Another winter arrives, and I have watched the sun sink into the horizon here more times than I can count. This place is my fortress — and also my prison.
source: woodsigh

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@theoceanislikeyou
Another winter arrives, and I have watched the sun sink into the horizon here more times than I can count. This place is my fortress — and also my prison.
source: woodsigh

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Waterfall Hiroshi Senju (b. 1958) Japan and United States, 2024 Pair of six-panel folding screens; natural pigments on Japanese mulberry paper
photo: David Castenson
The Shoe-Buckle Cluster (M35, left) and NGC 2158 (right) // Lodewijk van Pol
Johan Christian Dahl, Moon Night Over Dresden, 1827
Sun stone

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Charles John Allen
the relationship between a girl and the local public library is intimate and divine
John William Waterhouse, The Annunciation (detail), 1914
Study of Clouds with a Sunset near Rome, (detail), (1786 - 1801) by Simon Alexandre Clément Denis (Flemish, 1755 – 1813), oil on paper, 338 mm (13.30 in) x 394 mm (15.51 in), Getty Center, Los Angeles

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“Your love has passed through me and now I feel my mind something like an opal, that is, full of strange uncertain hues and colours, of warm lights and quick shadows and of broken music.”
— James Joyce (via imashybear)
Sunset, Mount McIntyre, 1907 by James Henry Moser (Canadian, 1854-1913)
A detail from the 1847 marble sculpture "Woman Bitten by a Serpent" (Femme piquée par un serpent) by French sculptor Auguste Clésinger.
A living being can never be defined by its work but only by its inoperativity, which is to say, by the mode in which it maintains itself in relation with a pure potential in a work and constitutes-itself as form-of-life. The painter, the poet, the thinker—and in general, anyone who practices a poiesis—are not the sovereign subjects of a creative operation and of a work. Rather, they are anonymous living beings who, by always rendering inoperative the works of language, of vision, of bodies, seek to have an experience of themselves and to constitute their life as form-of-life.
— Giorgio Agamben, The Use of Bodies, trans. Adam Kotsko (Stanford: Stanford University Press, 2016)
Catania

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Glacial Rivers at Sunset - Iceland 2026
Solar eclipse in Florence, Italy, in 1961