Various Things

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The sharpest, best-trained pilots make worse decisions when they're tired or sick or stressed out, so there's two of them. The most dedicated and experienced air traffic controllers garble an instruction over the radio sometimes, so pilots are trained to always repeat clearances back to catch misunderstandings quickly. The best and brightest maintenance mechanic still overlooks a screw or misconnects a wire once or twice in her career, so aircraft systems are built with two or three or four layers of redundancy, and pilots are exhaustively trained to deal with failures safely. 

Walnut was born in a species-recovery breeding program in the 1980′s.  The program had crane chicks hand-raised by human volunteers, and at that time they did not fully understand the measures necessary make sure that the chicks do not imprint on humans and retain their identity as cranes.  

As a result, her keepers believe, Walnut does not recognize other cranes as members of her own species.  

It has not been proven that Walnut killed her previous suitors; however, there is a persistent rumor in the white-naped-crane-conservation community that she did.  

Because this species is highly endangered, and the gene pool of the captive population is small, it’s pretty important for the survival of her species that Walnut A) mate, and B) not kill a bunch of other cranes.  

The actual name of the keeper is Chris Crowe.

They both arrived at the Smithsonian Conservation Biology Institute in 2004.   

Walnut immediately began paying special attention to Chris--and ignoring the eligible male crane in a nearby enclosure.  

Walnut initiated their courtship, performing the opening moves of a mating dance.  

Chris realized that if he reciprocated the mating dance, it might be possible to artificially inseminate Walnut with her participation and consent.  (The process normally involves restraining the bird.)  

It worked!  

Chris and Walnut have had five children, who were raised by other crane couples at the facility--sometimes the biological dad and his mate--both because it’s unclear whether Walnut would accept the chicks as her own, and because Chris is not equipped to be a Crane Dad.  

However, the Institute provides her with artificial eggs to sit on, and Chris takes his turn looking after them.  (This would not work with real eggs because he can’t sit on them properly, but Walnut seems to feel that he is on the job if he just stands over them.)

she has not been PROVEN to have killed her exes, but there is a PERSISTENT RUMOR (really officers she's simply DEVASTATED, she sobs, wearing a new feather boa unfortunately resembling her most recent deceased husband)

His name is Chris CROWE. (Mrs. Walnut Crane-Crowe?)

the mental images of a whole human man learning and performing the crane mating dance, and "sitting" on artificial eggs so she thinks he's performing his duties as a husband and father (and apparently OBJECTS if he does not?)

"chris, buddy, you gotta marry the possibly-murderous crane lady for the GOOD OF THE SPECIES." (alternately: "chris, my man! good news! we found you a very interested lady! She's 36, she's very spirited and independent, she holds a very important and rare status in her society! ...Is there a downside? WELL...")

@watchanddream Sure! This got a bit lengthier than I intended, but I wanted to try and be thorough.

Put far too simply, xenia is the practice of hospitality, but it's also a ritual and in a sense a contract between guest and host. When a stranger arrives at your doorstep, you're expected to feed them and give them a gift as the host. Typically, you're not even supposed to ask them their name until they've finished their meal. Once you've done this as the host, the guest is now expected to share stories and information about themselves, and not burden you or your household. Typically, people focus on how hosts violate xenia, but guests can also violate xenia.

This is called a guest-friendship, and once it's established, you are expected to offer the same to your host should they ever visit. It's a ritual of hospitality, yes, but it's also used to establish alliances and can be passed down through generations. For example, in the Iliad, when Glaucus and Diomedes discover that their grandparents were guest-friends, they decide not to fight, but rather exchange armor.

Theoxeny is a common story you see in myth where a god (typically Zeus) disguises themselves as a mortal and requests to be hosted by someone. Should the host follow the rules of xenia, they'll be rewarded, but if they fail, they'll be punished or killed.

This is important to the Odyssey, as it comes up multiple times, but in particular, the cyclops, and the suitors. In both these instances, Odysseus arrives disguised and gives a false name, the practices of xenia are failed, and Odysseus reveals himself and punishes the one that failed to follow xenia. The suitors in particular fail xenia, as they both fail as hosts, AND as guests, for burdening Odysseus's household.

Homophobic christians love to act like Sodom was wiped out for being gay, but what actually is meant to be understood from this story is that when divine strangers came to town, Lot's family not only took them in, but also took violence upon themselves for defending the visiting angels, to stave off the other people in the city who intended to rape and rob the stranger. For this, Lot's family is spared while the city is destroyed. Skeptical? This story from genesis is even given explicit interpretation instructions later in the Bible-

Ezekiel 16:49-50 — Now this was the sin of your sister Sodom: She and her daughters were arrogant, overfed and unconcerned; they did not help the poor and needy. They were haughty and did detestable things before me. Therefore I did away with them as you have seen.

The withholding of food when they had plenty is also the original definition of gluttony, but that's almost secondary.

My wife pointed out to me the other day that apparently most people were literally only taught how to say Sorry and not how to Apologize or even that they are different things so here.

why do you never engage with black characters, why do you always think the same type of character is transmasc/fem, why do you only find romance interesting to the point of ignoring plotlines so you can create ships