which ao3 tag are you?

Andulka

Cosmic Funnies
Claire Keane

oozey mess
sheepfilms
Interview Vampire Daily
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d e v o n
occasionally subtle
almost home
noise dept.
One Nice Bug Per Day

Discoholic 🪩
Aqua Utopia|海の底で記憶を紡ぐ
Game of Thrones Daily
official daine visual archive

seen from United States

seen from Colombia
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seen from United States
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seen from United States

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@groovebunker
which ao3 tag are you?

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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how do you explain to people that spending all your pre-adolescence and adolescent years in such deep depression you didn't expect to make it past 19 and somehow making it to 30 changes your worldview. like i don't need any aspirations, i'm just vibing with my iced coffee that brings me actual joy and contentment. might chuckle at a funny post later. life's simple. it's good
Fran/CC in 4.18 “The Facts of Lice”
I love this because.... oh my beautiful girl! 🫶🏼🫠🥹
Migraine sufferers will be like "it's not like I'm disabled or anything, it's just that if I do any of these normal everyday things other people do all the time, my head explodes. But I'm fine honestly, as long as I avoid doing anything ever and my environment and the weather never changes, then my head explodes a little less"

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i have had book!eva stratt for like ten pages and i love her more than i thought possible.
slow horses sketches..
My woke take, as someone who has worked in both a public library and a school library, is that we desperately need both more books that are at a higher reading level but a less mature subject matter, and more books that are at a lower reading level but a more mature subject matter, because 8 year olds who are advanced readers are still 8 year olds and don't want to read about graphic violence and torture, and teens and adults who have learning difficulties or who are just later readers for whatever reason are still teens and adults and don't want to read about Billy the Bunny going to school or whatever the hell.
“When I was 26, I went to Indonesia and the Philippines to do research for my first book, No Logo. I had a simple goal: to meet the workers making the clothes and electronics that my friends and I purchased. And I did. I spent evenings on concrete floors in squalid dorm rooms where teenage girls—sweet and giggly—spent their scarce nonworking hours. Eight or even 10 to a room. They told me stories about not being able to leave their machines to pee. About bosses who hit. About not having enough money to buy dried fish to go with their rice.
They knew they were being badly exploited—that the garments they were making were being sold for more than they would make in a month. One 17-year-old said to me: “We make computers, but we don’t know how to use them.”
So one thing I found slightly jarring was that some of these same workers wore clothing festooned with knockoff trademarks of the very multinationals that were responsible for these conditions: Disney characters or Nike check marks. At one point, I asked a local labor organizer about this. Wasn’t it strange—a contradiction?
It took a very long time for him to understand the question. When he finally did, he looked at me like I was nuts. You see, for him and his colleagues, individual consumption wasn’t considered to be in the realm of politics at all. Power rested not in what you did as one person, but what you did as many people, as one part of a large, organized, and focused movement. For him, this meant organizing workers to go on strike for better conditions, and eventually it meant winning the right to unionize. What you ate for lunch or happened to be wearing was of absolutely no concern whatsoever.
This was striking to me, because it was the mirror opposite of my culture back home in Canada. Where I came from, you expressed your political beliefs—firstly and very often lastly—through personal lifestyle choices. By loudly proclaiming your vegetarianism. By shopping fair trade and local and boycotting big, evil brands.
These very different understandings of social change came up again and again a couple of years later, once my book came out. I would give talks about the need for international protections for the right to unionize. About the need to change our global trading system so it didn’t encourage a race to the bottom. And yet at the end of those talks, the first question from the audience was: “What kind of sneakers are OK to buy?” “What brands are ethical?” “Where do you buy your clothes?” “What can I do, as an individual, to change the world?”
Fifteen years after I published No Logo, I still find myself facing very similar questions. These days, I give talks about how the same economic model that superpowered multinationals to seek out cheap labor in Indonesia and China also supercharged global greenhouse-gas emissions. And, invariably, the hand goes up: “Tell me what I can do as an individual.” Or maybe “as a business owner.”
The hard truth is that the answer to the question “What can I, as an individual, do to stop climate change?” is: nothing. You can’t do anything. In fact, the very idea that we—as atomized individuals, even lots of atomized individuals—could play a significant part in stabilizing the planet’s climate system, or changing the global economy, is objectively nuts. We can only meet this tremendous challenge together. As part of a massive and organized global movement.
The irony is that people with relatively little power tend to understand this far better than those with a great deal more power. The workers I met in Indonesia and the Philippines knew all too well that governments and corporations did not value their voice or even their lives as individuals. And because of this, they were driven to act not only together, but to act on a rather large political canvas. To try to change the policies in factories that employ thousands of workers, or in export zones that employ tens of thousands. Or the labor laws in an entire country of millions. Their sense of individual powerlessness pushed them to be politically ambitious, to demand structural changes.
In contrast, here in wealthy countries, we are told how powerful we are as individuals all the time. As consumers. Even individual activists. And the result is that, despite our power and privilege, we often end up acting on canvases that are unnecessarily small—the canvas of our own lifestyle, or maybe our neighborhood or town. Meanwhile, we abandon the structural changes—the policy and legal work— to others.”
- Naomi Klein
“Climate Change Is a Crisis We Can Only Solve Together” The Nation 17 June 2015
(updated link as of March 2024)
👆👆👆
Amid the second Trump presidency, this is a really good thing for people to read I believe. It takes a huge amount of pressure off of a person. Like yeah, have some Oreos. It’s tough out there. Don’t drive yourself crazy. If you have a chance to support unions or go to enforce regulations on a giant corporation, do so, but otherwise just survive and thrive as a Best you can.
the victoire instagram posting a close up of cath’s bicep for the guess who game is so funny to me. you think i don’t recognize her by bicep alone

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deriding things as performative is anti third space
im sitting on a patio at my favorite cafe rn and im hand stitching them hem of a dress im working on. and i can see why someone would say im being performative by working on something like this in a public space. but frankly theres no element of that. i just want to work somewhere that isnt my apartment. i want to be in public, i wanna chat with strangers, i wanna see the world. it’s nice to hang out somewhere that isnt my home!
what i mean is when you say people are being performative you discourage them from doing shit they love in public. and thats no way to foster the world we want to see.
ok well maybe her little finger is really cozy and honestly there are worse places to be wrapped around. did you ever think about that
Getting an upgrade. Still angry in 5'2":)
Someone will say "as a queer person in the heart of empire, my life is in danger every day" and you'll find out they're a developer for Amazon and live in San Francisco or Seattle or some shit, and then you'll meet a trans girl from Alva, OK who's like "Yeah, things are pretty good. AutoZone moved me to full-time."
Someone in a queer group in my current blue city said that they didn't like expressions of solidarity because it "diluted their oppression".
#That's what I mean when I say the foundation of feminism and queer community should not fixate on victimhood #Once you feel that our suffering is our shared experience an not our love then our suffering becomes vital to the culture #I don't want a culture where suffering is vital #I want a culture where love is celebrated #The suffering is an imposition not a prerequisite #And yeah I sure fucking hope our oppression is diluted bitch you WANT us freebasing the uncut shit???
Occasional rent-lowering gunshots
If you frequently jump into the comment section of my fics only to demand more, I will block you.
I don't know why it got lost in the sauce that fandom writers and artists are also just people with private lives, responsibilities and limited free time, but it certainly did, and it's getting worse by the year.
Don't get me wrong, I am thankful that you read my stuff in the first place, and I'm also thankful that you liked it enough to ask for more, but if that's the only thing you ever say to me or about my writing, it's demotivating and frustrating as all hell.
The backbone of fandom is community; sharing interests and mutual excitement about something, it's giving and taking, so don't be surprised that nobody wants to give any more when the only thing you do is take, take, take.

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
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someone explain to me how my chest is itchy and numb at the same time?!?