Liu Chih-Hung (Taiwanese, b. 1985), Rubber Tree in the Morning, 2019. Oil on canvas, 35 x 24 cm.
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Liu Chih-Hung (Taiwanese, b. 1985), Rubber Tree in the Morning, 2019. Oil on canvas, 35 x 24 cm.

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Abandoned houses in Mirlo Beach, a once thriving oceanfront town on North Carolinaâs Outer Banks now slowly being reclaimed by the sea (some of these buildings have since been moved or have collapsed) Â [photos: Greg Fitzgerald/ Island Free Press/ Don McCullough]
I remembered that google maps has an option to also go through the older street view footage, and while the place looks a lot different now, in 2009 this spot looking towards my childhood home looked just as I remembered it being when I was 5 years old. Painted from this streetview screenshot:
Calling this one "should've never smoked that shit, why am I in an impressionist painting". From this shot, also from 2009:
Rare French 50âs Snake Sunglasses by Paulette Guinet
William Feeney "Bigsnooz" 2002
Wood, plastic, foam, auto-body filler, custom truck-bed coating, hinges, Igloo cooler parts
22â x 90â x 32â
(link)

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Scanned this a while ago and it's been sitting on my desktop for the whole time. :D I guess I won't do anything more with it, so here you go~.
Stamp Collection Mini Zine by Deth P. Sun
there's a common belief that artists know how to make art. this is untrue. i've yet to meet a single artist who has any idea what they're doing
David Kanietakeron Fadden â Onkwehonwe Gothic (acrylic on canvas, 2016)

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i think i found my new favorite artist on twitter
(source)
đ me
Criss Canning (Australian, 1947), Ranunculi, 1985. Oil on canvas, 86.5 x 76 cm.
Portrait of A Young Black Sailor, early 20th century. Attrib. Henry Scott Tuke
really helpful technique ^ once you know how to divide by halves and thirds it makes drawing evenly spaced things in perspective waaay easier:
I too dyscalculic for this type of shit đđ
it's honestly a lot simpler than it looks, you're just connecting corners and drawing lines where they intersect. I really recommend you just grab a scrap piece of paper and try it and i'm certain it'll click! It's one of those things that makes more sense when you try it yourself.
The perspective examples I showed above look complicated, but the underlying technique is very simple. You just keep splitting the rectangle until it's divided up evenly as many times as you need it to be.
The stairs were split in half multiple times to divide it into 8, the cell door was divided into thirds and then those thirds were split in half to give 6 lines.
Not to brag but my cats are Artistsâ˘
[Medium: Claws on rainbow scratchboard]
Remi works with a hesitant, erratic violence, creating a piece as light and fluffy as she is, and signing her work by hole-punching it with her teeth.
Timmy uses bold, strong lines to evoke some kind of powerful event, echoing his powerful presence and loud voice.
Nubbins, truly inspired, creates a high-energy piece that symbolizes the void where his brain should be, surrounded by chaos and mischief.
Kona, a reclusive avante garde artist, refused to work with me around. Only in quiet solitude did she create this haunting, introspective work.

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it turns out i really enjoy making educational posts about the comics making process and ways of thinking. here's another one featuring characters from my graphic novel in a very anachronistic art museum.
âA CloisonnĂŠ Vase Mark of the Hayashi Kodenji Workshop, Meiji Period (late 19th century) Worked in various thicknesses of silver wire and coloured cloisonnĂŠ enamels on a dark blue ground with a maple tree surrounded by a profusion of flowers including chrysanthemums, irises, wild pinks and grasses, the foot with floral lappets, the neck with a band of geometric pattern, silver rims.â