they should invent a mother who is normal and says normal things and has normal interactions with her child

Janaina Medeiros
ojovivo

❣ Chile in a Photography ❣
noise dept.
Three Goblin Art
YOU ARE THE REASON

Product Placement
TVSTRANGERTHINGS
occasionally subtle
Mike Driver

Xuebing Du
almost home
Cosimo Galluzzi
trying on a metaphor
Today's Document

pixel skylines
cherry valley forever
d e v o n

Andulka
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@tit4ne
they should invent a mother who is normal and says normal things and has normal interactions with her child

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usurping is pretty cool. not as cool as desertion or mutiny but it’s not bad work if you can get it
What is the family? So deep runs the idea that the family is the exclusive place where people are safe, where people come from, where people are made, and where people belong, it doesn’t even feel like an idea anymore. Let us unpick it, then. The family is the reason we are supposed to want to go to work, the reason we have to go to work, and the reason we can go to work. It is, at root, the name we use for the fact that care is privatized in our society. And because it feels synonymous with care, “family” is every civic-minded individual’s raison d’être par excellence: an ostensibly non-individualist creed and unselfish principle to which one voluntarily signs up without thinking about it. What alternative could there be? The economic assumption that behind every “breadwinner” there is a private someone (or someones) worth being exploited for, notably some kind of wife—that is, a person who is likely a breadwinner too—“freely” making sandwiches with the hard-won bread, or hiring someone else to do so, vacuuming up the crumbs, and refrigerating leftovers, such that more bread can be won tomorrow: this feels to many of us like a description of “human nature.” Without the family, who or what would take responsibility for the lives of non-workers, including the ill, the young, and the elderly? This question is a bad one. We don’t hesitate to say that nonhuman animals are better off outside of zoos, even if alternative habitats for them are growing scarcer and scarcer and, moreover, they have become used to the abusive care of zoos. Similarly: transition out of the family will be tricky, yes, but the family is doing a bad job at care, and we all deserve better. The family is getting in the way of alternatives. In part, the vertiginous question “what’s the alternative?” arises because it is not just the worker (and her work) that the family gives birth to every day, in theory. The family is also the legal assertion that a baby, a neonatal human, is the creation of the familial romantic dyad; and that this act of authorship in turn generates, for the authors, property rights in “their” progeny—parenthood—but also quasi-exclusive accountability for the child’s life. The near-total dependence of the young person on these guardians is portrayed not as the harsh lottery that it patently is, but rather as “natural,” not in need of social mitigation, and, furthermore, beautiful for all concerned. Children, it is proposed, benefit from having only one or two parents and, at best, a few other “secondary” caregivers. Parents, it is supposed, derive nothing so much as joy from the romance of this isolated intensity. Constant allusions to the hellworld of sheer exhaustion parents inhabit notwithstanding, their condition is sentimentalized to the nth degree: it is downright taboo to regret parenthood. All too seldom is parenthood identified as an absurdly unfair distribution of labor, and a despotic distribution of responsibility for and power over younger people. A distribution that could be changed. Like a microcosm of the nation-state, the family incubates chauvinism and competition. Like a factory with a billion branches, it manufactures “individuals” with a cultural, ethnic, and binary gender identity; a class; and a racial consciousness. Like an infinitely renewable energy source, it performs free labor for the market. Like an “organic element of historical progress,” writes Anne McClintock in Imperial Leather, it worked for imperialism as an image of hierarchy-within-unity that grew “indispensable for legitimating exclusion and hierarchy” in general. For all these reasons, the family functions as capitalism’s base unit—in Mario Mieli’s phrase, “the cell of the social tissue.” It may be easier to imagine the end of capitalism, as I’ve riffed elsewhere, than the end of the family. But everyday utopian experiments do generate strands of an altogether different social tissue: micro-cultures which could be scaled up if the movement for a classless society took seriously the premise that households can be formed freely and run democratically; the principle that no one shall be deprived of food, shelter, or care because they don’t work.
Sophie Lewis, Abolish the Family
I see you’re trapped in my gay and stupid maze again
ok. I'm in the world. now what am I supposed to do

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Lou Benesch
Emil Cioran, The Trouble With Being Born
Andrew Wyeth, No Trespassing, 1991, watercolor on paper
Hilma af Klint, 1915-1917
more
biblically accurate yellowjackets

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Y'all have no idea how shitty the wifi is in my gothic castle
I have been in this gay ass room for ten thousand years
Yakovlev Family, 1993. Moscow, Russia. Lise Sarfati.
dear jackie
digital download | twitter
jackie and shauna's relationship has been marinading in my brain and would not let me rest until this zine happened. this project was done traditionally in watercolor with handwritten text (transcripts available in the image descriptions!)
you can see the behind-the-scenes, download the digital zine, and support my art on ko-fi! endless thanks to everyone who helped make this zine happen ❤️
Keanu Reeves on the set of ’Bill & Ted’s Bogus Journey’ 1991

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Ana Mendieta, Silueta Series, 1973-1978
Ellen Bass, ‘The Thing Is’