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@tmaspoilers

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sorry that took like an hour i stopped to eat dinner heres my idea
listen. simon has to remain a flat character. the moment he starts having any agency or flaws the whole thing crumbles. he did his time being an actual character with marceline and having a heartbreaking exit as his fear won over his love for her, all merged into one. for betty he just has to be a kind of perfect loving guy. betty is a gambler who was extremely lucky to run into the sweetest man on earth. and then she lost him! knowing he truly was perfect for her makes everyone's misery worse. just yes it would've been perfect wonderful but yet you can't have it. ever. due to the flaws and bad luck and mistakes and choices made. hello. is anyone there.
Adventuretober day 1 - come along with me
there was the gag in Obsidian where finnâs towel blows away and in Fionna and Cake Simon was full ass out on multiple occasions but. do you think when he was ice king. like. they all saw right. he wore those nasty old bandages as undies thereâs no way those stayed put. Almost everyone in Ooo has probably had the unfortune of seeing full frontal ice king at some point. am I wrong
Iâm not finished.
Absolutely no one would talk about this. Everyone has repressed this. Which means Simon has No Fucking Idea how many people have seen his junk. He is blissfully unaware that heâd been flaunting his Petrikoochie
HIS BOINGLOINGS

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oh, i should have gone deeper, but i'm not so brave
when i was done dying - dan deacon // fionna and cake - "cheers"
but it ainât called love without a little tragedy đ
I had to make an epilogue to the Sock Princess comic because Fionna and Cake made it canon kind of. it's literally not my fault
I think between Ooo Finn mourning Jake literally until the day he died and Farm World Finn constantly adding to the last soup his wife made that he has some very unhealthy tendencies maybe
Aziraphale and crowley are so character. Pretty much any way you turn them, it fits.
Asexual and in love? 100%. Lusting after each others' guts? Good lord Aziraphale looks at crowley like a tartalette on a plate. They are agender, they are all the genders simultaneously. Virginal Aziraphale whose ideal of a relationship is a chaste victorian novel? Near-cannon. Aziraphale who indulges in all pleasures of the body and by God has he spent some very very slutty p.B. (post-Bildad) years on earth?? I buy it. Crowley who actively chooses to express his hard-fought identity through his body and appearance also choosing to experiment sexually? Fits. Crowley who denies himself pleasures and only drinks hard alcohol and 6 espressos also keeps away from ever peeling off the 3 layers of black? Oh yeah. Demisexual crowley who only accepts touches from his only friend----???
They fucked at the Eastern gate----they have never kissed until their falling-out. So much packed into those human shaped beings I'm chewing glass

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Four episodes into the new Good Omens (no spoilers please) and the bullet catcher makes Aziraphale's season 1 suggestion of doing magic at Warlock's party so much funnier in hindsight.
Azipharle: I'll do my magic routine.
Crowley: *silently screaming remembering the time he nearly shot his husband on stage* Please don't.
Revolutionary Girl Utena (1997) - 10th Anniversary Remastered DVD Cover Artwork
Okay, so I know the reason the physics in Breath of the Wild and Tears of the Kingdom have so many weird exceptions and edge cases is because the games' designers are concerned foremost with puzzle-crafting, and only secondarily with producing a coherent world model, and nearly every bit of weirdness can be explained by the fact that some puzzle mechanic required the games' physics to work that way. There's simply no deeper unifying logic to be found, and trying to find it is a good way to give yourself a headache.
One of those pieces of weirdness lies in the relative weights of various objects, particularly in relation to Link, the player character. Some objects are incongruously heavy or light for their size because the puzzles in which they appear require them to be, and Link himself is weirdly lightweight, presumably because that was the easiest way to cause him to experience the exaggerated knockback that many puzzles require without making the forces involved ridiculously strong.
Most objects and characters which recur among the two games are at least consistent in this respect. However, it has been empirically determined that in Breath of the Wild, Link weighs the same as 8.5 apples, whereas in Tears of the Kingdom he weighs the same as 10 apples, and now I can't stop myself from wondering what fucking puzzle mechanic required Link to be exactly 1.5 apples heavier.
I'm more interested in the team meetings that likely resulted from this, considering Nintendo's fastidious approach to polish. I can imagine one camp bringing in chart after chart defending those extra 1.5 apples, and another more or less going "No, this is New Zelda canon, it cannot and should not be changed. Link is 8.5 apples heavy and any change to this base equation will run the risk of endangering the entire product line."
Link isn't heavier. As humans repopulate Hyrule, they're harvesting more apples earlier. Mean apple weight has gone down 15%.
Link gained weight from all that Sheikah tech he ate in between the games, which explains where it all went.
I forgot how good this game was
Just a ridiculous idea I had
Set at the beginning of season 2

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Iâve been very content sitting in my little corner of the internet, watching TFATWS, shipping SamBucky and analysing the showâs depictions of racism. I thought the bank scene was good. The Isaiah scene was important. The âBlack Falconâ scene was corny. And the racial profiling scene was unnecessary and redundant after so many unsubtle allusions to race and racism.
Come to find out there are legions of daft idiots on this site asserting that the show âisnât about race or racismâ in their eyes. I didnât even know that âopinionâ was an option. I thought the show was going overboard but apparently racism is open for non-Black fan interpretation.
DUMBIE #1
Your ignorance is stopping you from identifying instances of racism in the show. And thatâs not something to be proud of. Thatâs something you should get rid of so Black fans donât have to share fandom spaces with ignorant, close-minded people. Some Black fans have put together really nice posts about the instances of racism in the show. Go find those! But Black fans donât owe anyone spoon-fed lessons on racism. Weâre not here to teach you. Weâre here to have fun same as you. So read a book and watch a movie if you still need help understanding and identifying racism. Black fans donât owe anyone niceness. Black fans are allowed to be angry and upset when ignorant non-Black fans prioritize their comfort and âright to analyze media the way they wantâ over confronting racism in themselves and in fandom. Learning about racism wonât stop you from âenjoying the show.â Iâve known about racism my whole life and I enjoy the show a bunch.
DUMBIE #2
DUMBIE #3
DUMBIE #4
These same idiots decided that even if the show IS about racism, then Sam has no right to check Bucky since Bucky knows more about racism. In white fanon, James Buchanan Barnes, a 106-year-old white man, understands more about racism than Sam, a Black man, just so weâre clear. Their evidence is that Buckyâs imaginary Black friends and... Irish friends were discriminated against. I assume Bucky also marched alongside Dr. King since weâre just making sh*t up now. Thatâs also the extent of racism in their eyes, a Black manâs difficulties in marrying a white girl. I foolishly thought a Black personâs right to homeownership or not getting racially profiled was much more important. Silly me and silly Sam, I guess.
In conclusion, Sam is the main character in TFATWS. The show focuses on Samâs personal experiences with racism and how this impacts his journey to becoming Captain America. If you donât see that, I suggest you read up on redlining, mortgage discrimination, police brutality, institutional racism, and critical race theory. Google is free if you need more suggestions! Anthony Mackie himself starred in a movie about housing discrimination called The Banker. Watch that!
god do y'all know the POTENTIAL Jonny gave us with that ending all the auâs that arenât actually AUâs.  Jon and Martin coffee shop au where Martin is a barista and Jon is a surly customer that Martin has a crush on and Jon canât help but think he looks familiar and thereâs an odd sense of familiarity between them and theyâre just drawn to each other. Martin knows Jonâs name before he even says it for his order and Jon asks how he knows it and Martin blinks and says, you must have been in here before at some point and I heard it maybe. Jon just nods, yes that must be it. They get to know each other and eventually fall in love.  Jon has a scars. He had bad chicken pox as a kidâŚhe thinks he remembers that. Its fuzzy, maybe he was too young or the fever was too highâŚeither way he has pock mark scars from it all over his body. He vaguely remembers a bike accident as a teen where he ran into a tree and got a branch through his shoulder. The scar on his neck is tricky, he thinks as a kid he tried shaving like he saw his dad doing, but the scar is too long for the razor to have properly made itâŚmaybe it stretched as he aged. He burned his hand as a young adult, he was cooking and accidentally spilled oil. He ignores the fact that the burn looks like someone elseâs handprint.  Finally, thereâs a scar right under his left nipple. Its ugly and newer. He had a surgery, he thinks. Yes, thatâs right. A surgery. Something wrong with a valve maybe? Ignores the fact that a heart surgery scar wouldnât look anything like the one he has.  Martin traces his finger over it one day and cries. He doesnât know why. Jon holds him and tells him heâs fine now. They both are