
gracie abrams
Misplaced Lens Cap
Interview Vampire Daily
$LAYYYTER
Sade Olutola
NASA
hello vonnie

bliss lane

#extradirty
The Bowery Presents
RMH

if i look back, i am lost
todays bird
EXPECTATIONS

Origami Around
Cosmic Funnies
untitled

❣ Chile in a Photography ❣
Monterey Bay Aquarium
sheepfilms
seen from Argentina
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@the-flightless-birds

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what happened to the skeleton war, you guys used to love the skeleton war
Wars over, son.
"Ok, ma'am that'll be $226.03."
I take my wallet out of my pocket and unfold it. It is empty other than a single moth that lazily flies out. The moth lands on the tap point of the card reader. There's a beat, and my payment is processed. The moth flies back into my wallet and I put it back in my pocket.
religion is so fucking funny the world is just too beautiful there must be a higher entity behind all this. lets oppress women
one of the things the atla universe writers can never do properly is write about the entire bender vs non bender situation lol. they consistently have plots where non-benders want recognition and justice because they feel like they're being mistreated by the benders, and the writers always make them out to be the villain. i still think in the original show they dealt with this topic fairly well, but the legend of korra and the movie is where it really just falls flat in the face. both the movie and tlok constantly sideline and neglect their non-bending characters, or just not have any (except the ONE token non-bender!), and then try to act like the in canon non-benders are stupid for saying they're being mistreated. like you are LITERALLY proving their point !!!!!!!! for example, the movie essentially making sokka entirely useless (except giving him a flying bicycle for one hype aura moment which inevitably leads nowhere), and then erasing almost ENTIRETY of it's other non-bending cast, just makes me think, hey maybe the denied have a point actually. i understand that it's a movie and they can't bring in every single side character, but was suki not a part of the main gang by the end of the show? was sokka not a leader, a strategist and eventually a politician? why couldn't we hear sokka's thoughts on the denied? i understand that the denied are violent and have disruptive ways of being seen and heard, but isn't their core principle right? are the non-benders not treated worse?
this isn't even a new point that was first mentioned in tlok. you see it in the original show. except they never spell it out for you. you see it in the way sokka feels about himself, you see it in the way toph initially treats sokka and assumes he's useless because he can't bend. the boiling rock episodes aren't just fun, but they're such good examples of sokka, suki and hakoda, (and mai and ty lee!!!!) who are all non-benders, doing most of the heavy lifting to get them out. sokka with his brain, suki with her fearlessness and dedication to her art, and hakoda with his strength. the atla universe always comes so close to addressing this issue with maturity and dignity and then just backtracks when it realises it can't give it too much time because it isn't as cool as bending. it just makes me angry.

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"stress" by yoan capote - made of bronze and concrete
the problem is i really do love staying up until one billion o'clock. it just cant be helped
I think this is one of the craziest videos I’ve ever seen
trying to explain why i like horror to people who don’t: ok so you know how it’s fun to be deeply disturbed and unsettled

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someone tell OP i did it, i spent about 3 hours on it
Where's it made? Who brought it here? How much were they paid? Who makes it? Is it made in separate parts and put together? How much were they all paid to do this? Where do they get the materials? Who paid for that? Who brings it there? How much were they paid? Who streamlined the base materials? How much were they paid? Who gathered the base materials? Where? How much were they paid? Is it good for them? Is it good for us? Is it good for the land? Is it necessary? Is it biodegradable? How much does it hurt? Do I need it? Do I even want it?
barnyard the original party animals is the uncontested lord of bad implications in childrens movies
ok so like “the secret life of x” movies tend to not strongly explore the actual reasons why, exactly, their life has to be secret… they don’t really focus on it within the narrative. They do usually have some small justification for why animals or video games or toys or whatever have never just revealed themselves:
There’s no stated reason. They just pretend to not be alive. We usually can suspend our suspension of disbelief here because when it’s something like a video game or an emoji because any odd occurrences is perceived as a glitch or something similar but the actual reason why they aren’t too hung up on this kinda shitty lot in life isn’t said
They get something out of their current relationship with humans (like in toy story)
They have some specific reason to hide that they’re alive, like they die if they’re seen (like in the christmas toy)
They perceive themselves as sentient, talking creatures, but humans can’t understand them. They just see a squeaking mouse or an inanimate hot dog or whatever.
and the last one is what most animal movies do, and it’s like, not devoid of weird implications but you can see where it mostly works.
but barnyard is the outlier here: it goes with tier one: the animals can talk and walk on two legs but just pretend that they can’t for unstated reasons.
in the history of the barnyard world non human animals, at some point, decided to just pretend to be unable to speak. a “cow” or a “coyote” or a “hen” do not exist as we know it in the barnyard universe. the baa of the sheep is false; the ewe doesn’t understand it either. they only made up that noise to hide the fact that they speak human languages. a dog barking and running on all fours is a facade. animals naturally walk on their hind legs and made up whole postures just to appear non sentient.
and for what? what do they gain from this? they have no rights and no voice by their own choice. at one point a donkey claims the farmer is a good person because he’s vegan and a pig mentions bacon - this is not a fantasy universe devoid of death and misery and meat. do animals, in hushed whispers, remind their children not to sob in their real voice as they’re taken away? do the dogs not beg for kindness when they’re tied up and hit? do cows and chickens not cry for their life in the slaughterhouses? does a rat not scream a human scream when the trap misses their neck and only breaks their spine? Why? what is the point? They loose so much and have everything to gain.
anyways does everyone remember this really awful cat. it only appears in one scene but i can just sense the porn of it that would pop up if i googled it’s name
This post is like being tied to a chair as a a joker-style villain monologues and presses a gun closer and closer to my head as he reaches the climax of his rehearsed piece on the flaws of society and when he finally pulls the trigger it’s a little flag that says “bang!”

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its not funny but i do think about it a lot
This made me think about this panel from Calvin and Hobbes:
But unlike the adult in this strip, Calvin’s dad actually APOLOGIZED for yelling at him when he saw how guilty his kid was:
unclean = adj. of or pertaining to uncles