Viktor KolářÂ

bliss lane

we're not kids anymore.

Origami Around

oozey mess

blake kathryn
Xuebing Du
taylor price

#extradirty
Today's Document
EXPECTATIONS
Misplaced Lens Cap
Not today Justin
let's talk about Bridgerton tea, my ask is open
2025 on Tumblr: Trends That Defined the Year
Show & Tell
he wasn't even looking at me and he found me
Jules of Nature
The Stonewall Inn
seen from Russia

seen from Italy
seen from United States
seen from United States

seen from TĂĽrkiye
seen from Greece

seen from Italy

seen from TĂĽrkiye
seen from France

seen from Malaysia

seen from United Kingdom
seen from Italy
seen from Germany

seen from United States
seen from Malaysia
seen from Malaysia
seen from United States

seen from T1
seen from France

seen from Italy
@godzilla-en-mexico
Viktor KolářÂ

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
“The big event that rips through the heart of things and changes life for everyone, the unforgettable moment when something ends and something else begins. Was that what this was, he asked himself, a moment similar to the outbreak of war? No, not quite. War announces the beginning of a new reality, but nothing had begun today, a reality had ended, that was all, something had been subtracted from the world, and now there was a hole, a nothing where there had once been a something, as if every tree in the world had vanished, as if the very concept of tree or mountain had been erased from the human mind.”
— Paul Auster, 4 3 2 1
“You learn by doing. You have to read a lot to be a writer. But I don’t think it necessarily makes you better. Only writing a lot does that. It would be ridiculous to say that going to museums makes you a better painter. It just doesn’t. Of course, it makes you better in the sense that you learn from observing, but if you don’t get your hands dirty every day with the paint, you will not become a better painter.”
— BOMB Magazine | Laia Jufresa by Valeria Luiselli
Leonard Cohen | Nashville, TN | 1968
Photo: Tony Vaccaro
Is there a satisfaction in the effort of remembering that provides its own nourishment, and is what one recollects less important than the act of remembering? That is another question that will remain unanswered: I feel as though I am made of nothing else.
– Jacqueline Harpman, I Who Have Never Known Men

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
In another life I would have loved being just as weird with you all on some obscure forum with little to no moderation
Bruno Bourel, Man With Balloon, 1991
“We are not,” Jacques Rancière remarks, “in front of the images; we are in the middle of them, just as they are in the middle of us. The question is to know how to circulate among them, and how to get them to circulate as well.” Jacob Lund. 2022. The Changing Constitution of the Present: Essays on the Work of Art in Times of Contemporaneity. London: Sternberg Press.
Edmond Simpson “The Ghost Of Rudolph Valentino” (Dali-Porodina-vintage) (07-26)
brazil is like. we have several trans deputies in senate. this isd the country that most kills trans women. we have the biggest pride parade in the world. hundreds of people get kicked out of their house for being lgbt every year. we have several laws against violence against women including the 'femicide' - a term most western countries havent even heard of - law. one woman is murdered by a man every 8 hours. sĂŁo paulo is the grafitti capital of the world. kids get beat up by cops for grafitting their neighborhoods. we are the soccer country. a goalkeeper murdered his girlfriend and fed her to the dogs and hes still playing today. there are hundreds of art installations in prestigious museums about the military dictatorship. an ex-president publicly praised one of these torturers. we are home to the biggest rainforest of the world. elon musk specifically brought starlink to brazil so that illegal miners could exploit the amazon. a president took brazil out of the UN map of hunger. that president was arrested under illegal charges

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
« All was hushed and dream-like, and there was no sound save the murmur of happy insects, which seemed like the humming of the sunlight itself. »
— Richard Le Gallienne, The Highway to Happiness (1913)
« Insect swarms are dancing in the sunbeams, burrowing in the ground, diving, swimming, a cloud of witnesses telling Nature’s joy. »
— John Muir, Our National Parks (1901)
“I’m always curious to hear how something was made—though I have no interest in why an artist did something, or what his work means. Like with Jackson Pollock: I’m always interested in what kind of paint and canvas he used, I just don’t want to know what he meant. You’re supposed to expand your mind to fit the art, you’re not supposed to chop the art down to fit your mind.”
— Soderbergh, hero extraordinaire (via vinylisheavy)
... to wait, banditlike, to ambush the word, the image.
— Ana Belén López, Sin Puertas Visibles: An Anthology of Contemporary Poetry by Mexican Women, transl by Jen Hofer, (2003)
that one mutual who blogs like a riddler
I: What is your earliest memory of poetry? - A: The first poem I ever heard was by Aleksandr Blok, on the radio in a small village in Sardinia. It’s an early work that begins, “Carried on the breeze, / the Spring’s music drifted from far, far away.” The poem was about space and wind—how the wind breaks open the clouds to reveal a strip of blue sky.
I: What was it that moved you? - A: When I was seven, a member of my family, a person I loved, died in front of me. Suddenly her body was a thing without a voice. Listening to Blok’s poem—I was thirteen or fourteen—I thought that perhaps poetry could create a relationship with absence, with death, transposing the present into another space and time. I: Does this relationship with absence remain the reason why you write poems? - A:I write to intensify reality and at the same time to undermine it, as Emily Dickinson does when she says, “Bring me the sunset in a cup / Reckon the morning’s flagons up.” The miracle of this poem is the dislocation of the relationship between the domestic and the universal. The visible is there, but reimagined by the swerve from ordinary perspectives and scales. Antonella Anedda, The Art of Poetry No. 109 Interviewed by Susan Stewart

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
Fernandino Scianna
idk i would personally rather give up access to certain products seasonally or locally than have people enslaved to give me the ability to have any product any place any time. i think i can go without tomatoes in january.