Kitana was perfect what can I say ♡
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Kitana was perfect what can I say ♡

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Can I get him back PLEASE
There are two separate camps in film, both of which I have been a part of, celebrating greatness. I am immensely proud to report that "Mortal Kombat 2" firmly lands in both camps. Camp 1: 1. It passes the Bechdel Test. 2. It understands the material it is adapting, with a consistent tone and aesthetic down to a side-on match-up and ludicrous gibs. 3. The characters have parallel arcs in the form of Johnny Cage and Kitana, as well as matching, competent edits at the ending sequence. 4. It features themes of redemption and growth. 5. Hiroyuki Sanada is such an incredibly classy act that he delivers the line "I am Hanzo Hasashi. Hell bends to my will." With such power and gravitas that it actually works despite it being a "Mortal Kombat" line in his second fucking language. 6. Tadanobu Asano is such an incredibly classy act that he delivers the exchage: "You should be dead!" "You should be RUNNING!" with such power and gravitas that it actually works despite it being a "Mortal Kombat" line in his second fucking language. Camp 2: 1. Karl Urban teams up with a laser Australian to break into hell, where they must enlist Japanese Ghost Dad to steal an amulet, so that they may essentially turn off "Cheat Mode" for the villains; so that a non-sexualised lesbian may kill God.
Johnny: Hanzo, we need your help to navigate the Netherrealm so we can retrieve the amulet, beat Shao Kahn and save Earthrealm!
Hanzo: No, sorry.
Kano: Bi-Han is still alive.
Hanzo:
Iko Uwais in The Night Comes For Us (2018) dir. Timo Tjahjanto

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Iko Uwais in The Night Comes for Us (2018)
ONE PIECE ⚔ RORONOA ZORO & SANDAI KITETSU
chapter 97 || anime episode 49 || live action episode 2x01
⚔ "You don't know that sword. It's cursed. The Sandai Kitetsu is third in a lineage of magnificent but ill-fated swords. Even renowned swordsmen who wield a Kitetsu blade all meet a tragic end." ⚔ "How about we test what's stronger. My will, or the sword’s curse?"
Rebel Moon 2 was insane. Zack Snyder is a madman even when he is restrained. There is a cut between triumph and tragedy in this film that makes it stay with you even after the credits and not only that, but the way he makes a small village of farmers feel much bigger than an entire galaxy is also amazing. Such a human, mythical and entertaining film.
More of tumblr should be into rebel moon. It's like if star wars didn't hate brown people and the idea of sex. A beautiful robot knight voiced by Anthony Hopkins learns the beauty of nature and starts wearing antlers. It's OVERTLY anti-facist. The most attractive man I've ever seen rides an untamed gryphon. Shirtless. Gunnar is there.
Rebel Moon: Director's Cut (2024)

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東出昌大 · 柘植響陣 || イクサガミ (2025)
Maybe I just wanted to witness it, see how it unfolds. The final days of the samurai, that is.
Alienoid: when korean cinema goes full chaos mode
just watched alienoid and my brain is still processing
okay so ALIENOID. where do i even start with this absolute fever dream of a movie???
picture this: you're watching a historical korean drama about goryeo dynasty warriors and shamans, but PLOT TWIST - there are also aliens using human bodies as prisons, time-traveling robots, and modern-day seoul. all happening at the same time. somehow.
choi dong-hoon really said "what if i made the most unhinged genre mashup possible" and honestly? respect.
the AUDACITY of this film. we're jumping between sword fights with supernatural powers and sci-fi alien technology like it's the most natural thing in the world. the visual effects are actually pretty stunning - especially those period sequences that look absolutely gorgeous.
but real talk, this movie is A LOT. like, imagine three different movies had a baby and that baby inherited all their parents' chaos energy. sometimes it works beautifully and you're like "this is genius!" and other times you're like "wait what timeline are we in again???"
the time travel stuff gets messy and there's SO much exposition trying to explain the mythology that your head might spin. but honestly? i'm here for movies that swing for the fences even when they don't always connect.
korean cinema really doesn't play around with being weird and wonderful, and alienoid is peak "we're going to do something completely bonkers and commit 100%"
if you're in the mood for something that will definitely keep you on your toes and you don't mind a little narrative chaos, this might be your jam. just... maybe have some coffee ready because keeping track of everything requires FOCUS.
anyone else seen this wild ride? thoughts???
Gangnam B-Side (2024) The Worst of Evil (2023) The Manipulated (2025)
The Many Faces of Ji Chang Wook
Sleeping Beauty (2008) - Jin Seo
You Stole My Heart (2008) - Lee Phillip
My Two perfect sons (2009) - Song Mi-poong
Hero (2009) - Park Jun-hyeong
Death Bell 2: Bloody Camp (2010) - Soo-il
Smile Again (2010-2011) - Dong hae
Warrior Baek Dong soo (2011) - Baek Dong-soo
Bachelor's Vegetable Store (2011-2012) - Han Tae-yang
Five fingers (2012) - Yoo In-ha
Empress Ki (2013) - Toghon Temur
Healer (2014) - Seo Jung-hoo / Park Bong-soo / Healer
The Whirlwind Girl 2 (2016) - Chang An
THE K2 (2016) - Kim Je-ha / K2
Fabricated city (2017) - Kwon Yoo
Suspicious Partner (2017) - Noh Ji-wook
Melting Me Softly (2019) - Ma Dong-chan
Backstreet Rookie (2020) - Choi Dae-hyun
Lovestruck in the City (2020) - Park Jae-won
Hard Hit (2021) - Jinwoo
The Sound of Magic (2022) - Lee Eul
If You Wish Upon Me (2022) - Yoon Gyeo-rye
The Worst of Evil (2023) - Park Joon-mo
Welcome to Samdal-ri (2023-2024) - Cho Yong-pil
Revolver (2024) - Andy
Queen Woo (2024) - Go Nam-mu / Gogukcheon of Goguryeo
POTW: Pick your favorite action hero/ine: (as voted by our members and followers):
Healer 힐러 (2014-2015) — dir. Lee Jung Sub, Kim Jin Woo

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It's my 10 year anniversary on Tumblr 🥳
Peacemaker Full Nelson | 2.08