I WANNA FUCK YOU LIKE AN ANIMAL.
we're not kids anymore.

Product Placement
art blog(derogatory)
PUT YOUR BEARD IN MY MOUTH
"I'm Dorothy Gale from Kansas"

Kaledo Art

❣ Chile in a Photography ❣
will byers stan first human second

blake kathryn

Kiana Khansmith
taylor price
Misplaced Lens Cap
noise dept.
trying on a metaphor

Love Begins
Sweet Seals For You, Always
styofa doing anything

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@speedwayy
I WANNA FUCK YOU LIKE AN ANIMAL.

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when nine times blue starts playing i get scared
when nine times blue starts playing i get scared
when nine times blue starts playing i get scared
i think its a beautiful song about age play i don't even give a shit anymore

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Q: Do you have a favorite ghost story?
A: My favorite ghost story was one told to me by a woman who commissioned me to make a piece about her sister (’Tethered to my Heart’). This woman was an identical twin, and very close to her sister. They often spoke and texted each other twenty times a day. Her husband was an identical twin as well, and his identical twin married her identical twin.
When she approached me, her twin sister had just died, six months before. She told me that when her sister died, she too wanted to die. Life seemed to lose all meaning and substance. Often it seemed there was no point in continuing on. She and her husband decided to purchase a vacation home in New Hampshire. After they unpacked the moving vans, her husband drove back to the city for work, leaving her behind in the new house. The electricity had not yet been turned on, and as the evening progressed, the house became dark. She lay on the bed upstairs in the dark room. She was wondering how long it would take, if she just stopped eating all together. As she lay there, she became aware that she heard footsteps downstairs in the house. At first she was scared – she reasoned that people had seen the moving vans and the dark house, and had decided to rob the place.
“Good,” she thought to herself, “I hope they kill me while they are at it.” She listened as the footsteps crossed the floor beneath her room, and then as the footsteps climbed the stairs. Then the doorknob to her room twisted and the door opened. She lay curled on the bed in a fetal position, and listened as the footsteps approached the bed. Then, she smelled her sister’s perfume. Her sister climbed into the bed behind her, and curled herself around her, spooning her the way she often had when comforting her as a child. Her sister’s presence was utterly tangible and solid. She opened her eyes, and the room was filled with a blinding white light, like klieg lights were on. Gradually the presence of her sister faded, until there was only the slight pressure of her hand on her shoulder. After that, her depression eased, and she was able to go on.
Interview with Christina Bothwell (x)
christina bothwell
he gives me such cuteness and sexiness aggression i just wanna squeeze him and cuddle him and go OUUUUHHHHHH BABY YOU ARE SO ADORABLE but also be rubbin on his big ol booty like 😏😏
i always felt like champagne supernova was a song about committing suicide LOL
one day you will find me
caught beneath the landslide
in a champagne supernova
in the sky
one day you will find me
caught beneath the landslide
in a champagne supernova
a champagne supernova
in the sky

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Tossed and I turned, my head was so heavy
Then I wondered as it got light
Were you still awake like me?
Johnny smoking while giving what would be his final interview as a member of the Smiths, 1987
Bob Dylan on the best and worst things about being 80
my favorite thing paul does in interviews is when he mentions a beatles song and then starts singing it to make sure people know it, like he'll say "we were performing she loves you, you know 'she loves you yeah yeah yeah...'" like you literally don't have to do that. everyone knows that song. you are paul mccartney
My personal favorite is when he goes to tell and a story and he prefaces it with "you know, john and I- john lennon and I-" like yeah no we know that. we know who john is. you are the beatles
he did this in the recent Song Exploder ep (about Ripples in a Pond), talking about songwriting lol

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sigh... (writes ageplay to self-soothe)
The Beach Boys (and fans) at the WOKY Pop Festival at Milwaukee’s County Stadium on June 14, 1970. (The black and white photo is from the Sheboygan Press.)
“[The Beach Boys] tore the Pops Festival apart on Sunday. Granted, it probably would have happened to anybody who followed Andy Kim and his enticing promenade for the 12-year olds in the stands. But the kids liked the Beach Boys. They liked them so much they wanted to tear them limb to limb, and that doesn’t happen to the Beach Boys anymore. ‘I think the last time was two years ago,’ Jardine said. He wasn’t particularly enthused about what had happened. He was sort of amused. The main difference between today and 1966 is that the Beach Boys are calmer. They take everything in stride, and aren’t embarrassed by what happened before and aren’t talkative about what’s going to happen next. The Beach Boys were the only ones who got to Milwaukee a day before they were supposed to appear. They had just come back from three weeks in Australia. They were one of the few groups that stuck around after their performance, and wanted to know if anybody got hurt in the two rushes at the stage that they encountered. They were also concerned. Carl Wilson went up into the stadium after it was all over, and just looked around for himself. He came back and asked me how much the kids were paying for seats up there. Probably $2.50. He immediately went to one of the many officials running the festival and asked that stadium lights be turned on. ‘You can’t see anything from up there,’ he said. ‘They can’t see the performers, and the performers can’t see them.’ He was right, but the lights weren’t turned on. But Wilson was nice about the whole thing. He claims meditation and California did it for him. ‘It’s a more casual thing now. I just don’t get hassled about too many things anymore.’” - The Sheboygan Press (June 18, 1970)