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Strawberry Shortcakes (2006) | dir. Hitoshi Yazaki

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Thomas Bernhard, Café Bräunerhof ,1988, por Sepp Dreissinger

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Cloud Study (detail) by John Constable.

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Spring, 1890. Thomas Wilmer Dewing. Oil on canvas

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“It is in our relations with other people that we gain a sense of ourselves; it’s that, pretty much, that makes relations with other people unbearable.”

— Michel Houellebecq, Platform

dailyworldcinema

“It had been a bleak ordeal, like a harsh winter. But the trees that line the streets can sprout new buds, no matter how cold the wind. I too must be just as strong as the winds that gust around me.”

When A Woman Ascends The Stairs ( 女が階段を上る時) (1960) (Directed by: Mikio Naruse, Japan)

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Eilif Peterssen (1852 - 1928)

Kveld, Sele (Gedine on a Hillock), 1896

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Lea O'Connell

Le Grand Hôtel Campo del Fiori abandonné à Varèse, en Italie, construit en 1912.

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Yukio Mishima, Paris, 1965.

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Fireworks over Lake - Mia Bergeron , 2026.

American, b. 1979 -

Acrylic on flat panel , 6 x 6 in.

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“I sometimes think that people’s hearts are like deep wells. Nobody knows what’s at the bottom. All you can do is imagine by what comes floating to the surface every once in a while.”

— Haruki Murakami, Blind Willow, Sleeping Woman

sanminzhuyi

Two young people reading in the Purple Bamboo Park of Beijing, 1957-59.

Photo by Brian Brake.

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2012年07月14日

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Kurt Solmssen (American b.1958), Spring Interior, 2026, Oil on canvas, 60" x 62"

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thirdity

“Fantasy is nearer to poetry, to mysticism, and to insanity than naturalistic fiction is. It is a real wilderness, and those who go there should not feel too safe.”

— Ursula K. Le Guin, The Language of the Night

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Lilies, (Detail), (1874), by Gustav Pope (Austrian-British, 1831 – 1910), signed ‘G. Pope’ and dated ‘74’ lower left oil on canvas, 32 x 24 in. (81.3 x 61 cm.), Private Collection

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