#the character development we deserve

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@unstablekoala
#the character development we deserve

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the thing is that the original jessica jones show was a beautiful nexus of the most awful women you could fathom to meet. led by our intrepid misanthropic alcoholic ptsd-riddled heroine who violently pushes people away so she can be alone with her own misery, also featuring her cptsd poster child adopted sister who struggles with substance abuse, relentless ambition, and a mountain-sized ego that has her convinced she has a pure and correct grasp of right and wrong above all others, also featuring an unrepentantly unpleasant and unlikeable high-powered lesbian lawyer with a terminal illness who cheats on her wife with a secretary and later instigates the murder of the other lover she took after getting swindled. who else has done wretched women quite like this, in leading roles, without letting you squirm away from either their best or their ugliest aspects
Here’s why we love Yelena
No, I don’t think Yelena took over Natasha in her own film. Not at all.
Yelena wouldn’t exist without Natasha. Yelena is Natasha’s little sister. Most of Yelena’s actions in the film, are connected to Natasha, in some way. Yelena’s storyline in the film is so intricately connected to Natasha, you can’t really make a comment about Yelena without referencing Natasha.
At the beginning of the film, Yelena got the antidote- and sent it to Natasha.
Yelena proudly shows off the first purchase she made for herself- and she gifts it to Natasha.
Yelena killed Draykov and almost sacrificed herself- for Natasha.
Yelena tries her first superhero pose- to copy/make fun of Natasha.
Yelena eventually gets a dog- and names it after Natasha (’s alias, Fanny Longbottom).
Yelena does take on part of Natasha’s role in this film though.
Natasha has always been our guide through Marvel films. Whenever Natasha is in a film, she’s the one guiding the audience through it’s events. From the sidelines, of course, because Marvel has been sexist for years. We’ve talked about this here. Extensively. What Yelena does for the Black Widow movie, is that she is the relatable character. She guides us through the movie, and we relate to her.
Yelena is us, guys. Yelena is the little girl who grew up looking up to Natasha. Natasha Romanoff, is Yelena’s hero. Yelena is a new generation of women who grew up looking up to Natasha Romanoff, and who love her with all their goddamn hearts.
I mean, Look at Her Posing as Natasha Romanoff
What Yelena gave us, is a gift.
She gave our love to Natasha on screen! She gave her her favourite vest (with all the pockets). She gave her the shared trauma, that all of us women, face, and she showed her that she’s not alone. That she’s never been alone.
Natasha has the wisdom of the women that came before her (Melina), the love of the mother who never gave up on her (and I so love that they didn’t give a shit about the name of her father by the way. This movie has said Fuck You to Endgame and the Avengers in every possible way). Natasha has that invincible goodness that is herself, the heart that she never loses, and she has us, all the women who look at her, and see a piece of ourselves, our pain, looking back.
Yelena also gifted us with finally saying a proper goodbye to Natasha.
Natasha Romanoff is our hero, and she deserved to walk into the sunset, as she did, and fly off to new adventures, as she did. With a smile on her face, with the love of 2 families in her heart, and with the gratitude of millions of women on her shoulders.
I can never thank the makers of this film, and Scarlett Johansson, enough. Never.
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Hi tumblr! I'm an digital artist want to take some commissions. I'm completely new to this so can anyone give me some ideas for charging and platforms?☝🏻😭
I'm better at drawing faces so I think maybe just take some headshots first.
HELP HER PLEASE
Stack n Mary

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Thunderbolts* (2025) dir. Jake Schreier
The scene where Bob is beating the shit out of the dark version of himself and Yelena risks it all to run across the room to hold him, the others following suit shortly after, is easily one of the most powerful scenes in a marvel movie literally ever like it’s so important
No but to be serious guys i didnt expect that movie to be that kind of good. I expected great fights. I expected complicated morals. I did not expect that movie to say i know everything seems hopeless but you dont get a choice, you have to try. I did not expect that movie to say when we are up against an impossible, unjust threat the only way through is freely given kindness and forgiveness. I did not expext that movie to say the real way villans win is by preying on those we’ve already decided are hopeless. I did not expect that movie to say we all have to believe we can get better. Please believe me we can all get better. Oh my god.
Please.
"We can't even entertain the idea of being together unless he comes back from the dark side, He has to pick: Is it going to be this vendetta, or is it going to be life? Presumably, maybe, life with me. And then when he says no, it's just doubly devastating.” — Deborah Ann Woll [x]
I just broke into thousand pieces

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If you weren't watching Daredevil and the Punisher when they were coming out it may not be obvious to you-
But the Karen and Frank chemistry was an accident. They caught lightning in a bottle between two characters who never even interact in the comics, but the actors just go crazy in a room with each other.
And they assumed that the Punisher's audience skewed heavily male, that they'd refuse to watch anything not already established in the comics, and that they'd scorn any new plot where The Punisher feels love for anyone, so the writers/producers never fully went there. Even though they clearly know that Frank is made all the more interesting, all the more tragic, when he's not just wallowing in grief for a lost family- he's actively denying the potential of healing and love with a new person. He's consistently being offered a redemptive escape from the violent path he's chosen and he consistently denies it, even though it's clear as day how badly he wants it. That's a more interesting choice! It makes him more pathetic and self-denying, it shows him thinking that he doesn't deserve healing, it shows his conflicted awareness of his own morality, it makes him worse, it makes it clear that this character is tragic instead of aspirational.
So they gave as many hints as they could. The near kiss in the elevator, Karen's heartbeat, the dress Maria wears in his last vision of her (as he lets go of her hand) matching the fabric of the blouse Karen wore the first time he ever saw her, Karen insisting he try to love someone else instead of another war, Micro saying "that's my family that's my wife" and Frank responding "so is Karen." They made it as obvious as they could without actually saying it because they didn't want to piss off the fan base who wants Frank to be a static, stoic, one dimensional vengeance machine.
But now they're back after SEVEN YEARS and they're not fucking around. The first time they're on screen together it is Textually Acknowledged and Stated Out Loud that Frank Castle's heart does the fucking samba when he looks at Karen Page. Matt, the Human Polygraph Test, tells Karen that Frank loves her and that he knows how she feels about him too. (Not to even mention the way he looks at her and acts around her, because Jesus Christ, I have never seen anyone more obviously lovesick.)
This is wild. That's more than the writers really wanting to make it obvious but always hedging. That's more than the actors loading as much weight into each glance as possible because they're gunning for it so hard. It's not just hints, it's text. It's canon.
Daredevil: Born Again Straight to Hell | 1.09
You know what, Frank? I'm not buyin' it. I don't believe you don't care.
DAREDEVIL: BORN AGAIN (2025- ) 1.09 Straight to Hell
You know, back at his place, I heard your heartbeats. God, that is really not fair. You heard his too? Oh, yeah. It's just adrenaline, I'm sure.
Morning Doodle: “Be safe,” Zoya whispered. Be safe. As if those words could cast some kind of spell. “The only danger to me will be an overabundance of menu planning,” said Genya with a laugh. (Leigh Bardugo’s King of Scars CH 11)

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