Fredric March and Claudette Colbert in The Sign of the Cross (1932)
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Fredric March and Claudette Colbert in The Sign of the Cross (1932)

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Norma Shearer on the way to her dressing room between scenes while filming “Private Lives,” 1931. Photographed by William Grimes.
Nancy Crystalworks Luxor perfume bottle, 1920s
Greta Garbo as Grusinskaya in Grand Hotel (1932) directed by Edmund Goulding.
"In early 1932, Garbo played a fading ballerina in an episode of Grand Hotel. It was the first Hollywood film with several stars in the same movie, each with a different story, all staying at Berlin’s Grand Hotel. It launched a popular film genre—the all-star movie. Garbo is surprisingly persuasive as the ballerina. She wears a tutu, although she doesn’t dance en pointe, and her love scenes with the aging John Barrymore are campy. But she pronounced her famous line “I want to be alone” in the film. Producers often had stars refer to their off-screen lives in their films to promote interest in them as personalities, encouraging audience members to identify with their favorite stars, whose lives were detailed in the movie fan magazines." (Ideal Beauty: The Life and Times of Greta Garbo)
What do you do in the Grand Hotel? Eat. Sleep. Loaf around. Flirt a little, dance a little. A hundred doors leading to one hall. No one knows anything about the person next to them. And when you leave, someone occupies your room, lies in your bed… that's the end.
Grand Hotel (1932) - directed by Edmund Goulding

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John Barrymore photographed by George Hurrell for his role as 'Baron Felix von Geigern' in Grand Hotel (1932)
Joan Crawford, dress by Adrian, 1932
"Joan Crawford wears a streamlined dress as Letty Lynton in 1932, designed by Adrian. It demonstrates the fashion for classical drapery with its bias-cutting, draping and wrap details."
Scanned from "Decades of Fashion" by Harriet Worsley.
Found in It'll Take The Snap Out Of Your Garters! blog.
GRAND HOTEL (1932)
Shanghai Express (1932) Dir. Josef von Sternberg
Anna May Wong by Clarence Sinclair Bull, circa late 1920s

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Barbara Stanwyck in The Purchase Price (1932)
1925 c. Ruby and diamond floral-style necklace. From Art Deco, Art Nouveau & 20th Century Decoratif Arts Group, FB.
Ochoa, La Novela de Noche, 1930s
Source details and larger version.
Men do this shit all the time in the army, always have.
Ethlyne Clair
Via It'll Take The Snap Out Of Your Garters! blog.

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Mae Murray in The Merry Widow, 1925.