It was important to me that she puts emphasis on the TOK

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@theocrass
It was important to me that she puts emphasis on the TOK

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I think anyone comparing the ship they hate to Obsession (something I've noticed Kataang haters do) is basically what happens when someone who usually only watches kids' media interacts with something a little bit more mature and dark for the first time and in the instant makes comparisons that have nothing to do with each other.
Instead of recognizing that both media are vastly different, or the very real subtext and topics the movie deals with are not even comparable to the flaws presented in a kids show, these parallels are drawn in such a pretentious way that it makes me doubt you actually watched Obsession and not a 30-second short describing it as being about a "man abusing a woman." No, I don't consider you an adult if you remotely compare 12-year-old Aang for kissing Katara once because he was confused with Bear from Obsession. At some point in your life, you have to stop comparing a character from a children's show to a rapist and misogynist who objectifies women just because you think Zuko is hotter.
this website lets you listen to the sounds of all different forests around the worldĀ
Reblogging again cause I tried this site last night and if you need background noise to focus this is perfect for that, I was locked the fuck in on a task. And itās also just gorgeous to listen to
šš„

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"Cave Johnson here. Human beings only use 10% of our brain. And personally, I think that's way too much. Thinking burns calories and food ain't cheap. I bet we can get it down to 7%. Maybe even 5. Way more efficient."
"Cave Johnson here with a few updates. Turns out humans use 100% of our brains. Which is probably why our Aperture Science Unthinking Cap didn't increase employee efficiency one bit. On the bright side, we discovered a new method to create zombies. That's the third one this month. Good job, team."
discovered my aunt uses generative AI, day ruined
A tragedy in four parts
I just canāt believe some of u are soooo young u didnāt experience the early 2000s at all like even briefly . U were born and ur mother door dashed you home from the hospital
actually i was in the NICU for a couple weeks after being pieced together by surgeons but whatever lmao
Thatās because she used klarna. To pay through 4 easy installments with no interest

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Justice League (2001-2004) 2x23 - "Comfort and Joy"
they've already got a guy! you know it!
(based on a cover of "Go For It, Nakamura!")
Something neuroscience-y that helps with prose: attention is selective. A character will not notice everything in a room. They will notice what matters to their goal, fear, desire, training, wound, or obsession. A jealous character notices hands. a hungry character notices food. A soldier notices exits. A lonely character notices pairs. Description becomes character when attention has a bias.
I think my favourite part of the whole DSA "insurgency" is just how baffled the neolibs seem to be that they can't just spend massive amounts of money on ads and defeat challengers automatically. Like, they actually need to campaign to win, and this a serious problem for them because (1) they've been letting the capacity to do this atrophy for decades, and (2) they actually need to have policies that excite volunteers enough to go out and pound the pavement for them, and if they'd had those, they probably wouldn't be being primaried in the first place.
That video of Alex Hirsch reading S&P notes for Gravity Falls conveys a few things to me:
1) the U.S. entertainment industry (especially animation) is run by older conservative types who make up offensive terms and get really mad about them.
2) the people who run Disney would be the first to fall in line with a fascist regime.
3) most of the media we consume is tailor-made and watered-down to appeal to the tastes of older, deeply religious conservative audiences.
4) conservatism, not the left, is and always has been the biggest voice of censorship in American culture.
J. Michael Straczynski, creator of Babylon 5, was before that a producer and writer for a number of cartoons in the late ā80s/early ā90s (The Real Ghostbusters and the original She-Ra, most notably). After a few years of dealing with the censors and their obsession with finding Satanism (or at least looking for Satanism to further political agendas) he wrote an article about the whole corrupt and bullshit system.
And published it in Penthouse, to force those same censors to buy a skin mag. The editor there asked, why Penthouse?
That one is from his autobiography, Becoming Superman. See also:
(As he goes on to say, heās never worked in animation againāheās effectively been blacklisted by the cartoon industry.)
Every time something like this comes up, I remember two stories about making media. The first is about movies, and comes from Quentin āFeet Manā Tarantino.
When he was making Pulp Fiction, he was worried that the MPAA would object to the high level of violence in the film, so he shot a bunch of extra-gory stuff that he didnāt actually want in the film, and added it in before submitting it to the MPAA. Predictibly, they asked him to cut most of it (without even commenting on some of the things that had him worried, like the bits of Marvinās skull that lodge in Samuel L. Jacksonās hairpiece). The resultant cuts were actually more permissive than heād expected, so he cut a little more and submitted it, and it got passed with an R.
The second story is about that artist on Morrowind whose name escapes me (Iām not a big ES fan tbh) who figured out that if he made two creature designs, one weird and what he wanted, and one even weirder, he could get Todd Howard to agree to just about anything by showing him the whopper first, then going back and āworkingā for another few hours on a second, ātoned-downā version, and it worked every time.
The reason I bring these up is that the thing that drives censors isnāt some extant physical rubrick of what is and isnāt acceptable, itās the idea that they can have absolute power over someone elseās creative work. Itās about the social dominance of the interaction.
There is nothing so innocent, so clean, that a censor will not find some fault with it. Because they must find something wrong with it to justify their existence, and because it makes them feel powerful.
This is true of all censorship.

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when people say "death to america" they mean they want the communist death army to storm every city in america and kill everyone there including babies and old people and animals too and then they are going to take a bunch of bulldozers and dynamite and such and demolish all of the buildings and trees and mountains and everything until the entire country is just a smoldering crater. just wanted to clear that up
this is wrong
Yeah, she couldāve done this in her standard Sailor Moon form. Super form is overkill, really.
Sailor Moon is stronger than Goku. I donāt make the rules. Fight me about it.
What!? š
Iām on a still active forum, with a solid vs debate scene. Sailor Moon vs. the God-Emperor of Mankind from 40k is one of the most treasured threads there, as Sailor Moon trashed the guy.
19 pages straight of debate over Sailor Moon vs. God-Emperor of Mankind, in which every time a 40k fan desperately brings up a new point, it immediately gets negated by another one of Sailor Moonās powers