oliver, "When I am among the trees" from Thirst: Poems
The Silences of The Palace (1994) - dir. Moufida Tlatli

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For the attention of the spectator: this film presents an experiment in the cinematic transmission of visible phenomena. Without the aid of intertitles (a film without intertitles)—without the aid of a script (a film without a script)—without the aid of theatre (a film without sets, actors, etc.) This experimental work aims at creating a truly international absolute language of cinema based on its total separation from the language of theatre and literature. ЧЕЛОВЕК С КИНОАППАРАТОМ (Man With A Movie Camera) —1929, dir. Dziga Vertov
Malick Bodian self-portrait
The (European) sun is a deadly laser, stay safe everyone
☝️🤓 it’s because the further you move toward the earth’s poles, the lower the angle of the sun is at the hottest parts of the day, meaning the radiation hits your whole body, causing it to feel 10-20 degrees warmer than the thermometer reading will tell you. People from tropical climes, aka close to the equator, are used to the sun’s radiation hitting a much smaller target- their head and shoulders.
Also the further you move toward the poles the more pronounced the difference between the length of day and night is. Worst part of a far-north (or south) heatwave is it doesn’t get dark long enough for meaningful cooling.
It’s not the heat. It very literally is the sun.
Arabic text: Support the steadfastness of Gaza
English text: Support the heroic struggle of the Palestinian people in Gaza against israeli repression
French text: Support the struggle of the Palestinian people in Gaze against the zionist occupation
Artist: Ghassan Kanafani (PFLP)
Circa. 1970
PFLP (Popular Front for the Liberation of Palestine) stamp collection. appeared in the August 12, 1974 edition of the PFLP's English language magazine Democratic Palestine. Designed by Ghassan Kanafani.

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I wait, and wait, and wait - and miss you more than a man could ever miss a woman. I love you, and I will not allow the sky you spoke of to wash away our traces, for I am fiercely proud of them. From Beirut - today, tomorrow, and forever.
— Ghassan Kanafani to Ghada Al-Samman
Louis Allday’s introduction to the newly reissued biography of Ghassan Kanafani outlines the choice Kanafani made between being an organic p
[...] The Martyrs of Palestine Cemetery next to the Shatila Palestinian Refugee Camp, in the Lebanese capital, Beirut, is a unique place – a non-confessional burial ground, in which people of different religions, nationalities, ethnicities and political orientations lie in rest together, united by the ultimate sacrifice they paid as martyrs in service of the Palestinian cause. The cemetery is effectively an open-air museum illustrating the intertwined stories, geographies and struggles of the Palestinian revolution and those who have fought and died for it – a physical manifestation of Ghassan Kanafani’s declaration that Palestine is “a cause for every revolutionary, wherever he is … a cause of the exploited and oppressed masses.” Short of being buried in the soil of his beloved Palestine – where he was born on April 9, 1936 – it is fitting that it was here that Kanafani was laid to rest following his murder by Israeli agents on July 8, 1972. [...]
Kanafani was many things at the time of his death, including a celebrated author, a Marxist-Leninist, a Pan-Arabist, a comrade, a refugee, an artist, a husband, an uncle, and a father. As such, his murder constituted different things to different people, and one of the most remarkable aspects of Anni’s tribute to him is the way it draws from her own memories, as well as from letters of condolence, photographs, extracts from Kanafani’s writing, and artwork by him and others, to convey intimately what a profound and multi-faceted loss his death was. In doing so, it places his death in the context of an ongoing revolutionary struggle, and sends a defiant message to those responsible for it.
At its core, Kanafani’s murder was a family tragedy, one compounded by the fact that his sister’s daughter, Lamis Nijem, whom he and the whole family adored, was killed alongside him aged only seventeen years old. Simultaneously, it was a crushing blow, personally and politically, to Kanafani’s comrades in the PFLP and beyond. Foremost amongst those affected in this manner was his close friend, mentor, and fellow PFLP member, George Habash, who Kanafani had first met over two decades earlier as a teenager in Damascus, where he and his family settled as refugees after the Nakba. In his autobiography, Habash describes the day Kanafani was killed as one of the most painful of his life and recounts the difficulty he experienced writing a letter of condolence to Anni that would convey the magnitude of the loss he felt. He need not have worried because his letter, published in full in Anni’s tribute, is a masterpiece of understated yet heartfelt affection and revolutionary steadfastness. Pained by his inability to attend his dear friend’s funeral and console Anni in person, Habash writes: “Anni – I know very well what Ghassan’s loss means to you, but please remember that you have Fayez, Laila, and thousands of brothers and sisters who are members of the P.F.L.P., and above all you have the cause Ghassan was fighting for.” For Anni, Kanafani’s death was the loss of “an exceptional human being,” her husband, comrade, and teacher, and the loving father of their two young children. “Your good and beautiful hands and mind were always creating, giving to us – to the people,” she writes in her poignant letter of farewell to him.
[...] The issue of armed resistance is central when discussing Kanafani and his legacy. As The Daily Star proclaimed in its obituary, he was “the commando who never fired a gun,” yet he was explicit in his belief that armed struggle – for the Palestinians and all oppressed peoples – was legitimate and necessary. He did not distance himself from the revolutionary violence of the PFLP or other Palestinian factions engaged in armed struggle. Rejecting “bourgeois moralism,” Kanafani proudly asserted that armed struggle was the Palestinians’ moral right as an occupied and oppressed people fighting for their land and dignity. He also argued that it was the “ideal form of propaganda,” and that in spite of the “gigantic propaganda system of the United States,” it was through people fighting to liberate themselves in armed struggle “that things are ultimately decided.”
So certain was Kanafani’s belief in the centrality of armed struggle that, upon returning from a visit to Gaza in 1966, he felt:
… more than any time in the past, that the sole value of my words is that they are a meager and insufficient substitute for the absence of weapons and that they pale now before the emergence of real men who die every day in pursuit of something I respect.
Half a century later, there is little doubt Kanafani would be heartened by the increasingly unified and effective Palestinian armed resistance – of which the PFLP is a member and continues to fight in his name. In May 2021, and again as I write this in May 2023, this resistance – centered around the unified factions in Gaza, but increasingly involving acts of coordinated resistance throughout historical Palestine, and with the direct cooperation of Hizbullah in Southern Lebanon – has withstood Israeli military onslaughts and dictated the terms of ceasefire. This is fundamentally undermining Israel’s deterrence capability and rewriting the military balance to its detriment. [...]
Ghassan has not been forgotten, nor will he ever be – and his memory will live longer than the entity that sought to silence him and his people. The republication of the evocative tribute that follows this introduction will help to ensure that is so.
On this day, 8 July 1972 Palestinian novelist and communist Ghassan Kanafani was killed along with his teenage niece, Lamees Najim, in a bomb attack in Beirut in an act for which the Israeli intelligence service Mossad claimed responsibility. Kanafani had been forced to flee his home following the 1948 Nakba (the ethnic cleansing which accompanied the creation of the state of Israel), and live as a refugee in Syria. He began writing fiction, much of which looked at the lives of Palestinians under Israeli occupation. He stated: “My political position springs from my being a novelist. In so far as I am concerned, politics and the novel are an indivisible case and I can categorically state that I became politically committed because I am a novelist, not the opposite". He subsequently joined the Popular Front for the Liberation of Palestine. His obituary in the Lebanon Daily Star described him as "a commando who never fired a gun, whose weapon was a ball-point pen, and his arena the newspaper pages." Learn more about Palestinian history in these books: https://shop.workingclasshistory.com/collections/all/palestine
my favorite block on the aids quilt
Raeda Saadeh
'Who will make me real?' , 2003 Palestinian artist

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Mohammed Abed, Palestinian girl flying her kite on Al-Waha Beach - Gaza, Palestine, 2011
the palestinian children gathered around that single tv watching egypt earlier cheering so happily when they scored...i feel sick. it was everything for egypt to dedicate their win to palestine
the argentina fans in the crowd holding up those israeli flags too. everything about this makes is nauseating
:((((