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So Iâm watching this horror film with DeWanda Wise and the first thing out of My mouth when I saw her husband is ânow why is She in the bed with a white man?â
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This was part of the two-shot that this series was supposed to be, but I won't be using it anymore.
*NOT EDITED*
Warnings: Fluff, smut, mentions of blood, grief, and death
October 15, 1932 â Morning
Annie stood at the wash basin, lye soap in hand, humming something sweet. It wasnât anything sheâd actually heard before. It was something she felt, like breath and heartbeat. It lived in her chest, clinging to her ribs like a hearty meal.Â
She felt a tug in her spirit. Both butterflies and unease twisted in her gut.
Smokeâs cominâ home today, she thought to herself. The thought felt like an omen. Annie hoped, prayed, he wouldnât bring anything from Chicago with him. She wasnât worried about a woman. Not the law, nor the mob. Not even the klan.Â
It was something much worse.
The road to Annieâs shop lay just ahead, looming, narrow and rugged. Dirt kicked up from the wheels, a thick cloud of red dust and exhaust smoke that billowed into the sky and disappeared into the trees.
Seven years had gone by. Seven years of Chicago winters and tear-stained letters. Seven years of ache. Seven years of keeping his brother safe. And seven years without the woman who kept them both alive.Â
He and Stack shared a lilâ kitchenette apartment in the blackbelt. They ran jobs for Capone, hoarding money, gold, and hooch, and stashing it in a dilapidated warehouse. It was risky business, sureâ but Chicago was always a means to an end.
It meant no more busting ass for the white man to roll up a few days after Christmas, cigar in his mouth, smirk on his face, just to tell him he still owed him money after picking his cotton all fucking year.
They had plans. Big ones. Theyâd open a place where their people could enjoy themselves. Not some raggedy shit that ran out of a plantation shack. Theyâd buy that old sawmill, patch it up, turn it into a juke joint.Â
Heâd put his share of the profit into something more stableâ a funeral home on Issaquena, running hearses from there to Mound Bayou. And Smoke, he could finally build his wife that house they both dreamed about. Something real peaceful. Two stories, a kitchen, a garden, a picket fence, pigpen and a chicken coop. They could live off the land and fill the house with babies. Little chocolate cherubs with his dimples and her eyes.
Heâd begged her to follow him. He said heâd go ahead, set everything up for them, take a job at the stockyard. Heâd work his way up and buy them a place over in Bronzeville. Something comfortable, with a view of Lake Michigan. A fresh start.
She refused. Told him that blood kept her bound to the land. That she wouldnât leave their daughterâs grave untended. She poured her soul into his mojo bag before he left. Heâd press his lips to it sometimes, when the ache started to feel tangible. He could still taste the salt from her tears, like she blessed it with them.
He kissed her hard and fucked her slow the night before. Then he tucked his hat and held her softly as she wept on his chest.Â
âI love you.â
He didnât apologize or make promises. He didnât need to. Their understanding went beyond what words could explain. When she looked up at him, doe eyes red-rimmed and watery, his chest tightened. Her gaze pierced his soul. He kissed her trembling lips once more, then he walked out the door.Â
Smokeâs truck stopped short of the house. He took a deep breath. Then he cut the engine, and stepped out of his truck. He looked around, taking it all in slowly. The porch still sagged in the middle; a wayward floorboard still hung loose on the steps. But the garden was tended. The faint scent of rosemary she used to sweep the porch still hung in the air.Â
He looked to his left and froze. A little mound of earth. A stone with a small handprint. A bottle of fresh milk. An Egun stick...she taught him that. And a rusted tin for flowers. He took off his cap, the bundle of flowers trembling slightly in his hand.
He couldnât remember how long heâd been crouching before he noticed the wind had stopped blowing. The throaty flute of a windchime sounded and pollen danced around his head, but he could feel no breeze. A chill ran down his spine. The same chill he felt during long nights in Chicago, when the danger felt close and the longing got rough. Nights he swore he could hear her calling his name in narrow alleyways and the back of speakeasies.Â
His voice was thick, heavy with the weight of things left unsaid.Â
âHow you be?âÂ
Annie shifted her weight, leaning against the doorframe.Â
âNo miseryâs worth complaining about.â She spoke with a rawness that brought him to his feet.
When he finally turned to look at her, his breath left him. She looked regal, leather belt cinching her waist, blue skirts moving like tide. She stood perfectly still inside the doorway, looking like a force to be reckoned with. Like a current.
Grief, longing, love and ache all channeled into something that looked more like peace on her. Acceptance. Purpose.
This wasnât the woman he left seven years ago, the one who left teardrops on the leather of his mojo bag. Certainly not the woman he met 13 years priorâ a shy young woman of 18 whose words were spoken quietly but carried weight.
This woman was different. Born of water and baptized in fire. She stood in front of him, a formidable woman. A pillar, a beacon. Unbridled, unapologetic.
Reborn.
The air was thick, sweltering with a lust-filled heat that rivaled the Mississippiâs. Wet smacks and low grunts echoed off the wall, jars and vials clinked as they fell making room for the slick joining of two bodies drunk with need.Â
Smoke wasnât gentle. He spun her around and shoved her dress up, putting her exactly where he wanted her. There was no formality, no softnessâ just a raw need to be close. He pushed in with one long thrust that filled her completely. The stretch was overwhelmingâ he was thick and long, and it made her face twist up in ecstasy. Her hands reached out, her fingernails digging into the warped wood.Â
âNuh-uh, where you goin?âÂ
Smoke pulled out, angling her hips, spreading her wider. He put his hands on her shoulders and pulled her back onto his dick. This angle hit deeper, making Annie see stars. She squealed in pleasure.
âAh! Elijah!âÂ
He set a punishing rhythm, the wet slap of skin spurring him on. He licked up her neck, then buried his face in it, growling in her ear.Â
âWho pussy is this?â
âYours!âÂ
âSay it,â he gritted, feeling her clamp down on him.
âAhâthis p-pussy belongs to you papa!âÂ
âMhmm.â Smoke slowed down his strokes, letting every thick vein glide against her sensitive walls.Â
âIâma fill you up,â he said breathlessly. âLeave you leakinâ. Want you walkinâ around that juke full of my nut.â He pulled her hair back, making her arch into him. âYou want that baby? Want me to make a mess in you?â
âYes papa,â she moaned. âI want it drippinâ down my thighs.âÂ
âAsk nicely,â he grunted, tilting his head. She was squeezing him again, her pussy working hard to milk that nut out.
âPlease papa,â she whined. âPlease make a mess in me.â
Smoke groaned. âGood girl. Such a good girl for me.â
He sped up his strokes again and Annie started screaming. âCome on baby,â he barked. âFuck me back. Show me how much you missed papaâs dick.âÂ
And like the good girl that Annie was, she followed her papaâs orders.
A Few Hours LaterâŚ
Smoke and Annie pulled up to the mill just as the sun began to set, the sky the color of a bruise. He cut the engine, going over the events of the night. Annie tried to listen, as he went on about roulettes and Irish beer, but her thoughts kept drifting like something reached into her brain and yanked.
âSmoke, what time is it?âÂ
Smoke looked down at his watch. â4:32,â he grumbled.
She grabbed her haint beads.
Smoke raised a brow from the driverâs seat. âYou good mama?â
Annie hesitated. âSun rose at six this morninâ. Ainât due to set for another hour.â
Smoke rubbed her shoulder as Stack approached the truck. âWhat you thinkinâ?â
Annie looked at Smoke dead in his eyes, âThis place give me the willies.âÂ
âHey sis-in-law, long time no see,â Stack said as he opened the passenger door. He removed his hat and helped her out.Â
âHey Stack,â she said, bringing him into a hug.Â
âThanks for cominâ tonight.âÂ
âWouldnât miss it for the world,â Annie said, still tugging her elekes. Just as she slipped into the building she looked upâ three vultures sat perched on the roof.Â
Music was flowing, plates were selling, bottles of beer and mason jars of wine and whiskey clinked in the air. Annie stood behind the bar, looking at what her husband and his twin put together for their community with a sense of pride. Still, she couldnât help but feel an impending sense of doom.Â
It wasnât too often people her color were allowed prolonged happiness. There would always be some white person who came along and disturbed their peace just because they could. Thatâs what they didâ they lived to reduce them to nothing but hard laborers and strip any sense of joy they tried to cultivate. That was their formulaâ break âem before they think they deserve more.
But thisâŚthis was something different.Â
It felt olderâ older than Jim Crow and much more sinister.
As soon as Sammie struck his first chord, she felt it.
The veil wasnât just thinning, it had split wide open.
đľSee Iâm full of the Blues, Holy water tooâŚ
I know the truth hurts, so I lied to youâŚđľ
âAin't no way of bringing nobody back once they gone, that donât involve evil. Best thang we can do for âem is free they spirit from the curse.â
â Annie Moore
Club Juke turned into a mix of blood, fangs and fire.
Stack emerged from the shadows and lunged, pinning Annie to the ground.Â
âNo!â Smoke darted towards her, but was intercepted by Remmick.Â
âElias, not Annie!âÂ
This is it, she thought. She knew when she threw her bones it would come to this, it just hurt to think itâd come at the hands of Stack. That the man in charge of her demise would wear the same face as her husband.
She thought about what she could have done. Then she thought about what happened the last time she didnât let things play out the way they were supposed to. She thought about Smoke, about what she made him promise. He was screaming her name, pleading with Stack while she sobbed quietly. She couldnât look at him. Couldnât bear to witness the pain on his face.Â
âNot you,â Annie whispered between tears.Â
Stack pulled her jaw towards him. His eyes shined bright, a chilling pale blue. His mouth twisted into a smirk, drool dripping slowly from his fangs. He smirked wider when she squirmed, taunting her. He was enjoying this, seeing her uncomfortable, hearing his twin plead for her life. He took his time, watching her try to wiggle out of his grip with amusement. Annie braced herself as Stack lowered his head.Â
The screams faded. The shooting, snarling, crackle of fire, all dulled like the world was holding its breath. Annie squeezed her eyes shut, praying quietly as she felt fangs tease her neck.Â
âAsĂŠ.âÂ
Click-click.
BOOM!Â
Smoke was freed from Remmickâs grip.
Click-click.
BOOM!
âAnnie!â
Annieâs eyes flew open to find Pearline standing above her reloading her shotgun, the barrel still smoking.Â
âAnnie! Get up!âÂ
Smoke all but dragged her up off the floor, putting a stake in her hand. A not-so-subtle reminder that the fight wasnât over. Not until they got Sammie someplace safe. âCome on baby, ainât done yet.â
October 16, 1932
The air felt thick, like the morning after a storm. It smelled of iron, ash, and the morbidly-sweet rot of a juke joint stripped of its soul and forced to its grave. Death moved through the floorboards like a presence, lingering in corners and clinging to walls like shadows that bent wrong. The sun was still on its ascent, the pale light of morning peaking through the rafters, smoking the vampire bodies in its path.Â
The shooting stopped five minutes ago, but Annie couldnât tell. Time here felt like it was holding its breathâ like she was standing at the edge of something she couldnât name, but recognized its shape. Like someone split the veil open and something older stepped out.Â
Annie sat on top of the bar, trying to quiet the sounds of pain, horror and surrender that echoed in her head. She was slouched, breath stuck in her throat, limbs trembling under the weight of grief and guilt. Her face was coveredâ a layer of dust, blood and sweat like a second skin. Her eyes were red-rimmed, raw and filled with tears that cleared a path where they fell like a map no one asked for. Her dress was in tatters, shoes long goneâ lost somewhere in the fight.Â
Delta Slimâs body was in literal pieces on the stage. Mangled and completely drained of blood, it was a chilling testament to the terror that tore through the night. His harmonica lay amidst a chaotic pile of splintered wood, shards of glass, and blood splatter like a shiny, silver headstone.
Her shoulders shook, tears spilling down her cheeks. The place that was supposed to be somewhere for their community to enjoy themselves became a vehicle of violence and destruction. Of course the klan were involved. Smoke took them out by himself. Picked them off one by one, just like he promised. The mill door creaked open and he stumbled in clutching his side.Â
âBaby,â Annie gasped, âyou hurt?!âÂ
Smoke shook his head. âJust a graze. But we gotta go. I got the truck ready.âÂ
He scooped Annie in his arms and pressed his forehead to hers. His white undershirt was stained red, his pants caked with dirt and gunpowder. His eyes were wet with unshed tears, his hands trembling where he touched her. He had Stackâs dogtags wrapped around his wrist.
âThought I was gonâ lose you for good,â he murmured. âAinât livinâ without you again.â
Annie cradled his face, her tears still flowing. âAinât goinâ nowhere. Not without you.â
âThen letâs go home, Mrs. Moore.â
They burned the mill and every trace of what transpired there to the ground until the land was as dark as the blood and ash that soaked it. Black fumes billowed in the air for miles, the smell so vile it burned their eyes. They drove until they couldnât smell it anymore. Then they kept driving until they saw Spanish moss and swampland. Louisiana.
Her parentâs cottage was still there. Long unoccupied, but still standing. It had a wide porch, a large backyard, and her grandmotherâs wind chimes still hanging by the front door. It felt like peace, like this was home now.
Annie swept the floorboards with rosemary and performed her protection spells while Smoke beat the rugs out back and hid their stash under the floorboards.Â
They bathed together, her back to his chest, his arms wrapped around her waist. They held each other a little tighter that night, the kerosene lamp throwing gold shadows against their skin. He laid behind her and slid in slowly. The thick stretch of him, the power in his strokes made her shudder with pleasure. He was still buried deep when they drifted off, tangled in the sheets, bodies slick with their love. And when the light of dawn made their eyelids flutter awake, he took her again.
Three Months Later
January 31, 1933Â
Life was joyfully slow. Annie fed the chickens and tended her shop. Smoke found honest work on the railroad. Every morning they watched the sunrise together. Every night theyâd hold each other close, listening to the bullfrogs and crickets compete for sound. Heâd fuck her filthy every chance he got. Talk her through it, leave her leaking. She stayed so full of him, he filled her with babies, too.Â
The kitchen smelled like garlic and saltpork. Annie stood at the stove, apron tied loosely over a faded green house dress that fit a little more snug now that she was showing. She smiled down at her growing belly, rubbing it with one hand and stirring a pot of butter beans with the other. Her hips swayed slowly to the song she hummed under her breath. Smoke sat at the kitchen table, watching her with a tender heat. He crossed the room in two strides, pressing himself against her back.
âIâm hungry,â he said roughly.
âMmm,â she hummed. âSupperâs almost ready, baby.â
âNah,â he muttered. âMy food right here. Been marinatinâ all day.â
He dropped to his knees and pulled up her dress. No panties.Â
âMhmm.â He smacked each ass cheek. âArch that back, baby.â
Annie whimpered. She arched her back.
He licked his lips and dove in tongue first.
October 15, 1933Â
Smoke sat in the living room, rocking their daughter. She babbled and cooed gently as he held her on his chest, just above his heart.Â
Annie kneeled at her altar with a heavy heart, eyes wide with unshed tears. She laid a spread out in front of her like something sacred.
A pearl for Pearline.
A flask for Slim.
An old button from a pair of overalls for Cornbread.
Boâs keychain.
And a paintbrush for Grace.
She thought about Cornbread. How Therese had to raise their child alone. Thought about lilâ Lisa, how her parents never came home. She thought about Pearline, a woman just trying to find some escape and got caught in the crosshairs.Â
Then she thought about Slim. Thought about how he laid down his life for Sammie. Welcomed death with open arms.
âHeâll be visitinâ Sammie,â she whispered. âWatchinâ him play.âÂ
Then she thought about everyone else at the juke. Her community who came there looking for freedom and fun, and ended up getting burnt by the sun. Those people left behind children, siblings, parents, friends, lovers, lives, legacies. She still remembered standing there next to Smoke, watching the mill burn to ash and feeling the souls stuck on that land, rotting, cursed.
âI think about yâall all the time,â she said to the empty room. âI wanna help yâall crossover properâŚjust donât know how.â
A tear fell onto her bottom lip. She licked it, tasting the salt of her pain. Â
âI need you grandma, great-grandma,â she pleaded softly. âPlease.âÂ
She bowed her head and cried. âSo many people lost that night,â she sniffled. âJust gone. It ainât right.âÂ
A windchime sounded outside, but Annie didnât hear it. The room got colder, the candles flickered once then held steady.
Thatâs heavy work, baby girl.Â
Her head snapped up. âGrandma?â
Abeni.Â
That was a different voice.
Annie paused. âWho are you?â
The stolen one.
A third voice. Annie thought for a moment, the constant tears shedding clouding her eyes and her mind.Â
âGreat-grandma?â
It was silent for a beat. Thenâ
The flood. The voice said.
Annie gasped. âThe one on the other side.â
Your spirit looks sad.
âI could have done something,â she whispered.
Wouldnât have stopped it no way. That kind of creature, they love to feed on a woman with your gift. Makes âem more powerful.
âHow do I start? What can I do?â
A body is a good start.
âSo they have to be alive?â
That kind, they may walk this earth, but they ainât alive.
âBut I can set their spirits free?â
You can guide it around whatâs feedinâ on it. But it ainât easy. Gonâ take a lot from you, just like it took from me. Their soul has to want it. And some souls, they like beinâ fed onâ no matter what they say. Their typeâ theyâre tricksters. Donât confuse a spirit that wants to be set free with a rotted flesh that wants to lure you in.
Nine Years Later
October 25, 1941Â
The living room wasâŚloud. A cacophony of toddler babbling, baby cooing and the high pitch of childrenâs voices. They huddled around the ham radio, turning the knob until they heard the smooth hum of the radio station.
âHush now! Donât yâall wanna hear cousin Sammie on the radio?âÂ
A chorus of yes sirâs rang out. Five to be exact.
âThen be quiet âfore ya mama send yâall back to bed,â Smoke barked out.Â
Annie appeared from the back room, baby Ezra suckling her breast. âNow why am I in it?âÂ
Smoke pulled her into his lap, resting his chin on her shoulder. âI just wanted you out here, baby. Missed you when you was gone.â
Annie giggled, moving Ezra to her shoulder to burp. âI been gone for five minutes, Smoke.â
He nuzzled her ear, then kissed her on the cheek. âFive minutes too long.â
Smoke squeezed Annieâs waist when a familiar bassline came over the radio.
đľSomethinâ I wanna tell ya, âfore a long timeâŚ
It might hurt ya, might lose ya mindâŚđľ
They looked at each other with recognition. The painful memories of that night still haunted themâ Smoke would wake up gasping, covered in sweat. Heâd grab his gun and check the locks twice before crawling back in bed. Sometimes Annie would see burning bodies when she closed her eyes. Bo, Grace, Pearline, Cornbread. Slimâs mangled body. His harmonica that laid on the stage like a grave marker.Â
Stack came around sometimes. Heâd leave candy for the kids, whiskey for Smoke and flowers for Annie. Him and Mary settled across the river in New Orleans, living in the shadows of narrow alleyways, rotting churches, and abandoned mills. They could be around their own kind down there, a certain kind of freedom if you squinted your eyes and looked real close.Â
Sammie wrote to his cousins every two weeks. He made it to Chicago and recorded âI Lied to Youâ at Columbia Records the following year. Took him a whole week to get it done âcause the equipment kept shutting down mid-session. He told Annie that sometimes, when he was alone in the booth, heâd smell a whiff of corn liquor, followed by the faint thrum of a harmonica and a familiar cackle. He wrote a song for his old friend that day, the man who sacrificed himself so he could be free. Itâd go on to be the second single on his debut album. Called it âMagic (Itâs What We Do).â
December 7, 1985
The room held its breath.Â
The oxygen machine hissed. The heart monitor beeped rhythmically. Their children, all six of them in their 40âs and 50âs now surrounded Annieâs bedside.
Smoke sat in the chair next to her, staring at the woman he loved since 1919. He was bald now, wrinkled, even walked with a caneâ but his presence still filled a room and pressed into the corners.Â
âThank you,â he whispered, just so Annie could hear it. âFor givinâ me this life.âÂ
Annie smiled weakly. âYou mean havinâ all your bighead babies?â
Elijah Jr, who looked like he could have been Smoke and Stackâs triplet, spoke up. âNow mama, why we gotta be big headed?âÂ
Smoke chuckled, rubbing her hand gently. âFor lovinâ me. For givinâ me another chance,â he said softly. âAnd havinâ all my big headed babies.â
Annie choked out a laugh that turned into a cough.Â
Their eldest daughter Grace stepped forward, helping her mother sit up. âMama, the doctor said relax. Donât be workinâ yourself up.âÂ
Annie swatted her daughterâs arm. âYâall donât need to worry about me. Be laughinâ plenty where Iâm goinâ.â
âMama donât talk like that!â she hissed, voice thick with emotion.Â
âLook here,â Annie started. âI told yâall this day would come. Everybody got a time. You just pray that your time come when you ready and not because somebody else decided for you.âÂ
âMamaâŚ.â
Annie sat up fully with Smokeâs help. âNow I want yâall to listen to me. I ainât got long for this earth. And I ainât scared. I feel a peace I ainât never felt before. Know where Iâm goinâ, I get to see your sister again.â
Smoke squeezed her hand.Â
âShe would have been 62 this year. But she wasnât meant to be on this earth that long. I had to learn to accept that. Took a while. Hurt real bad. Wasnât my fault, or yo daddyâs. Not everybody meant to stay long. Some people shorter than others. Donât mean they life didnât mean nothinâ. Your sister didnât make it a year and I still remember her laugh like it was yesterday. Still remember what she smell like â milk and lavender.âÂ
Annie smiled to herself.
âIt used to hurt thinkinâ about her. Thought Iâd never think on her without it takinâ a piece of me. But now I feel joy.â She paused. âThatâs how I want yâall to remember me. Yâall have a piece of me in you, so whenever you get sad, just rememberâŚyou a part of me. Iâll always be here in spirit.âÂ
Annie looked around the room at her family, the children her and Smoke made out of love and wrapped up in it. She looked at her husband, a formidable man even in his old age. Their eyes held a silent conversation.
âI love you.â
Smoke kissed the back of her hand. âI love you too, mama.â
She winked at him, then she laid back with a smile and closed her eyes. The beep of the heart monitor slowly decreased.
Annie took her last breath that night. Smoke sat by her sideâ an ever steady presence amidst chaos. He didnât cry. Didnât even look sad as the room filled with sobs and screams of their children. He just adjusted her blanket like it would make her more comfortable, kissed her forehead and whispered in her ear. âIâll see you soon.â
He wouldnât make it to her funeral.
Stack came by that same night. He looked at his 87-year-old brother and saw the face of a man who ultimately lived life on his own terms. He saw a man who led a life so fulfilling, he was happy to leave it to spend eternity in the sky. He saw a man who he knew heâd never see again in person, not even in the mirror.Â
They stood side-by-side under the old oak in the backyard, watching the warmth of the house lights spill out the windows.Â
âHowâd she go?â Stack asked.
Smoke dipped his head, the corner of his mouth turning up. âPeacefully,â he said quietly.
Stack nodded. âYou next,â he said, not a question.Â
âItâs my time,â Smoke said with finality.
Stack turned to face his brother. âYou know I ainât good at goodbyes,â he said with a shaky voice. âThatâs why itâs never goodbye, always see you later.â He tried to chuckle, but a sob came out instead. âBut itâs fuckinâ me up that I wonât be seeinâ you later âcuz of thisâŚcurse,â he choked out. Stack took a deep breath to calm himself. âMaybe Annie can conjure up somethinâ from the spirit world, have me swallow some herbs ân shit so I can see yâall again.âÂ
Smoke looked at his forever 35-year-old twin with a profound sadness. He saw a restless spirit. He saw a 9-year-old Elias, terrified to walk this world alone. He saw a 23-year-old Stack terrified to go to Little Rock alone. His heart swelled. There were so many emotions he wished he could convey, but they all got stuckâ like they were meant to be left unsaid. Or maybe because Stack already knew. âIâma miss you,â was all he could manage to get out.
They pulled each other into a hug.
âAinât no me without you,â he sobbed. âI canât do this shit without you.âÂ
âYou can and you will. You gonâ do it for me. For my lilâ ones. Make sure they donât get in no trouble.â
Stack chuckled low. âThought I donât know how to watch my own back?â
âYou ainât gotta choice now fool,â he laughed. âAnnie gonâ put belt-to-ass, even from the afterlife.â
The SmokeStack twins stood under the stars, reminiscing about their glory days and the nights that still haunted them. New York. France. Chicago. Clarksdale. They talked until dawn threatened the horizon. 9 decades. Two brothers. Two paths. Split for eternity. When Smoke turned to the house, he looked over his shoulder one last time and saw tear stained cheeks that matched his own.Â
âI love you, lilâ brother.â
âI love you too, big brother.â
As Stack watched his brother slip back into the house, something came over him. It wasnât a breeze. More like a feeling. A prickling of his skin, like when the temperature drops suddenly. Then her scent wrapped around himâ lavender and vanilla, the smell so strong it made his nose tingle. He let out a breath he didnât realize he was holding.Â
âKnew youâd come through,â he whispered into the darkness, tears still falling.Â
Elijah âSmokeâ Moore passed three days later. Peacefully. Just like Annie had. As he took his last few breaths, he smiled weakly at the ceiling. âTold you,â he whispered softly. âI ainât livinâ without you again.â
I read this⌠at work⌠on Day 2 of my cycle. Everything is fine.
âLittle chocolate cherubs with his dimples and her eyes.â Liz please, the visual đĽšđĽš
Thatâs right, Smoke. Get up innittttt!!!
âStack pulled her jaw towards him. His eyes shined bright, a chilling pale blue. His mouth twisted into a smirk, drool dripping slowly from his fangs. He smirked wider when she squirmed, taunting her. He was enjoying this, seeing her uncomfortable, hearing his twin plead for her life. He took his time, watching her try to wiggle out of his grip with amusement. Annie braced herself as Stack lowered his head.â The hill Iâll die on, Stack got off on that bite. He was enjoying the moment of being hovered over Annie. Nasty ass, trifling ass nigga.
The altar đŠđŠ She canât even help them cross over. Remmick youâll pay for your crimes.
Here you go with these little chocolate cherubs again. Aww Stack still tryna be Uncle Stack from afar đĽš
THIS ENDING!!!!!!!!!!!
In all seriousness though, Liz this was so good. Iâm in shambles in the best way possible. My only complaint is that you left Stack with that white she-devil đ
Annie and Smoke survive the night of the juke. This was part of the two-shot that this series was supposed to be, but I won't be using it anymore.
*NOT EDITED*
Warnings: Fluff, smut, mentions of blood, grief, and death
October 15, 1932 â Morning
Annie stood at the wash basin, lye soap in hand, humming something sweet. It wasnât anything sheâd actually heard before. It was something she felt, like breath and heartbeat. It lived in her chest, clinging to her ribs like a hearty meal.Â
She felt a tug in her spirit. Both butterflies and unease twisted in her gut.
Smokeâs cominâ home today, she thought to herself. The thought felt like an omen. Annie hoped, prayed, he wouldnât bring anything from Chicago with him. She wasnât worried about a woman. Not the law, nor the mob. Not even the klan.Â
It was something much worse.
The road to Annieâs shop lay just ahead, looming, narrow and rugged. Dirt kicked up from the wheels, a thick cloud of red dust and exhaust smoke that billowed into the sky and disappeared into the trees.
Seven years had gone by. Seven years of Chicago winters and tear-stained letters. Seven years of ache. Seven years of keeping his brother safe. And seven years without the woman who kept them both alive.Â
He and Stack shared a lilâ kitchenette apartment in the blackbelt. They ran jobs for Capone, hoarding money, gold, and hooch, and stashing it in a dilapidated warehouse. It was risky business, sureâ but Chicago was always a means to an end.
It meant no more busting ass for the white man to roll up a few days after Christmas, cigar in his mouth, smirk on his face, just to tell him he still owed him money after picking his cotton all fucking year.
They had plans. Big ones. Theyâd open a place where their people could enjoy themselves. Not some raggedy shit that ran out of a plantation shack. Theyâd buy that old sawmill, patch it up, turn it into a juke joint.Â
Heâd put his share of the profit into something more stableâ a funeral home on Issaquena, running hearses from there to Mound Bayou. And Smoke, he could finally build his wife that house they both dreamed about. Something real peaceful. Two stories, a kitchen, a garden, a picket fence, pigpen and a chicken coop. They could live off the land and fill the house with babies. Little chocolate cherubs with his dimples and her eyes.
Heâd begged her to follow him. He said heâd go ahead, set everything up for them, take a job at the stockyard. Heâd work his way up and buy them a place over in Bronzeville. Something comfortable, with a view of Lake Michigan. A fresh start.
She refused. Told him that blood kept her bound to the land. That she wouldnât leave their daughterâs grave untended. She poured her soul into his mojo bag before he left. Heâd press his lips to it sometimes, when the ache started to feel tangible. He could still taste the salt from her tears, like she blessed it with them.
He kissed her hard and fucked her slow the night before. Then he tucked his hat and held her softly as she wept on his chest.Â
âI love you.â
He didnât apologize or make promises. He didnât need to. Their understanding went beyond what words could explain. When she looked up at him, doe eyes red-rimmed and watery, his chest tightened. Her gaze pierced his soul. He kissed her trembling lips once more, then he walked out the door.Â
Smokeâs truck stopped short of the house. He took a deep breath. Then he cut the engine, and stepped out of his truck. He looked around, taking it all in slowly. The porch still sagged in the middle; a wayward floorboard still hung loose on the steps. But the garden was tended. The faint scent of rosemary she used to sweep the porch still hung in the air.Â
He looked to his left and froze. A little mound of earth. A stone with a small handprint. A bottle of fresh milk. An Egun stick...she taught him that. And a rusted tin for flowers. He took off his cap, the bundle of flowers trembling slightly in his hand.
He couldnât remember how long heâd been crouching before he noticed the wind had stopped blowing. The throaty flute of a windchime sounded and pollen danced around his head, but he could feel no breeze. A chill ran down his spine. The same chill he felt during long nights in Chicago, when the danger felt close and the longing got rough. Nights he swore he could hear her calling his name in narrow alleyways and the back of speakeasies.Â
His voice was thick, heavy with the weight of things left unsaid.Â
âHow you be?âÂ
Annie shifted her weight, leaning against the doorframe.Â
âNo miseryâs worth complaining about.â She spoke with a rawness that brought him to his feet.
When he finally turned to look at her, his breath left him. She looked regal, leather belt cinching her waist, blue skirts moving like tide. She stood perfectly still inside the doorway, looking like a force to be reckoned with. Like a current.
Grief, longing, love and ache all channeled into something that looked more like peace on her. Acceptance. Purpose.
This wasnât the woman he left seven years ago, the one who kissed left teardrops on the leather of his mojo bag. Certainly not the woman he met 13 years priorâ a shy young woman of 18 whose words were spoken quietly but carried weight.
This woman was different. Born of water and baptized in fire. She stood in front of him, a formidable woman. A pillar, a beacon. Unbridled, unapologetic.
Reborn.
The air was thick, sweltering with a lust-filled heat that rivaled the Mississippiâs. Wet smacks and low grunts echoed off the wall, jars and vials clinked as they fell making room for the slick joining of two bodies drunk with need.Â
Smoke wasnât gentle. He spun her around and shoved her dress up, putting her exactly where he wanted her. There was no formality, no softnessâ just a raw need to be close. He pushed in with one long thrust that filled her completely. The stretch was overwhelmingâ he was thick and long, and it made her face twist up in ecstasy. Her hands reached out, her fingernails digging into the warped wood.Â
âNuh-uh, where you goin?âÂ
Smoke pulled out, angling her hips, spreading her wider. He put his hands on her shoulders and pulled her back onto his dick. This angle hit deeper, making Annie see stars. She squealed in pleasure.
âAh! Elijah!âÂ
He set a punishing rhythm, the wet slap of skin spurring him on. He licked up her neck, then buried his face in it, growling in her ear.Â
âWho pussy is this?â
âYours!âÂ
âSay it,â he gritted, feeling her clamp down on him.
âAhâthis p-pussy belongs to you papa!âÂ
âMhmm.â Smoke slowed down his strokes, letting every thick vein glide against her sensitive walls.Â
âIâma fill you up,â he said breathlessly. âLeave you leakinâ. Want you walkinâ around that juke full of my nut.â He pulled her hair back, making her arch into him. âYou want that baby? Want me to make a mess in you?â
âYes papa,â she moaned. âI want it drippinâ down my thighs.âÂ
âAsk nicely,â he grunted, tilting his head. She was squeezing him again, her pussy working hard to milk that nut out.
âPlease papa,â she whined. âPlease make a mess in me.â
Smoke groaned. âGood girl. Such a good girl for me.â
He sped up his strokes again and Annie started screaming. âCome on baby,â he barked. âFuck me back. Show me how much you missed papaâs dick.âÂ
And like the good girl that Annie was, she followed her papaâs orders.
A Few Hours LaterâŚ
Smoke and Annie pulled up to the mill just as the sun began to set, the sky the color of a bruise. He cut the engine, going over the events of the night. Annie tried to listen, as he went on about roulettes and Irish beer, but her thoughts kept drifting like something reached into her brain and yanked.
âSmoke, what time is it?âÂ
Smoke looked down at his watch. â4:32,â he grumbled.
She grabbed her haint beads.
Smoke raised a brow from the driverâs seat. âYou good mama?â
Annie hesitated. âSun rose at six this morninâ. Ainât due to set for another hour.â
Smoke rubbed her shoulder as Stack approached the truck. âWhat you thinkinâ?â
Annie looked at Smoke dead in his eyes, âThis place give me the willies.âÂ
âHey sis-in-law, long time no see,â Stack said as he opened the passenger door. He removed his hat and helped her out.Â
âHey Stack,â she said, bringing him into a hug.Â
âThanks for cominâ tonight.âÂ
âWouldnât miss it for the world,â Annie said, still tugging her elekes. Just as she slipped into the building she looked upâ three vultures sat perched on the roof.Â
Music was flowing, plates were selling, bottles of beer and mason jars of wine and whiskey clinked in the air. Annie stood behind the bar, looking at what her husband and his twin put together for their community with a sense of pride. Still, she couldnât help but feel an impending sense of doom.Â
It wasnât too often people her color were allowed prolonged happiness. There would always be some white person who came along and disturbed their peace just because they could. Thatâs what they didâ they lived to reduce them to nothing but hard laborers and strip any sense of joy they tried to cultivate. That was their formulaâ break âem before they think they deserve more.
But thisâŚthis was something different.Â
It felt olderâ older than Jim Crow and much more sinister.
As soon as Sammie struck his first chord, she felt it.
The veil wasnât just thinning, it had split wide open.
đľSee Iâm full of the Blues, Holy water tooâŚ
I know the truth hurts, so I lied to youâŚđľ
âAin't no way of bringing nobody back once they gone, that donât involve evil. Best thang we can do for âem is free they spirit from the curse.â
â Annie Moore
Club Juke turned into a mix of blood, fangs and fire.
Stack emerged from the shadows and lunged, pinning Annie to the ground.Â
âNo!â Smoke darted towards her, but was intercepted by Remmick.Â
âElias, not Annie!âÂ
This is it, she thought. She knew when she threw her bones it would come to this, it just hurt to think itâd come at the hands of Stack. That the man in charge of her demise would wear the same face as her husband.
She thought about what she could have done. Then she thought about what happened the last time she didnât let things play out the way they were supposed to. She thought about Smoke, about what she made him promise. He was screaming her name, pleading with Stack while she sobbed quietly. She couldnât look at him. Couldnât bear to witness the pain on his face.Â
âNot you,â Annie whispered between tears.Â
Stack pulled her jaw towards him. His eyes shined bright, a chilling pale blue. His mouth twisted into a smirk, drool dripping slowly from his fangs. He smirked wider when she squirmed, taunting her. He was enjoying this, seeing her uncomfortable, hearing his twin plead for her life. He took his time, watching her try to wiggle out of his grip with amusement. Annie braced herself as Stack lowered his head.Â
The screams faded. The shooting, snarling, crackle of fire, all dulled like the world was holding its breath. Annie squeezed her eyes shut, praying quietly as she felt fangs tease her neck.Â
âAsĂŠ.âÂ
Click-click.
BOOM!Â
Smoke was freed from Remmickâs grip.
Click-click.
BOOM!
âAnnie!â
Annieâs eyes flew open to find Pearline standing above her reloading her shotgun, the barrel still smoking.Â
âAnnie! Get up!âÂ
Smoke all but dragged her up off the floor, putting a stake in her hand. A not-so-subtle reminder that the fight wasnât over. Not until they got Sammie someplace safe. âCome on baby, ainât done yet.â
October 16, 1932
The air felt thick, like the morning after a storm. It smelled of iron, ash, and the morbidly-sweet rot of a juke joint stripped of its soul and forced to its grave. Death moved through the floorboards like a presence, lingering in corners and clinging to walls like shadows that bent wrong. The sun was still on its ascent, the pale light of morning peaking through the rafters, smoking the vampire bodies in its path.Â
The shooting stopped five minutes ago, but Annie couldnât tell. Time here felt like it was holding its breathâ like she was standing at the edge of something she couldnât name, but recognized its shape. Like someone split the veil open and something older stepped out.Â
Annie sat on top of the bar, trying to quiet the sounds of pain, horror and surrender that echoed in her head. She was slouched, breath stuck in her throat, limbs trembling under the weight of grief and guilt. Her face was coveredâ a layer of dust, blood and sweat like a second skin. Her eyes were red-rimmed, raw and filled with tears that cleared a path where they fell like a map no one asked for. Her dress was in tatters, shoes long goneâ lost somewhere in the fight.Â
Delta Slimâs body was in literal pieces on the stage. Mangled and completely drained of blood, it was a chilling testament to the terror that tore through the night. His harmonica lay amidst a chaotic pile of splintered wood, shards of glass, and blood splatter like a shiny, silver headstone.
Her shoulders shook, tears spilling down her cheeks. The place that was supposed to be somewhere for their community to enjoy themselves became a vehicle of violence and destruction. Of course the klan were involved. Smoke took them out by himself. Picked them off one by one, just like he promised. The mill door creaked open and he stumbled in clutching his side.Â
âBaby,â Annie gasped, âyou hurt?!âÂ
Smoke shook his head. âJust a graze. But we gotta go. I got the truck ready.âÂ
He scooped Annie in his arms and pressed his forehead to hers. His white undershirt was stained red, his pants caked with dirt and gunpowder. His eyes were wet with unshed tears, his hands trembling where he touched her. He had Stackâs dogtags wrapped around his wrist.
âThought I was gonâ lose you for good,â he murmured. âAinât livinâ without you again.â
Annie cradled his face, her tears still flowing. âAinât goinâ nowhere. Not without you.â
âThen letâs go home, Mrs. Moore.â
They burned the mill and every trace of what transpired there to the ground until the land was as dark as the blood and ash that soaked it. Black fumes billowed in the air for miles, the smell so vile it burned their eyes. They drove until they couldnât smell it anymore. Then they kept driving until they saw Spanish moss and swampland. Louisiana.
Her parentâs cottage was still there. Long unoccupied, but still standing. It had a wide porch, a large backyard, and her grandmotherâs wind chimes still hanging by the front door. It felt like peace, like this was home now.
Annie swept the floorboards with rosemary and performed her protection spells while Smoke beat the rugs out back and hid their stash under the floorboards.Â
They bathed together, her back to his chest, his arms wrapped around her waist. They held each other a little tighter that night, the kerosene lamp throwing gold shadows against their skin. He laid behind her and slid in slowly. The thick stretch of him, the power in his strokes made her shudder with pleasure. He was still buried deep when they drifted off, tangled in the sheets, bodies slick with their love. And when the light of dawn made their eyelids flutter awake, he took her again.
Three Months Later
January 31, 1933Â
Life was joyfully slow. Annie fed the chickens and tended her shop. Smoke found honest work on the railroad. Every morning they watched the sunrise together. Every night theyâd hold each other close, listening to the bullfrogs and crickets compete for sound. Heâd fuck her filthy every chance he got. Talk her through it, leave her leaking. She stayed so full of him, he filled her with babies, too.Â
The kitchen smelled like garlic and saltpork. Annie stood at the stove, apron tied loosely over a faded green house dress that fit a little more snug now that she was showing. She smiled down at her growing belly, rubbing it with one hand and stirring a pot of butter beans with the other. Her hips swayed slowly to the song she hummed under her breath. Smoke sat at the kitchen table, watching her with a tender heat. He crossed the room in two strides, pressing himself against her back.
âIâm hungry,â he said roughly.
âMmm,â she hummed. âSupperâs almost ready, baby.â
âNah,â he muttered. âMy food right here. Been marinatinâ all day.â
He dropped to his knees and pulled up her dress. No panties.Â
âMhmm.â He smacked each ass cheek. âArch that back, baby.â
Annie whimpered. She arched her back.
He licked his lips and dove in tongue first.
October 15, 1933Â
Smoke sat in the living room, rocking their daughter. She babbled and cooed gently as he held her on his chest, just above his heart.Â
Annie kneeled at her altar with a heavy heart, eyes wide with unshed tears. She laid a spread out in front of her like something sacred.
A pearl for Pearline.
A flask for Slim.
An old button from a pair of overalls for Cornbread.
Boâs keychain.
And a paintbrush for Grace.
She thought about Cornbread. How Therese had to raise their child alone. Thought about lilâ Lisa, how her parents never came home. She thought about Pearline, a woman just trying to find some escape and got caught in the crosshairs.Â
Then she thought about Slim. Thought about how he laid down his life for Sammie. Welcomed death with open arms.
âHeâll be visitinâ Sammie,â she whispered. âWatchinâ him play.âÂ
Then she thought about everyone else at the juke. Her community who came there looking for freedom and fun, and ended up getting burnt by the sun. Those people left behind children, siblings, parents, friends, lovers, lives, legacies. She still remembered standing there next to Smoke, watching the mill burn to ash and feeling the souls stuck on that land, rotting, cursed.
âI think about yâall all the time,â she said to the empty room. âI wanna help yâall crossover properâŚjust donât know how.â
A tear fell onto her bottom lip. She licked it, tasting the salt of her pain. Â
âI need you grandma, great-grandma,â she pleaded softly. âPlease.âÂ
She bowed her head and cried. âSo many people lost that night,â she sniffled. âJust gone. It ainât right.âÂ
A windchime sounded outside, but Annie didnât hear it. The room got colder, the candles flickered once then held steady.
Thatâs heavy work, baby girl.Â
Her head snapped up. âGrandma?â
Abeni.Â
That was a different voice.
Annie paused. âWho are you?â
The stolen one.
A third voice. Annie thought for a moment, the constant tears shedding clouding her eyes and her mind.Â
âGreat-grandma?â
It was silent for a beat. Thenâ
The flood. The voice said.
Annie gasped. âThe one on the other side.â
Your spirit looks sad.
âI could have done something,â she whispered.
Wouldnât have stopped it no way. That kind of creature, they love to feed on a woman with your gift. Makes âem more powerful.
âHow do I start? What can I do?â
A body is a good start.
âSo they have to be alive?â
That kind, they may walk this earth, but they ainât alive.
âBut I can set their spirits free?â
You can guide it around whatâs feedinâ on it. But it ainât easy. Gonâ take a lot from you, just like it took from me. Their soul has to want it. And some souls, they like beinâ fed onâ no matter what they say. Their typeâ theyâre tricksters. Donât confuse a spirit that wants to be set free with a rotted flesh that wants to lure you in.
Nine Years Later
October 25, 1941Â
The living room wasâŚloud. A cacophony of toddler babbling, baby cooing and the high pitch of childrenâs voices. They huddled around the ham radio, turning the knob until they heard the smooth hum of the radio station.
âHush now! Donât yâall wanna hear cousin Sammie on the radio?âÂ
A chorus of yes sirâs rang out. Five to be exact.
âThen be quiet âfore ya mama send yâall back to bed,â Smoke barked out.Â
Annie appeared from the back room, baby Ezra suckling her breast. âNow why am I in it?âÂ
Smoke pulled her into his lap, resting his chin on her shoulder. âI just wanted you out here, baby. Missed you when you was gone.â
Annie giggled, moving Ezra to her shoulder to burp. âI been gone for five minutes, Smoke.â
He nuzzled her ear, then kissed her on the cheek. âFive minutes too long.â
Smoke squeezed Annieâs waist when a familiar bassline came over the radio.
đľSomethinâ I wanna tell ya, âfore a long timeâŚ
It might hurt ya, might lose ya mindâŚđľ
They looked at each other with recognition. The painful memories of that night still haunted themâ Smoke would wake up gasping, covered in sweat. Heâd grab his gun and check the locks twice before crawling back in bed. Sometimes Annie would see burning bodies when she closed her eyes. Bo, Grace, Pearline, Cornbread. Slimâs mangled body. His harmonica that laid on the stage like a grave marker.Â
Stack came around sometimes. Heâd leave candy for the kids, whiskey for Smoke and flowers for Annie. Him and Mary settled across the river in New Orleans, living in the shadows of narrow alleyways, rotting churches, and abandoned mills. They could be around their own kind down there, a certain kind of freedom if you squinted your eyes and looked real close.Â
Sammie wrote to his cousins every two weeks. He made it to Chicago and recorded âI Lied to Youâ at Columbia Records the following year. Took him a whole week to get it done âcause the equipment kept shutting down mid-session. He told Annie that sometimes, when he was alone in the booth, heâd smell a whiff of corn liquor, followed by the faint thrum of a harmonica and a familiar cackle. He wrote a song for his old friend that day, the man who sacrificed himself so he could be free. Itâd go on to be the second single on his debut album. Called it âMagic (Itâs What We Do).â
December 7, 1985
The room held its breath.Â
The oxygen machine hissed. The heart monitor beeped rhythmically. Their children, all six of them in their 40âs and 50âs now surrounded Annieâs bedside.
Smoke sat in the chair next to her, staring at the woman he loved since 1919. He was bald now, wrinkled, even walked with a caneâ but his presence still filled a room and pressed into the corners.Â
âThank you,â he whispered, just so Annie could hear it. âFor givinâ me this life.âÂ
Annie smiled weakly. âYou mean havinâ all your bighead babies?â
Elijah Jr, who looked like he could have been Smoke and Stackâs triplet, spoke up. âNow mama, why we gotta be big headed?âÂ
Smoke chuckled, rubbing her hand gently. âFor lovinâ me. For givinâ me another chance,â he said softly. âAnd havinâ all my big headed babies.â
Annie choked out a laugh that turned into a cough.Â
Their eldest daughter Grace stepped forward, helping her mother sit up. âMama, the doctor said relax. Donât be workinâ yourself up.âÂ
Annie swatted her daughterâs arm. âYâall donât need to worry about me. Be laughinâ plenty where Iâm goinâ.â
âMama donât talk like that!â she hissed, voice thick with emotion.Â
âLook here,â Annie started. âI told yâall this day would come. Everybody got a time. You just pray that your time come when you ready and not because somebody else decided for you.âÂ
âMamaâŚ.â
Annie sat up fully with Smokeâs help. âNow I want yâall to listen to me. I ainât got long for this earth. And I ainât scared. I feel a peace I ainât never felt before. Know where Iâm goinâ, I get to see your sister again.â
Smoke squeezed her hand.Â
âShe would have been 62 this year. But she wasnât meant to be on this earth that long. I had to learn to accept that. Took a while. Hurt real bad. Wasnât my fault, or yo daddyâs. Not everybody meant to stay long. Some people shorter than others. Donât mean they life didnât mean nothinâ. Your sister didnât make it a year and I still remember her laugh like it was yesterday. Still remember what she smell like â milk and lavender.âÂ
Annie smiled to herself.
âIt used to hurt thinkinâ about her. Thought Iâd never think on her without it takinâ a piece of me. But now I feel joy.â She paused. âThatâs how I want yâall to remember me. Yâall have a piece of me in you, so whenever you get sad, just rememberâŚyou a part of me. Iâll always be here in spirit.âÂ
Annie looked around the room at her family, the children her and Smoke made out of love and wrapped up in it. She looked at her husband, a formidable man even in his old age. Their eyes held a silent conversation.
âI love you.â
Smoke kissed the back of her hand. âI love you too, mama.â
She winked at him, then she laid back with a smile and closed her eyes. The beep of the heart monitor slowly decreased.
Annie took her last breath that night. Smoke sat by her sideâ an ever steady presence amidst chaos. He didnât cry. Didnât even look sad as the room filled with sobs and screams of their children. He just adjusted her blanket like it would make her more comfortable, kissed her forehead and whispered in her ear. âIâll see you soon.â
He wouldnât make it to her funeral.
Stack came by that same night. He looked at his 87-year-old brother and saw the face of a man who ultimately lived life on his own terms. He saw a man who led a life so fulfilling, he was happy to leave it to spend eternity in the sky. He saw a man who he knew heâd never see again in person, not even in the mirror.Â
They stood side-by-side under the old oak in the backyard, watching the warmth of the house lights spill out the windows.Â
âHowâd she go?â Stack asked.
Smoke dipped his head, the corner of his mouth turning up. âPeacefully,â he said quietly.
Stack nodded. âYou next,â he said, not a question.Â
âItâs my time,â Smoke said with finality.
Stack turned to face his brother. âYou know I ainât good at goodbyes,â he said with a shaky voice. âThatâs why itâs never goodbye, always see you later.â He tried to chuckle, but a sob came out instead. âBut itâs fuckinâ me up that I wonât be seeinâ you later âcuz of thisâŚcurse,â he choked out. Stack took a deep breath to calm himself. âMaybe Annie can conjure up somethinâ from the spirit world, have me swallow some herbs ân shit so I can see yâall again.âÂ
Smoke looked at his forever 35-year-old twin with a profound sadness. He saw a restless spirit. He saw a 9-year-old Elias, terrified to walk this world alone. He saw a 23-year-old Stack terrified to go to Little Rock alone. His heart swelled. There were so many emotions he wished he could convey, but they all got stuckâ like they were meant to be left unsaid. Or maybe because Stack already knew. âIâma miss you,â was all he could manage to get out.
They pulled each other into a hug.
âAinât no me without you,â he sobbed. âI canât do this shit without you.âÂ
âYou can and you will. You gonâ do it for me. For my lilâ ones. Make sure they donât get in no trouble.â
Stack chuckled low. âThought I donât know how to watch my own back?â
âYou ainât gotta choice now fool,â he laughed. âAnnie gonâ put belt-to-ass, even from the afterlife.â
The SmokeStack twins stood under the stars, reminiscing about their glory days and the nights that still haunted them. New York. France. Chicago. Clarksdale. They talked until dawn threatened the horizon. 9 decades. Two brothers. Two paths. Split for eternity. When Smoke turned to the house, he looked over his shoulder one last time and saw tear stained cheeks that matched his own.Â
âI love you, lilâ brother.â
âI love you too, big brother.â
As Stack watched his brother slip back into the house, something came over him. It wasnât a breeze. More like a feeling. A prickling of his skin, like when the temperature drops suddenly. Then her scent wrapped around himâ lavender and vanilla, the smell so strong it made his nose tingle. He let out a breath he didnât realize he was holding.Â
âKnew youâd come through,â he whispered into the darkness, tears still falling.Â
Elijah âSmokeâ Moore passed three days later. Peacefully. Just like Annie had. As he took his last few breaths, he smiled weakly at the ceiling. âTold you,â he whispered softly. âI ainât livinâ without you again.â
The GIRLS are going to get mad at me, BUT IDGAF. Wunmi was THE FIRST time we've EVER seen MBJ with a girl his complexion or darker as a LOVE INTEREST (over the course of his almost 30 year career) & STILL even with him having her as his wife in the film, it's like he HAD to have a non-black or light skin (woman) love interest in the film for his other character.
I have no issue with him liking light-skin women & non-black women BUT I just want this nigga to stop pandering to women that he'll NEVER date or be interested in (Brownskin & Darkskin women) because his fanbase is full of women that DON'T look like his (perceived/alleged) preference.
I SAID WTF I SAID, IDGAF IF YOU MAD. I can be a fan & call out problematic shit đ¤ˇđžââď¸.
To have Hailee on this as if the whole point of her character wasnât to be white passing and a danger to the community is a tone deaf choice, but I digress.
Letâs also not be daft about the situation. Most of the people screaming about ârepresentationâ regarding Thomas Crown wouldâve only found something else to pick apart if they cast the lead as another black woman. If she were too light, you niggas would complain. If she were too dark, you niggas would complain. **
Furthermore, the people with the most to say donât know how Hollywood & production companies work. Just because heâs the director doesnât mean he has full creative control. That nigga just like the president. Heâs just a representative.
**You niggas is a neutral term. If the shoe fits, wear it. If not, no need to type a paragraph about how thatâs not you.
He's not just a representative, Directors are a part of the vision for a film as well. Also, just a reminder, the original choice (Taylor Russell) left because of creative differences & she's a director as well.
Yes, but how often is this the case for a black director? Especially one working directly under a billion dollar studio thatâs been quietly following the trend of canceling black-led projects (specifically ones involving a black female lead) & donating to Shitty McStank Ass (them peopleâs president).
What I meant about Mike being a representative is a director who completes their project with executive producers funding it and then sells it to a major studio for distribution purposes has a lot more freedom to do as they please with their project than a director who has been attached to a project that is being directly funded and influenced by said major studio. Mike may be the director and a producer, but several factors have to be taken into account when it comes to the casting decisions that were made:
1. Our current administration is actively erasing black women in all fields. Hollyweird isnât exempt from this.
2. Taylor removed herself 3 weeks before shooting began. We donât know the details of her departure and we donât know which actresses were contacted before the final decision was made on Adria.
3. Yes, Pretty Boy Flizzy is the director, but TRUE creative freedom is given to directors that have proven to make movies that bring in dollars. So far all Mike has under his belt is Creed 3, which was part of an already established franchise.
3a. Him taking on a classic like this is a risk and Hollywood hates taking risks. If big studios are willing to interfere with the creative choices of projects being directed by white directors who have proven to be box office winners, it would be foolish to think they wouldnât do the same to a black man.
4. There are four other producers on this project and two executive producers, one of which is Alan Trustman who has a story and screenplay credit. Michael is not individually financing this project and this is not his sole creative vision, which means even though he is listed as the âdirectorâ he doesnât have complete control over this project.
5. This film was completed before his Oscar win, which means his name JUST now began holding weight in Hollywood. Yes, it would be nice to see him paired with a black leading lady but I wonât hold it against him for this project. But thatâs just me.
Now if he steps back into the directorâs seat where he has actual creative control and chooses a non-black woman (where race doesnât impact the character) his ass is going to the gulag. But Iâm not holding it against him this time.
TL;DR: Itâs not fair to pin Adriaâs casting solely on Mike just because he has the director title. There are several other factors at play that we on this side donât always see. While Iâd love to see him with a black leading lady, I donât think this particular film is the one he should be judged on. If he gets a project where he actually has full creative control and still keeps passing over Black women, then we can have that conversation. Until then, Iâm not putting this one on him.
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The GIRLS are going to get mad at me, BUT IDGAF. Wunmi was THE FIRST time we've EVER seen MBJ with a girl his complexion or darker as a LOVE INTEREST (over the course of his almost 30 year career) & STILL even with him having her as his wife in the film, it's like he HAD to have a non-black or light skin (woman) love interest in the film for his other character.
I have no issue with him liking light-skin women & non-black women BUT I just want this nigga to stop pandering to women that he'll NEVER date or be interested in (Brownskin & Darkskin women) because his fanbase is full of women that DON'T look like his (perceived/alleged) preference.
I SAID WTF I SAID, IDGAF IF YOU MAD. I can be a fan & call out problematic shit đ¤ˇđžââď¸.
To have Hailee on this as if the whole point of her character wasnât to be white passing and a danger to the community is a tone deaf choice, but I digress.
Letâs also not be daft about the situation. Most of the people screaming about ârepresentationâ regarding Thomas Crown wouldâve only found something else to pick apart if they cast the lead as another black woman. If she were too light, you niggas would complain. If she were too dark, you niggas would complain. **
Furthermore, the people with the most to say donât know how Hollywood & production companies work. Just because heâs the director doesnât mean he has full creative control. That nigga just like the president. Heâs just a representative.
**You niggas is a neutral term. If the shoe fits, wear it. If not, no need to type a paragraph about how thatâs not you.
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