Photographed by Paul Almásy

JVL
official daine visual archive

★
🩵 avery cochrane 🩵
Stranger Things

if i look back, i am lost
art blog(derogatory)
Claire Keane
noise dept.
EXPECTATIONS
almost home
KIROKAZE
Xuebing Du
todays bird
Mike Driver

tannertan36
I'd rather be in outer space 🛸
untitled
d e v o n

⁂
seen from United States

seen from United States
seen from Malaysia
seen from Sweden
seen from United States

seen from Greece

seen from Oman
seen from Pakistan
seen from Cyprus
seen from United States
seen from United States
seen from Spain
seen from United States
seen from Iraq
seen from Pakistan

seen from Ukraine

seen from Serbia
seen from India
seen from Indonesia
seen from Bangladesh
@godzilla-en-mexico
Photographed by Paul Almásy

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
“Grammar is a piano I play by ear, since I seem to have been out of school the year the rules were mentioned. All I know about grammar is its infinite power. To shift the structure of a sentence alters the meaning of that sentence, as definitely and inflexibly as the position of a camera alters the meaning of the object photographed. Many people know about camera angles now, but not so many know about sentences. The arrangement of the words matters, and the arrangement you want can be found in the picture in your mind. The picture dictates the arrangement. The picture dictates whether this will be a sentence with or without clauses, a sentence that ends hard or a dying-fall sentence, long or short, active or passive. The picture tells you how to arrange the words and the arrangement of the words tells you, or tells me, what’s going on in the picture.”
— Joan Didion, Why I Write (via troykelleher3)
Naples 1880/85
Introducing yourself to people is so embarrassing. Like hey this is my stupid fucking name, I enjoy exactly 3 things, and am clearly anxious. please don't immediately hate me
Fragments of a vessel which are to be glued together must match one another in the smallest details, although they need not be like one another. In the same way a translation, instead of resembling the meaning of the original, must lovingly and in detail incorporate the original's mode of signification, thus making both the original and the translation recognizable as fragments of a greater language, just as fragments are part of a vessel.
— Walter Benjamin, The Task of the Translator (1923)

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
In front of a US Senate Committee—and later in his book, The Brainwashing Machine—Ruff detailed the horrific treatment he had received at the hands of the secret police. After the usual attempts at heavy-handed interrogation (as an opener, he was asked to confess; when he refused, his interrogator smashed him in the face with a cast-iron ashtray, knocking out two teeth), Ruff was led to the room where, he was told, Mindszenty had been ‘broken’. A doctor took him aside and warned him that in the ‘Magic Room’ he would either confess or end up schizophrenic. The room itself, and everything in it, was irregularly shaped to eliminate right angles and create visual disorientation. The door was oval. Inside, lights rotated constantly and moving images were projected on to the walls. Furniture was translucent and the bed sloped at an angle to make sleep impossible. Strange sounds were played through hidden speakers, so that Ruff might go to sleep listening to music but wake to the screams of women being tortured. Mealtimes were varied: he was sometimes served meals twice, five minutes apart, to confuse him. Repeatedly drugged, he would go to sleep naked but wake up dressed, or vice versa.
-- Dominic Streatfeild, Brainwash
As historians have shown, there is no evidence that pure barter economies ever existed, anywhere; instead, the historical record is rich with human societies in which credit came first, deeply intertwined within moral and cultural systems, with money and markets developing only later, via the state. Capitalism benefits from the fiction that free trade is natural and that there are neat divisions between different spheres of behavior, most importantly the marketplace. “The economy” is to be left to its own devices, to be navigated by individuals, to be studied mathematically by economists, to be tinkered with only on the edges by technocrats.
Andrew DeWaard, Derivative Media: How Wall Street Devours Culture
god please take away all my pain and give it to javier milei, rodrigo paz, jose antonio kast, abelardo de la espriella and jair bolsonaro
Diaries, Notes and Sketches / Walden (1969, dir. Jonas Mekas)
“If I had done this, if I had said that, in the end you are always more tormented by what you didn’t do than what you did, actions already performed can always be rationalized in time, the neglected deed might have changed the world.”
— Damon Galgut, In a Strange Room

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
Le feu follet (1963), dir. Louis Malle
touching grass isn’t enough i need to open a portal
“Language is my home. It is alive other than in speech. It is beyond a thing to be carried with me. It is ineluctable, variegated and muscular. A flicker and drag emanates from the idea of it. Language seems capable of girding the oceanic earth, like the world-serpent of Norse legend. It is as if language places a shaping pressure upon our territories of habitation and voyage; thrashing, independent, threatening to rive our known world apart."
— Vahni Capildeo, Going Nowhere, Getting Somewhere
“A point, a line, alignment. Lovely the lingering lights along the shore as the century lays itself out for observation: hunger and the youthful indiscretion. I am one of many, or not even one, but am of many one who watches the waves and allows the particulate sand its say, say, its sound, susurrant. Of many one engaging the ear as if the Pacific meant its name, as if the edge of continent contented us with boundary. Draw a line from A to B. Live there.”
— Curve of Pursuit, Bin Ramke
“Things that rain, and things that grow. They are all that hold my interest. (Until the things that rain have grown, and the things that grow have poured.) Things that rain, and things that grow. They are all that I desire. (Until the things that grow cease to grow, and the things that rain no longer rain a single drop.)”
— Takashi Hiraide, from #3, “For the Fighting Spirit of the Walnut” (translated by Sawako Nakayasu) (New Direction Books, 2008)

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
The Web, c. 1950s