Iâve noticed a lot of new people showing up (welcome if you are from the Twitter exodus!) so hereâs what to expect from this blog.
Lots of art I find pretty. Lots of women I find pretty. Weightlifting/fitness stuff. Books. Video games. Queer history. And writing, since I literally do that for a living.
Where you can find said writing:
BOOKS
đŠ¸Â Fatal Fidelity (F/NB, noir romance with a nonbinary assassin)
đşÂ Her Wolf in the Wild (F/F, butch biker werewolf rescue romance)
đŚÂ A Strip of Velvet (F/NB, paranormal romance)
đł Valerin the Fair (F/F, sapphic knight romance)
đ Martis the Brazen (F/F, sapphic knight romance)
đ Seure the Tempered (F/NB, sapphic knight romance)
đ Galeas the Keen (F/F, sapphic knight romance)
đ¨Â Double Exposure (F/NB, enemies-to-lovers, art thieves)
đ The Scales of Seduction (F/F, femme Medusa & butch Basilisk)
Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
â Live Streamingâ Interactive Chatâ Private Showsâ HD Qualityâ Free Actions
Free to watch ⢠No registration required ⢠HD streaming
"incurious" still GOAT insult. You could be better but you're not. You could learn but you won't, and for no good reason, just a base dispositional apathy. Get fucked
i will be honest i am so torn about the m/m shipping thing. i see m/m shipping as a refuge from the misogyny perpetuated on women both in real life and in fiction, so i write a LOT of fanfiction for m/m ships. i sometimes write f/f or f/m side ships, or even main ships (i've written a lot of female dragon age characters, for example). i just write for m/m a lot more. writing f/f or f/m means reckoning with whatever misogyny they experience in their canons, like imagine being a fan of the women in The Pitt and wanting to make fanworks set in the canonverse but not having to deal with its misogyny. R-I-fucking-P, my condolences. and canon or not, writing f/m is even worse than f/f because tropes that aren't inherently unequal in a same-gender ship suddenly look a little different with the lens of real world gender based discrimination and violence put over them. fandom is my escape and my refuge, so i just plain don't want to reckon with the forces making my real life worse daily in every fic if i can avoid it. it would suck all the joy out of it.
having explained my reasoning, i still feel like a hypocrite. i have a lot of opinions about female characters and ships and the way they are so poorly treated, and i want better for female characters and female ships - but i rarely am the one to put my money where my mouth is and make stuff for them.
i don't know how to reconcile this. i'm sending this ask because i bet i'm not the only person struggling with this issue, and i wanted to support anyone else who feels the same way. loving female characters can be tough no matter how genuine.
look. no one is telling you not to write m/m fics if that's what you enjoy. this is fandom, it's for fun, and this blog is not about making people feel bad for things they like. with that said, i personally really don't agree with the argument that m/m is the only possible refuge from having to deal with misogyny.
writing about women doesn't have to be about misogyny if you don't want it to be. i mean you could make a similar argument that because m/m is about queer men, you necessarily have to deal with homophobia if you write yaoi. but a lot of people don't do that because it's fanfiction. you can write about whatever scenario you want and deal with whatever issues you're comfortable dealing with. you gave the pitt, as an example, right? write about mel and santos having crazy omegaverse sex after singing karaoke together; write an au where aliens exist and mohan and mckay go on a date in a spaceship (look we all have our crack ships, this one's mine, leave me be); write about dana missing collins so much that she moves to portland to be with her. get creative, go crazy. i just really dislike the idea that it's impossible to write women in a fun escapist way.
another issue i have with this idea is that often the male characters being shipped in popular m/m ships are themselves misogynistic. so, for example, the two most popular ships for the pitt, at least according to ao3 numbers, are robby/whitaker and robby/abbot. now robby is a character that i personally really like and enjoy, but i don't think there's any denying that he's sometimes casually misogynistic (and a little racist) in a condescending old liberal white guy way. so when you say writing m/m frees you from writing about misogyny, what do you do about robby or dean winchester or any other beloved male character who is pretty obviously misogynistic. do you only have to deal with misogyny if a character experiences it, but not if a character perpetuates it? i don't really get that logic.
also, i understand if you turn to fanfiction for escapism from real world issues, but speaking for myself, i sometimes like seeing characters deal with misogyny in fic. i think it can be pretty cathartic to see people actively confront the systemic ways they're mistreated. i totally understand that not everyone enjoys that sort of thing, but i must assume that at least some m/m shippers do actually enjoy it, because i know a lot of m/m fic does actually address how homophobia affects its characters. so if we can do that for homophobia, why can't we also do it for misogyny and racism and ableism and other kinds of bigotry?
again, i'm really not trying to call you out or anything, anon. like i said, if m/m is what you enjoy writing for, then the last thing i want is to make you feel bad about that. but i do think that there are plenty of ways to engage with f/f and f/m without having to deal with misogyny if you don't want to, in the same way that people write about m/m without really engaging with homophobia (or misogyny for that matter). and i kind of resent the idea that the presence of women in a story necessarily sucks the fun out of it.
Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
â Live Streamingâ Interactive Chatâ Private Showsâ HD Qualityâ Free Actions
Free to watch ⢠No registration required ⢠HD streaming
2,300-Year-Old Saddle Blanket from the Altai Mountains of Siberia: this saddle cover was preserved in the frozen barrows of Pazyryk for more than two millennia
This elaborate saddle blanket dates back to about 400-300 BCE. It was discovered in the Pazyryk barrows, located in the Altai mountains of Siberia, where it had been preserved in the permafrost for more than 2,000 years. It's made of felt, leather, horsehair, and gold foil.
Above: the appliquĂŠs at the center of the saddle blanket
The central design features two identical appliquĂŠs, each depicting an ibex being pinned down by a griffin.
Above: close-up of the appliquĂŠs
The sides of the saddle cover are also decorated with circular pendants made of felt; each of these pendants is trimmed with leather, encircled by tufts of horsehair, and embroidered with a stylized depiction of a ram's-head. A pair of horned tigers can also be seen at the base of each pendant.
Above: the pendants that hang from each side of the saddle cover
This artifact is attributed to the Altaic nomads of Siberia, who formed part of the larger group of cultures that are collectively known as the Scythians (or Scytho-Siberian peoples).
According to the Hermitage Museum:
Saddles used by the ancient Altaic nomads differ from those used today. They had no wooden base and consisted of two leather cushions filled with reindeer and horse hair and sewn together on one side. Felt saddle covers were traditionally decorated with scenes showing a beast of prey tearing to pieces a herbivorous animal.Â
The Scythians were among the first cultures to begin using horses as mounts, and they invented one of the earliest forms of saddle. They were extremely skilled and accomplished riders, and their early mastery of mounted warfare enabled them to gain control over vast sections of Eurasia. That dynamic led to the development of a very noticeable "horse culture," with horses playing a critical role in many different aspects of Scythian life (and afterlife):
The horse was an essential part of Scythian life and was the most important and multipurpose animal used by the nomads. Initially, the Scythians reared large herds of horses mainly for their milk and hides, but eventually were among the first people to harness the horse as a mount.
By the 7th century BCE, the Scythians were already master horsemen and controlled a vast corridor of land that stretched across southern Siberia, from the Black Sea to the fringes of northern China. This expanse of land was greater than the Achaemenid Persian Empire, which the Scythians outlasted.
The Scythians produced many horse-related artifacts that have been discovered at sites throughout Eurasia, but this saddle cover is one of the most elaborate and most well-preserved examples of that tradition.
Above: the saddle cover from Pazyryk
Two other artifacts from Pazyryk have previously been featured on my blog -- a 2,300-year-old plush bird and an elaborate horse headdress.
Sources & More Info:
Hermitage Museum: Saddle Cover
World Archaeology: Do the Clothes Make the Horse? Roles, Statuses, and Identities in the Pazyryk World
University of Washington: Artifacts from Southern Siberia/Pazyryk
Expedition: The Textiles from Pazyryk (PDF)
Cambridge University Press: The Origins of Saddles and Riding Technology in East Asia
Routledge: Pazyryk Culture Up in the Altai
University of Leicester: At Home, with the Good Horses (PDF) (this is a really great paper)
hi! I read your past couple of asks on the importance of an id list/sexy turtle enclosure and could I trouble you to speak more on that? how do you figure out what goes in your sexy turtle enclosure, and how does that translate into writing smut?
if that's too much work, could you point towards the sierra simone/nikki sloane resource where they talk about it?
Sadly this was an in-person workshop during Romancing The Craft about three years back! Thereâs no video or blog
I did save the pamphlet though, and hereâs the sexy turtle enclosure part
Iâll transcribe these pages and discuss my thoughts on them once iâm home from my walkies~
This is about identifying what you love to write, and what specifically makes your books your books. This is very closely related to brand, but while branding is a front-of-the-house conception, this is purely back-of-the-house. You will definitely use what you come up with here for branding purposes later, but for now don't worry about making anything sound pithy or catchy.
Starting points for identifying voice:
⢠What makes your work, your work?
⢠What is your personal ethos, your mythos even?
⢠What is your voice?
What sets your voice apart?
What are the kinds of stories only you can tell?
Only you are this precise fusion of experience, hopes, dreams, turn-ons, random bits of knowledge and fascinations--what are the stories that come out of that precise fusion?
More starting points:
⢠when a reader picks up a book written by me, they can expectâŚ. (Blank space here)
⢠I want to be known for writing books that⌠(blank space here)
⢠if I had to write the same kind of book for the next three years, what book would I want it to be?
The most important parts of this entire exercise are the whyâwhy do you writeâ and the specifics.
Why: Why do you write? What drives you to the keyboard? What was the last story that you had to write, that energized the heck out of you to create? How can you turn that into a way forward creatively?
Get specific: Even a broad vision should have something specific to you and your workâif you're thinking your brand is something like small town romance, then you're in good companyâwith at least five hundred other authors. Start figuring out what is particular to your stories. Small town and they all have nerdy characters? Small town and featuring queer characters? Small town and all heroines in their thirties/forties? Get as granular as you can!
Drill down, and remember-this is for you, not for marketing (yet).
What you want to identify is what is uniquely you. Your patch of the forest.
You're creating a voice and a vision and a space for stories that readers will come to recognize as a destination.
Page two:
APPROACHES TO WRITING EROTIC
THE TORTOISE ENCLOSURE (OR THE SEXY HOLODECK):
How do I write sex knowing that my well-meaning aunt/sister/bestie/dog groomer will insist on reading it?
We hear a lot about silencing the inner editor when we write, and we definitely need to do that, but we also need to silence our inner pearl-clutcher. We have to ignore our generated projections of what we think the people around us will say.
A friend once sent me a speech by John Cleese about creativity, and he talks about this idea of a tortoise enclosure. He says that the creative brain is a deep and slow thinking brain, and it needs space away from the hustle and necessities of productivity in order to work properly.
I think we need a tortoise enclosure for erotic thinking as well. A mental maybe even physical space-that is entirely free of external voices and pressures.
Go wild.
Fantasize deeply.
You're in the sexy tortoise enclosure now and you're safe to be as dirty as you want.
Everythingâplot, setting, detailsâcomes through an erotic lens now:
Everythingâ not just sexâis now sexy.
Think of billionaire romances you've read-sleek cars, bespoke suits, floor to ceiling windows in giant offices. Think of Twilight. The book that launched thousands of fanfics even though there's no actual sex in it all. You can achieve an atmosphere of sensuality before you ever unzip a single zipper.
Food is sexy! Clothes are sexy! Architecture is sexy! Health insurance is sexy! Everything is sexy!
We're in our tortoise enclosure/sexy holodeck and everything is sexy here!
And remember, once you leave the sexy holodeck, if you aren't sure how your scene might go over, have no fear! If you are turned on by something, there are readers out there who will be turned on by it too.
That's the Sloane & Simone guarantee.
End transcript
So the âid listâ (id as in ego, superego) was another thing they went over in person and wasnât on the worksheet, but pretty much the gist of it was similar enough to the above two that I feel like Iâm repeating myself when I say. Your id list is just a collectionâ written or notâ of things, sensations, or concepts that always get your hindbrain going. Simone listed âbroody men in greatcoatsâ as a big thing on her id list, for example. Iâm pretty sure âbig old librariesâ was mentioned, too.
On my id list is, obviously, âtall women with black hair and top energyâ and âstoic people losing composureâ
You donât need to know whatâs on your list right away. This is the kind of thing that takes a few decades of writing to develop, I think.
But a good place to start is the next time you write something and think âiâm cooking with gas!â write down some of the things that are in that story on your tentative id list and see if they pop up again. Donât consult your id list like a pokedex! Let it sit on its own corner and ferment a bit in darkness while you forget about it and indulge deeply in your next creative project.
A lot of the stuff in this workshop turned out to be stuff I was already doing, albeit subconsciously. When I allowed myself to dig deep and start doing them with intention, I noticed an improvement in my writing.
Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
â Live Streamingâ Interactive Chatâ Private Showsâ HD Qualityâ Free Actions
Free to watch ⢠No registration required ⢠HD streaming
Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
â Live Streamingâ Interactive Chatâ Private Showsâ HD Qualityâ Free Actions
Free to watch ⢠No registration required ⢠HD streaming