The Bride! (2026) dir. Maggie Gyllenhaal

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@theiliad
The Bride! (2026) dir. Maggie Gyllenhaal

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The Lustre Bowl with Green Peas, Sir William Nicholson, 1911
hey can everyone do me a favor and put in the tags why they chose their name? even if you don't go by a chosen name irl, you can put why you chose your online name.
2026 half year report 🐎
yippee! 🍀
all in all, not bad 🦩
hoping for better... 🧍♀️
only a miracle can save 2026 now
despair and misery
i'm sure hamnet is good and i'll get around to watching it eventually but to ME jessie buckley's oscar is for the bride!

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THE BRIDE! (2026) JESSIE BUCKLEY
forever thinking about that girl at my uni orientation who, after being told to pour out her water bottle before entering an event, looked at me and said "they tell us to stay hydrated and then make us pour out our water, this is like totally kafkaesque" and then poured out what was very obviously an entire water bottle full of whiskey. hope she's doing well.
The hopeless dream of being. Not seeming to be, but being. Conscious and awake at every moment. At the same time, the chasm between what you are to others and what you are to yourself. The feeling of vertigo, and the constant hunger to be unmasked once and for all. To be seen through, cut down… perhaps even annihilated. Every tone of voice a lie, every gesture a falsehood, every smile a grimace. Commit suicide? No, too nasty. One doesn’t do things like that. But you can refuse to move or talk. Then at least you’re not lying. You can cut yourself off, close yourself in. Then you needn’t play any roles, wear any masks, make any false gestures. So you might think… but reality plays nasty tricks on you. Your hiding place isn’t watertight enough. Life oozes in from all sides. You’re forced to react.
Persona (1966) dir. Ingmar Bergman
i said “it’s a smoke couch, a couch for smoking” and it was
“can’t believe women fought to work!! i don’t wanna work!!” women have Been Working they fought to get Paid you know that right ?

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Letting everyone down would be my greatest unhappiness.
MARIE ANTOINETTE (2006) dir. Sofia Coppola
Brokeback Mountain 2005, dir. Ang Lee
i love shipping magazines and i especially love them when they sound like they were written by a mildly aggravated cargo ship
idk i always kind of roll my eyes at all those posts that are like “people used to be ugly in movies” like….. well☝️i don’t think that’s true. i think male actors have always had more leeway to look a bit imperfect. we’ve had average/weird looking male actors in every generation, including this one. but people have always needed to be “hot” for movies. and they did crazy shit for it!! marlene dietrich getting teeth extracted to hollow out her cheeks, carole lombard undergoing her (non-cosmetic) facial reconstruction without anesthesia because they thought it would look better, etc ad infinitum. do you know the kinds of diets they had women on to keep them skinny…. not to mention beauty standards for women of color tryna be in movies. like there’s a reason the three biggest black actresses of classic hollywood decades were josephine baker, lena horne, and dorothy dandridge: all pretty lightskinned with smaller mouths and noses -> approximating whiteness (no shade i love these women sm). i think the difference Today is that there are simply way more procedures you can get done since cosmetic medicine has evolved so much. so people can change more of their face with better and more reliable results than they could in the 1930s. point being that people have definitely always needed to be conventionally attractive to be in movies but given the physical scope of what could be conceivably changed about your appearance there was simply more diversity in like facial structure and features
would you still be alive without modern medicine? looking back at your life, would you survive without any to the moment where you are now?
yes
no
barely
yes but it would affect me for the rest of my life
results
I'd have my knee fucked up forever alive but yeahhhhh

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The Swan (1915)
— by Hilma Af Klint