Yamanohananosan Takasago.  Early 20th century Japanese postcard
noise dept.
$LAYYYTER

Kiana Khansmith
I'd rather be in outer space 🛸
KIROKAZE

oozey mess
Cosmic Funnies
untitled
hello vonnie
NASA

Product Placement
taylor price
tumblr dot com
Monterey Bay Aquarium
Noah Kahan

if i look back, i am lost
EXPECTATIONS
h
Jules of Nature
RMH
seen from Bangladesh
seen from TĂĽrkiye
seen from United States

seen from Bahrain
seen from United States

seen from Malaysia
seen from United States

seen from United States
seen from United States
seen from Vietnam

seen from United Kingdom
seen from United States

seen from Germany

seen from United States
seen from United States
seen from South Africa

seen from United Kingdom

seen from United States

seen from United States
seen from United States
@love1kimono
Yamanohananosan Takasago.  Early 20th century Japanese postcard

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
Courtesan and Attendants, Engetsudo, c. 1748-1751, Cleveland Museum of Art: Japanese Art
The courtesan wears a pair of tall, lacquered wooden clogs and heavy robes, indicating it is winter. The elaborate span of her tortoiseshell comb in her fashionable coiffure enhances her glamorous appearance. Her blue-and-white striped obi is tied in a loose bow in front, typical for a her profession. The round, stylized cherry blossom crest of her “house” (brothel), partially visible on her shoulder just above the shawl, also appears on the robes of her two attendants (kamuro). The attendants hold shuttlecocks, used in a game associated with New Year’s. One girl stares out at the viewer; the other looks back. The frontal view of the attendant’s face is somewhat unique in ukiyo-e painting and prints. Size: Overall: 189.8 x 64.8 cm (74 ¾ x 25 ½ in.); Painting only: 90.2 x 43.8 cm (35 ½ x 17 ¼ in.) Medium: hanging scroll; ink and color on paper
https://clevelandart.org/art/1985.255
Courtesan Before a Mirror Adjusting Her Hairpins (from the series A New Series of the Six Immortal Poets), ChĹŤbunsai Eishi, mid 1790s, Cleveland Museum of Art: Japanese Art
Size: Sheet: 33.4 x 20.5 cm (13 1/8 x 8 1/16 in.) Medium: color woodblock print
https://clevelandart.org/art/1956.755
No Title, Kitagawa Utamaro, 1753-1806, Cleveland Museum of Art: Japanese Art
Size: Sheet: 38.4 x 24.8 cm (15 1/8 x 9 Âľ in.) Medium: color woodblock print
https://clevelandart.org/art/1949.131
Evening Bell at Mii Temple (from the series Eight Views of Omi Province), Ando Hiroshige, late 1830s or early 1840s, Cleveland Museum of Art: Japanese Art
Size: Sheet: 15 x 21 cm (5 7/8 x 8 ÂĽ in.) Medium: color woodblock print
https://clevelandart.org/art/1921.1274

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
Courtesan, Matsuno Chikanobu, 1716-1735, Cleveland Museum of Art: Japanese Art
A glamorous courtesan sports an outer robe decorated with large roundels featuring plant motifs including iris and bush clover. Little is known about the life and artistic training of the painter Matsuno Chikanobu, an ukiyo-e artist who painted in a style strongly reminiscent of that of the Kaigetsudō studio. Many of his known paintings are on silk, and executed with high quality pigments, indicating that his primary clientele were wealthy individuals. Size: Overall: 179.1 x 58.5 cm (70 ½ x 23 1/16 in.); Overall: 177.8 x 52.7 cm (70 x 20 ¾ in.); Painting only: 91 x 35.5 cm (35 13/16 x 14 in.); Painting only: 91.8 x 39.6 cm (36 1/8 x 15 9/16 in.) Medium: hanging scroll; ink and color on paper
https://clevelandart.org/art/1985.249
Buy Me a Coffee
If you enjoy my content, please consider supporting what I do. Thanks! :)
Kuchi-e Triptych from "Kabuki Shinpo"
A woodblock print designed by Utagawa Yoshiiku; published in "Kabuki Shinpo" issue 1628, January 10, 1896.Â
Geishas
Photographer might be Shinichi Suzuki II, whose studio went out of business in 1896.
Prince Henry in Hankou (Wuhan)
The visit of Prince Henry of Prussia (1862–1929), the brother of the German Emperor in China. He was the first European potentate ever to be received at the Chinese imperial court. May 1898 in Hankow/Hankou (Wuhan). Unidentified photographer.

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
"La Pavillon ShĂ´hĂ´-ji du temple Mii-dera" d'Hiroshige
Oeuvre d'Utagawa Hiroshige (1797-1858)
1852
Estampe polychrome (gravure sur bois) pour éventail (uchiwa-e)
Éditeur : Enshûya Matabei
Memorial Service for Old Needles 1916
A vintage postcard based on a painting by Kotani (Yoshioka) Chigusa entitled Harikuyō 針供養 (memorial service for old needles), for which she won the Bunten Prize in 1915. The painting itself was inspired by a famous photograph of maiko (apprentice geisha) Koyachiyo of Osaka, later known as Yachiyo II.
The memorial service for old needles is performed on either 8th December or 8th February each year, depending on the region, to show gratitude for any needle that has been bent or broken during the year. In temples and shrines around Japan, needles are stuck into tofu and later buried, as a prayer of thanksgiving for good housekeeping.
Geisha fixing their hair
The Geisha are real. Mt. Fuji is Fake. Notice how the photographer was careful to include the pouch of hair-dressing tools in the picture.
In this 1870s-80s image, my eye is caught by the attractive "little waves" in the hair of the seated girl.
Tomigiku - Taisho Era Geiko

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
http://i.imgur.com/NGGbV.png
"The Cat's Dream" by Utamaro from Siegfried Bing's Artistic Japan v.6 (1891).
Full text here.