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The Stonewall Inn
almost home
occasionally subtle
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@theartofmadeline

Love Begins
Fai_Ryy

bliss lane
taylor price
PUT YOUR BEARD IN MY MOUTH
sheepfilms
The Bowery Presents
h
EXPECTATIONS
★
Not today Justin

titsay

seen from Malaysia
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seen from Malaysia
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seen from United Kingdom
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seen from Malaysia
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seen from Türkiye

seen from United States
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@thelonguepuree

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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Ryan Dombal: ...your career is a good example of how being an underdog isn’t necessarily something to overcome. Robert Wyatt: Well, that's about the nicest thing anybody's said to me in years. I hope that's the truth. It's not even a moral question. It's a question of pride. You have to be able to look at yourself in the mirror, and I don't know how some people do that. God knows I've been so wicked and selfish in the past, but nevertheless, I do really think the things I think and support the people I support. I would encourage people to realize that you don't have to panic if you're not part of a mainstream or if you find yourself outside the flow. If it doesn't suit you, don't go along with it. Just sit it out and get your stuff done. Don't just sit moaning or getting drunk—I spent some years doing that. But if you can just come up with something of your own, however minor it is, that's going to be easier to live with when you're at the end of your life.
The Movie Run Backward
The words will one day come back to you, birds returning, the movie run backward. Nothing so strange in its talk, just words. The people who wrote them are the dead ones. This here paper talks like anything but it is only one thing, "birds returning." You can "run the movie backward" but "the movie run backward." The movie run backward. —Robert Creeley, from Mirrors (1983)
a favorite poem
“No more Guernicas, no more Auschwitzes, no more Hiroshimas, no more Setifs. Hooray! But what about the impossibility of living, what about this stifling mediocrity and this absence of passion? What about the jealous fury in which the rankling of never being ourselves drives us to imagine that other people are happy? What about this feeling of never really being inside your own skin?” ― Raoul Vaneigem, The Revolution of Everyday Life
refreshing my interlibrary loan account at 10:03 pm cause that's how desperate I am for serotonin I guess

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In presenting itself, it becomes effaced; in being sounded, it dies away…
“Hay indicios de que el mundo de los hombres pueda salvarse antes de que desaparezca por obra de las leyes naturales. Pero al mismo tiempo hay indicios de que el mundo de los hombres desaparezca por obra de los propios hombres y de la fuerza negativa que ejerce lo que podríamos llamar su anticonciencia, o sea el reverso de la conciencia de la perpetuidad. Mi intento es explicar todo lo anterior a través de la lucha cotidiana, común, antiheroica, de hombres vivos y reales, que luchan por dar un significado apersonal a su existencia, así como a través de los que no quieren o no pueden darse ese sentido.”
José Revueltas, Apuntes de un diario
Kalevipoeg statue in Glehn Park, Tallinn, Estonia
Russian vintage postcard
mina loy

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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A Dozen Cocktails — Please
No spinsterlollypop for me—yes—we have No bananas—I got lusting palate—I Always eat them ——————— They have dandy celluloid tubes—all sizes— Tinted diabolically as a baboon’s hind complexion. A man’s a— Piffle! Will o’ th’ whisp! What is the dread Matter with the up-to-date-American- Home-comforts? Bum insufficient for the Should-be well groomed upsy. That’s the leading question. There’s the vibrator—— — Coy flappertoy! I am adult citizen with Vote—I demand my unstinted share In roofeden—witchsabbath of our Baby- Lonian obelisk. What’s radio for—if you please? “Eve’s dart pricks snookums upon Wirefence” An apple a day—— — It’ll come———— Ha! When? I am no tongueswallowing yogi. Progress is ravishing— It doesn’t me— Nudge it— Kick it— Prod it— Push it— Broadcast———— That’s the lightning idea! S.O.S. national shortage of— — What? How are we going to put it befitting Lifted upsys? Psh! Any sissypoet has sufficient freezing Chemicals in his Freudian icechest to snuff all Cockiness. We’ll hire one. Hell! Not that! That’s the trouble— — Cockcrow silly! Oh—fine! They’re in France—the air on the line— The Poles— — — — — — Have them send waves—like candy— Valentines— — — — “Say it with— — — Bolts! Oh thunder! Serpentine aircurrents— — — Hhhhhphssssssss! The very word penetrates! I feel whoozy! I like that. I don’t hanker after Billy boys—but I am entitled To be deeply shocked. So are we—but you fill the hiatus. Dear — I ain’t queer — I need it straight — — A dozen cocktails — please — — — — Elsa von Freytag-Loringhoven
Paul Klee
Mourning (1934)
If my mind could gain a firm footing, I would not make essays, I would make decisions; but it is always in apprenticeship and on trial.
Michel de Montaigne, “Of Repentance”
I do not like Chaplin’s work, but I have to admit the good intentions and the enviable laurels. Let all the Art Museums invite him in, as tentative adviser, if not a chastened performer. … Only let him come in person, not in film, till we hear him speak, and consider his suggestions, and make sure he has eaten of the mystic Amaranth Apples of Johnny Appleseed.
Vachel Lindsay, The Art of the Moving Picture (1922 edition)

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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“don’t put all your eggs in one basket” uhhh where else am i supposed to put them lol. that’s my #eggbasket dumbass
But what is memory if not the language of feeling, a dictionary of faces and days and smells which repeat themselves like the verbs and adjectives in a speech, sneaking in behind the thing itself, into the pure present, making us sad or teaching us vicariously.
— Julio Cortazar, Hopscotch. Trans. by Gregory Rabassa. (Pantheon Books, 1966)