Chloë Sevigny in The Last Days of Disco (Whit Stillman, 1998)
trying on a metaphor
i don't do bad sauce passes
we're not kids anymore.
dirt enthusiast

Discoholic 🪩
Sweet Seals For You, Always
Claire Keane
DEAR READER

Origami Around



❣ Chile in a Photography ❣

Kaledo Art
tumblr dot com
I'd rather be in outer space 🛸

JVL

Andulka
cherry valley forever
Xuebing Du

seen from Argentina
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seen from Malaysia

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seen from Türkiye

seen from Malaysia
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@tusenslanuit
Chloë Sevigny in The Last Days of Disco (Whit Stillman, 1998)

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By Kiki Galvan Morales, East Village NYC Boring cat

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Julia Luzina
ALEXIS JAMET
Black Cat - Ishikawa Toraji , 1935.
Japanese, 1875-1964
Woodblock print, 37.5 x 48 cm.
Eruption of Oldoinyo Lengai Volcano /
Richard Bosman (American, b. 1944), Volcano, 1989. Oil on two canvases, 244 x 198 cm /
Andy Warhol Vesuvius, 1985
Photographed by Harley Weir for Simone Rocha’s F/W 2019 book

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Oncle Yanco (Agnès Varda, 1967)
Saturday night fever, Mark Tennant
Diários de Otsoga (Maureen Fazendeiro & Miguel Gomes, 2021)
Young Couple seen from the back kissing at night at Woodstock, 1969
Bethel, New York
John Dominis
source
Haverst on Instagram

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1990′s video store aesthetics in The Watermelon Woman (1996), written, directed, starring, and edited by Cheryl Dunye.
“Writer-director Cheryl Dunye’s debut feature centers on video store clerk-cum-documentarian Cheryl and her obsessive quest to unearth the forgotten contributions of African American women throughout cinematic history. Intent on creating a perennial work that would surpass the magical, democratized moment of mid-‘90s prosumer video-making, Dunye imbues The Watermelon Woman, the first feature-length film directed by a Black lesbian, with a crystal clear mission: to tell those stories that have never been told.”
From what I can tell, this film didn’t have an official production designer. Cheryl Dunye presumably did that work herself, along with writing, directing, and editing the film. After all, she made this film on a budget of only $300,000! But I did find that Sharon Potts was the props master. If anyone knows more about the crew for this film, send me resources!