I don’t want to name names but I just think tom holland is so incredibly dull and I don’t get it

#extradirty

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let's talk about Bridgerton tea, my ask is open
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@theconceptsofastan
I don’t want to name names but I just think tom holland is so incredibly dull and I don’t get it

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THE VAMPIRE LESTAT 3.2
Which of these is not the name of a place in mainland Australia?
Orange
Proserpine
Humpty Doo
Norseman
Sale
Woolloomooloo
Monkey Mia
Eggs and Bacon Bay
Seventeen Seventy
Boing Boing
Mount Buggery
Nar Nar Goon
a friend with a boyfriend is a type of dead wife
This is leaving out the most crucial piece of why that was a normal reality: UNIONS. Union participation percentage is a measly 10% across all industries for the latest statistics in 2025. Unions are the ones who could fight against the requirement for everyone and their mother to need a minimum of a bachelor's degree. they could fight for working hours to be properly compensated so that the work week was actually 40 hours or less and everything over was actually paid for. The reality of the work place and why we work so much more for so much less is because we are not unionized. the reason europeans seem to have it so much better is because of their strong union culture. there are solutions to these problems and we need to stop obscuring the why.
correct.

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I try not to fall into the "I never liked their work anyway" ditch when an artist/creator reveals themself to be a terrible person
BUT
a feeling I do have and will stand by is "While I enjoyed their work overall I did have some gripes that I overlooked out of affection and whimsy, but now that my loyalty is gone and my affection tainted there is nothing holding me back from enumerating my many grievances, to which the revelations of the creator's shittiness may or may not provide a new and infuriating context."
#girl who is clearly healed and doing okay
depiction is not the same as glorification and I need people to get that
depiction from the POV of a character who thinks it’s okay is still not glorification
Ever since we'd eyes to see We numbered how the heavens turned And marveled at their constancy We tracked their dances and we learned
They tell us this is why they sent The starry sailors on their way Inspired by the firmament Frantic, now, to win the day
Their country's colors that they bore Were crimson as your blood could be When spilled from endless proxy wars Waged by two hostilities
There are no states in heaven's eye These nations' powers had an end Unlike the moon, the stars, the sky They move but they come back again
The flag they planted faded white Surrendered to the void of space Standing in forever night A humble marker of our race
And at its base there sat a sign Safe from tarnish, ruin or rust Eternal in its plain design For space to read when we are dust
"Men from earth first set foot here Summer 1969 Though earth was cold with wartime fear We came in peace for all mankind."
this is an example of a symbiotic relationship

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my favorite thing about louis is he's a business major in a world of theater kids. everyone's playing psychological games with each other through theater and rock music and the fractured art of storytelling and he's like "but what are the margins on my vampire hotel"
americans are a saudi oil baron's idea of classy. brits are an american's idea of classy. the french are a brit's idea of classy. unfortunately the chain ends here since the french's idea of classy is also the french
“I will have an undergraduate class, let’s say a young white male student, politically-correct, who will say: “I am only a bourgeois white male, I can’t speak.” … I say to them: “Why not develop a certain degree of rage against the history that has written such an abject script for you that you are silenced?” Then you begin to investigate what it is that silences you, rather than take this very determinist position-since my skin colour is this, since my sex is this, I cannot speak… From this position, then, I say you will of course not speak in the same way about the Third World material, but if you make it your task not only to learn what is going on there through language, through specific programmes of study, but also at the same time through a historical critique of your position as the investigating person, then you will have earned the right to criticize, you be heard. When you take the position of not doing your homework- “I will not criticize because of my accident of birth, the historical accident” - that is the much more pernicious position.”
— Gayatri Spivak (via fearandwar)
The satirical research field "parachute use to prevent death and major trauma" is such a goldmine. The two major publications
https://pmc.ncbi.nlm.nih.gov/articles/PMC300808/
and
https://www.bmj.com/content/363/bmj.k5094
are pretty much perfect satire of the way pseudo-skeptics dismiss domain experts and demand "hard evidence" in the form of exclusively flawless double-blind controlled studies, while clearly demonstrating that they have no idea what that entails, or what the limitations of RCTs are.
wild way to say "kill yourselves"
But the randomized control trial that was actually performed (second link) found no evidence that parachutes prevent mortality! (because they could only recruit people willing to jump off small, landed aircraft)
Okay wait how did you leave out:
It is a truth universally acknowledged that a medical intervention justified by observational data must be in want of verification through a randomised controlled trial.
Salt levels critical.
The relevance to parachute use is that individuals jumping from aircraft without the help of a parachute are likely to have a high prevalence of pre-existing psychiatric morbidity. Individuals who use parachutes are likely to have less psychiatric morbidity and may also differ in key demographic factors, such as income and cigarette use. It follows, therefore, that the apparent protective effect of parachutes may be merely an example of the “healthy cohort” effect.
there should be a dear evan hansen about the time nicole cliffe said she forgot about a diva cup shoved in her body and almost died

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the thing about art is that sometimes you'll be moved to tears by stuff that is not very good
subtext this, subtext that. dommetext is the way forward. a hot character turns directly to the audience and explains in plain terms how they should interpret the things the text portrays.