Distortion.
From p. 476 and p. 480 of A Practical Treatise on Materia Medica and Therapeutics With Especial Reference to the Clinical Application of Drugs by John Vietch Shoemaker (1896).
styofa doing anything

Kaledo Art
Game of Thrones Daily

â

shark vs the universe

izzy's playlists!
Sweet Seals For You, Always
dirt enthusiast
Not today Justin

blake kathryn

çĽćĽ / Permanent Vacation

Janaina Medeiros
ojovivo
trying on a metaphor
he wasn't even looking at me and he found me
let's talk about Bridgerton tea, my ask is open
Claire Keane

#extradirty
hello vonnie
DEAR READER
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@theartofgooglebooks
Distortion.
From p. 476 and p. 480 of A Practical Treatise on Materia Medica and Therapeutics With Especial Reference to the Clinical Application of Drugs by John Vietch Shoemaker (1896).

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Distorted, isolated endpapers.
From the front matter of The American Kennel Club Stud-book, Volume 25 (1909).
Bird illustration, circles, dashes.
From the title page verso of Anglo-American Telegraphic Code to Cheapen Telegraphy and to Furnish a Complete Cypher (1891).
Two photos in quick succession = captured motion.
From the back matter of Report on the Introduction of Soft Water Into the City of Boston by Robert Henry Eddy (1836).
Musical score + cut corner + blue paper.
From p. 583 of The Etude (September 1918).

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Authorâs inscription:Â âI wish you Joy.â
From the title page of Joy by Lillian Elaine Craner (1915).
Distorted interlibrary loan slip.
From the back matter of Haunted Hearts by Maria Susanna Cummins (1864).
Neon moire.
Throughout Handbook of Nature-Study for Teachers and Parents by Anna Botsford Comstock (1911).
Manicules.
In between various volumes of Spectroscopy (1869).
Autolinks, highlighting, stamps, and handwriting.
From the back matter of Universal Geography by Conrad Malte-Brun (1822)

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Tip in red crayon.
Throughout The Land of Oz by L. Frank Baum (1904).
Autolink hash.
From the table of contents of Jane Austen and Her Country-house Comedy by William Henry Helm (1909).Â
Leather and marbled paper rendered in high contrast black and white.
Covers of Northanger Abbey by Jane Austen (1877).
Driving IN TRANSIT.
From the back matter of Driving by His Grace the (Eighth) Duke of Beaufort (1901).
Redacted, in shades of gray.
From the back matter of The Earth's Crust, or, Primogenial Scenes and Other Poems by James Lawson (1863).

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A veil: tissue laid, as if in reverence, over A Very Sad Text.Â
From p. 68 of A Brief Narrative of an Unsuccessful Attempt to Reach Repulse Bay, Through Sir Thomas Rowe's "Welcome", in His Majesty's Ship Griper, in the Year 1824Â by Captain G.F. Lyon (1825).
Moire animation.
Images throughout Bullâs-Eye, Volumes 2 and 3 (1922).