Haven’t had a chance to watch the tutorial yet, but I’m seriously considering making this for my gf’s niece

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@thimbil
Haven’t had a chance to watch the tutorial yet, but I’m seriously considering making this for my gf’s niece

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@namelessennes
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Jesus Tapdancing Christ... THIS is a good welt pocket and the people who designed Simplicity 2895 ought to be blasted well ASHAMED of themselves for the crap way THEY wanted a welt pocket made. *SNARLS*
This is how I learned to do it and a good example of what you want to see in a short form tutorial: pinning, pressing, seam finishing, good fabric handling.
I would mention that you can make the pocket facing with a small panel of your matching fabric that is visible and the rest in a lighter fabric to reduce bulk. That's a lot of denim layers for comfort.
✨👑Fairytale Friday👑✨
No Damsels in Distress Detected
Petronella watches her brothers ride off into the world to seek their fortunes and basically says…cute. My turn.
This week, we’ve got Petronella, written by Jay Williams and illustrated by Friso Henstra, published in New York by Parents' Magazine Press in 1974. The premise? A princess sets out to find a prince, not to marry, not to admire, but to rescue. What follows is a playful twist on familiar fairytale patterns, where expectations are turned on their head and the “hero’s journey” looks a little different than usual. Which, frankly, feels like the upgrade fairytales have been waiting for.
Jay Williams (1914-1978) had a long and varied writing career, moving between historical fiction, fantasy, and children’s literature. He co-created the Danny Dunn science fiction series, but in his fairy tales, you see a more mischievous side, playful, slightly subversive, and clearly interested in what happens when you nudge traditional story roles just slightly out of place.
Friso Henstra (1928-2013) was a Dutch-born illustrator who worked internationally, bringing a distinctive, expressive style to children’s books in the mid-20th century. His characters stretch, stride, and gesture like they’ve got places to be, Petronella especially, who looks far more interested in getting things done than posing prettily in a tower somewhere. There’s also something delightfully offbeat about the style; it has that slightly surreal, exaggerated quality that feels a bit like Yellow Submarine or even a touch of Monty Python's Flying Circus, a little absurd, and completely unconcerned with behaving properly.
Honestly? We love a girl who doesn’t wait for the plot to happen to her.
--Melissa (forever rooting for the girls who grab the story by the reins and keep going), Distinctive Collections Library Assistant
-View previous Fairytale Friday posts
--View more from our Historical Curriculum Collection
SON OF THE WHITE MARE aka FEHÉRLÓFIA dir. marcell jankovics (1981)

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more sketchbook beasts
jovial jug
toothy teacup
beautiful women named magenta cartridge low are trying to contact me on my printer

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MEW SNAP
It kind of fucks with me that somebody killed ötzi the iceman because ötzi himself is like whatever but the silent presence of human hands that drew back the string of the bow that shot the arrow that killed him is crazy. the idea that there were various people involved in that situation and while one of them has had his last hours painstakingly reconstructed and studied to no end, the others now only exist insofar that an arrowhead had to get into his shoulder somehow. imagine killing someone and then suddenly your entire existence is only a vague shadow implied by the fact that you killed them. much to consider
Testing the mummified bone marrow of ötzi to figure out his ancestry whole time there’s definitely another person, maybe more than one, standing in the room with us but I can never see or speak to them because I only know them through the assurance that they were there too in the form of one single arrowhead. I hate prehistory so much it’s unreal
I hate it too tbh

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Creature from the Black Lagoon (1954)