buni (c)

People killed: around three quarters of a million.

this guy was often one of the first people on the scene following a suspected arson, once emergency services had done what they needed to do. at times, there were also civilians on the periphery. often, they were freaking out, and understandably so; their home or workplace had just, quite literally, gone up in smoke

this investigator wouldn’t try to calm them down. he wouldn’t comfort them or be a shoulder to cry on.

instead, he’d walk up to the person most visibly losing their shit, hand them a fire extinguisher, and say “hey, can you keep an eye out for any other fires, and if you see one, can you put it out with this?”

of course, there was no actual risk of another fire. he wouldn’t be on the scene investigating if there was even a chance that the fire wasn’t completely put out. but the bystander didn’t need to know that

because that person, without fail, would immediately pull it together, take the fire extinguisher, and stand guard. they were, at least temporarily, calm enough for this investigator to do this job

The artist is in the box, made up as a marionette and the viewer can use pulleys and switches to position the artist's limbs and to change the background and lighting of the box and can type a short prompt for the artist to repeat and act out verbatim.

The viewer has to drop a token (provided as part of the piece) into a coin slot and work a crank to complete the prompt. While the artist is acting out the prompt, the prompt is printed on a photo strip that includes a picture of the prompter (taken by a hidden webcam on the booth). One copy of the prompt and photo is spit out along with the cranked token (which has the phrase "it's what you make of it" and an image of a clown pressed into it) for the viewer to keep, one copy of the prompt and photo is spit out inside the booth where the artist can collect it after completing the prompt.

And they will walk away with their prompt attributed to them with their photo and a coin they used their energy to mint into a reminder that the art is what they made of it. And their creation is documented in the hands of the artist as well. What did they put into the world? What did they decide to say when they had a chance to say anything? What were they comfortable saying before they realized that someone would quote them on it? What did they make of it, and how would they feel if their photo was attached to their prompt in a book or video or somewhere that people might see it?