As promised, Mamamoo completes their year long project ‘Four Seasons Four Colors’ with the release of their ninth mini album ‘White Wind’ on March 14. ‘Four Seasons Four Colors’ had goals of building up Mamamoo’s artistic repertoire by exploring new sounds that are unexpected of the group. Using seasons and colors for the concept gives the quartet wide range to accomplish these goals. Reviewing the last two mini albums (‘Red Moon’ and ‘Blue;s’) have been awesome, and I felt obliged to post about the final piece of the project.
The concept for this album treats white as the blank canvas for Mamamoo to freely create an array of colors by using the colors they had showcased in the past, conceptually both primary and neon colors. Mamamoo pays homage to their start as they use their bright colors in a modernized way parallel to their jazzy, retro-pop concept of debut. The way they are bolder and cooler with the pop of neon gave me the essence of their previous releases under the primary colors. Even the album cover design used a gradient accent of blue and purple that reminded me of their mini album cover for ‘Purple’ that was released prior to this project, which they first expressed the concept of mixing colors to symbolize a new sound. With all this said and seeing the teasers, I wondered if they were in any way revisiting their old sound.
I’ll be quoting Mamamoo as they gave descriptions of each song in their highlight medley video.
R&B song that expresses the heart fluttering feelings of waiting for a destined lover, as if they’re playing hide-and-seek.
This track took me by surprise by how airy and light the production was. The plucked chords reminded me of strings from the violin family, and the flute synth notes created a refreshing, dreamy sound. If you listen closely during the pre-chorus you can hear xylophones chiming in and it plays as a cute little accent. These parts gave me the feeling that I was probably going to transcend into heaven, but the guitar and the main beat helped balance out the mentioned parts as if to keep listeners grounded. The vocals expressed well about wondering where their future lover is. Although Mamamoo sang lightly, they didn’t sound weak or broken but rather firm. The way the song ended felt abrupt and awkward, only to realize it emphasized the wonder that surrounded the repeated question.
The song uses the ‘jijibee (…)’ from Kim Gunmo‘s ‘Jjanga‘ as a motif for the lyrics and melody. You will be able to see Mamamoo having fun and enjoying themselves without clinging to past loves or things that have happened.
Mamamoo embodies a liberating dance track here. Solar and Hwasa have entrancing control of the refrain as it draws you in and encourages you to continue partying with the group. Wheein delivers her lines in a sassy and chic way that you can forget her soft side. Moonbyul, raps her self-written lines coolly and with ease, and I appreciate her parts had two differing tones. The chorus’ melody reminded me of R&B girl groups of the 1990’s, which gave a different kind of retro vibe (compared to their rookie funky-pop releases). Within the chorus, the line where the members sang in unison gives emphasis to the theme of letting everything go. Yet, I find the theme ironic when the arrangement and production of this song sounded like it was crafted carefully and intricately. I never would have thought the combination of reggaeton and this latin guitar riff would be tasteful. So this is a fun, colorful track that will make you move in any way as you please.
Check out ‘Jjanga‘ by Kim Gun Mo, who co-composed this track.
Bossanova-style song that tickles your heart like a spring wind, and has witty lyrics. It’s a song that’s like listening to a friend who has fallen in love and can’t hide their heart fluttering excitement.
When the simple instrumentals started playing, I already had good feelings towards this song as it sounded upbeat and sweet. ‘Waggy’ really oozes fluttering affection, perfect for the spring season. The vocals are charming as they sing like a fresh breeze, and bounced to the rhythm like animated springing flowers. Mamamoo’s “beagle” humor could not be avoided as they added cute but subtle animal sounds throughout the song. The trumpet solo was a nice, classy touch that rides along the track’s wholesomeness. This quaint song was a little reminiscent to their similar, but more relaxing bossa nova track called ‘My Hometown’ (2016). It was nice to hear Mamamoo do this style of song again as it reminded listeners of their strength in making something a little old sound new while maintaining their boisterous group personality. You can definitely see this come to life as they performed ‘Waggy’ on music shows as they dressed up in various costumes and finding amusement out of Hwasa’s tsundere attitude.
…still clumsy at 25, missing her natural, pure younger days while still loving her own self now, a step closer to her dream by maturing strongly.
Since Wheein holds the color and wind symbol for this project, ‘25’ is the album’s obligatory solo track. Knowing her discography, Wheein is usually the one being featured, or has had a rapper feature on her tracks. It was nice to hear Wheein sound relaxed yet her serious effort was still prevalent. Even co-writing this song, ‘25’ gives listeners a chance to hear a personal, introspective side of Wheein. Besides the lyrics, the smoothness and steady groove of this song gives a sense of nostalgia, especially for those who grew up with ‘90s-early 2000s R&B. The simple arrangement of guitar and snap beats didn’t overshadow Wheein’s varying vocals as it expressed genuine gratitude. Mamamoo’s fanbase, or Moomoos, would find this track so obvious in style as they are familiar with her leaning towards R&B and soul. It’s a down-to-earth, chill song which acted as a nice break between the livelier songs throughout the album.
On the set of ‘You Hee-yeol’s Sketchbook’ .
Backstage at M Countdown.
Pop slash R&B track that ardently expresses the painful feelings of not being able to accept an approaching breakup. As the farewell is too painful and bad, a ‘good bye’ is expressed as ‘bad bye’.
This song started off with sad piano notes and I assumed it would be Mamamoo’s classic pop-ballad like the way they performed on music show “Immortal Songs 2” or their diva-esque ‘I Miss You’ (2016). But the thought was immediately denied when the mid-tempo beat with brief pulsating synth high hats, rain drops as snaps, and deep basses came in. The vocals are strong throughout the song, even at their lowest, softest parts. The melody sounded distressing and reminiscent (again) of old-school pop slash R&B tracks of the early millennium. The arrangement briefly alters during Moonbyu’s first rap part, and I thought it was interesting how dark it felt. Overall, listeners can belt out their heartache with some rhythm and soul.
It expresses ‘You are my star’ to someone who can’t be compared to anyone else. The heavy bass and trendy beat hit you powerfully.
A few seconds of the intro created a dramatic mood. Mamamoo is definitely right when they say that this song hits you hard, especially since the heavy bass drives the song. To match the heavy bass’ booming energy, the vocals had to sound mighty and confident as well. Solar’s tone fits perfectly for this, and Hwasa’s raspiness added some texture as it stands out more when reaching for those loud, high notes. The rap sounded gritty and flowed rhythmically well even though it was so brief. I kind of expected the bridge to be totally toned down, but there were spurts of the resonant notes (in the background) that tells me the energy was not going to be halted at any time. Kudos to Wheein who sprinkles the ending chorus with her falsettos. This song was very enjoyable and can uplift one’s mood.
It’s a song that brings Mamamoo’s ‘Four Seasons Four Color’ project into one. It has lyrics about each of the album themes, ‘moon, wind, flower, and sun’
This definitely ties up the ‘Four Seasons Four Colors’ project nicely. The arrangement felt warm and laid back, and it had me reminiscing of what Mamamoo tried to prove with this project for the past year. It’s parallel to their song ‘Paint Me’, but instead of talking about the colors they mention each season. Like how Mamamoo has described in their highlight medley, the outro encourages listeners and fans alike to continue on making memories with the group, which implied that just because the project is over, does not mean their musical ventures end.
Promoting to vote on M Countdown.
‘White Wind’ for the majority of the album reached the retro vibes in a way I did not expect. Rather than the funk and blues similar in their debut, Mamamoo took elements of 90s-2000s R&B pop and showed a more modernized confidence. It is a unique take of fusing old trends with the current trends of programmed music. I mostly enjoyed the diverse beats and production of this album, thanks to the magic provided by Cosmic Girl, and Rainbow Bridge World’s Cosmic Sound, Park Soo Wang, and hit maker CEO Kim Do Hoon. They were able to provide clean, vibrant backdrops while keeping Mamamoo’s vocals shining upfront. This EP also compiled the gists of previous albums: the freshness of spring like ‘Yellow Flower’, the bold and daring like ‘Red Moon’, and the chicness like ‘Blue;s’. Mixing these sounds gave Mamamoo more to paint with and it has produced vivid and entertaining tunes for any kind of listeners.
What do you think of ‘White Wind’? Comment your thoughts down below!
Sources: Mamamoo Facebook | Mamamoo Twitter | Mamamoo Youtube | TV-People Youtube | Mnet K-POP
Check out Mamamoo's newest album 'White Wind' ! As promised, Mamamoo completes their year long project ‘Four Seasons Four Colors’ with the release of their ninth mini album ‘
