30, BugšŖ² he/they, queer š things you can bring up to make me rabid (positive): Dragon age, Dungeon Meshi, Star Trek TNG, Hollow Knight, Disco Elysium, Ace Attorney, Titanfall 2
since this guy is all that has consumed my thoughts for the last who knows how many months, figured I might as well make a quick n dirty reference post
Pronouns: he/him
Age: 39 (turns 40 over the course of the game)
Sexuality: Gay, gay, homosexual, gay
Height: 5'10
Weight: Somewhere around 275lbs I think, he's a big boy
Hair/Eye color: Silver/gray (lol) and gray-green (depending on the lighting his eyes can look gray or bright green, but mostly its green-tinted gray)
Class: Rogue (but he isn't much of a fighter)
Faction: Antivan Crows (it's complicated)
Romance: Lucanis AND Spite >:3 (Emmrich also maybe, I don't know if I'm strong enough to juggle FOUR MEN in a relationship, that's a lot, but the Emmrookanis writers who do it are my heroes and give me life)
If you asked him his 'Real Name' he'd give you a tight smile and say, "That's a bit rude, don't you think?" Rook's 'Real Name' is complicated (because I can't let anything be simple) In an orphanage in Ferelden, they called the quiet little redhead Finn, but that wasn't his name. In a circus in Orlais, he wanted to blend in, so he told them his name was Benoit. But no one called him that. On a Tevinter slave ship, packed tight with bodies and chains, he shivered and prayed no one would notice him enough to call him anything. In House de Riva, too old to be a fledgling, and only adept at surviving whatever they put him through, he called himself Jackdaw, but a Crow that can hardly fight is hardly a Crow at all. So they called him Magpie: for his hair, already graying at a mere 25, his sticky fingers, and near constant chatter. When Varric finds him, middle aged, and thrown out of the only place he'd managed to carve out a home for himself, he gives him the nickname Rook. At first, he thinks it's a cruel joke. Another bird, not quiet what he was supposed to be, but as he travels with Varric, he starts to realize what it means, what Varric sees in him, and he wants to live up to that. So he is Rook. As far as discussion though, that is confusing and annoying LMAO, so I call him Silver. The accident that orphaned Silver left him fade-touched, not that he knows that. As far as he knows, bad luck has simply followed him all his life, and as an adult he has keenly honed his ear to that little voice in his head 'what's over there?' 'I wonder where that person is going?' 'this seems safe' that always led him into trouble, to the point where he can use his 'bad luck' like dowsing rods to find, ambushes, hidden treasure, important people, ect.
In game, when Varric introduces Rook as "an expert on trouble" I really latched onto that. I liked the idea of folding in game mechanics into his character, like the way Rook just kind of knows where to go for quests ect. Plus the way that Rook will 'nearly miss' jumps ALL THE TIME, so I made it part of him through his 'bad luck'. It's also a fun meta thing, if I want something to happen I can just blame that >:] I also really wanted a reason for Silver to be able to hear Spite, so being fade-touched already, plus Solas cracking his skull like an egg, I figure Silver can hear spirits in general at close distances. Not like he hasn't already gone through the ringer because of the ritual, now he's hearing voices. Sorry bud. (not really)
Appearance
Silver is on the upper end of average height and his build thickset, solid muscle under a layer of fat, completely by design. He is Much stronger and faster than he looks, so that people underestimate him, and so he can escape whatever sticky situation he ends up in. Thereās also a bit of vanity that goes into it, but an ample chest and ass can be, and have been, plenty useful. Silver is pale but Covered in freckles and fair body hair, with very short gray hair, and a matching pointed beard and curled mustache. His blocky eyebrows rest over gray-green eyes that angle downward, giving him an almost drowsy appearance. (He also has really prominent bottom lashes that are one of my FAVORITE things about his design) All of this combined with his hooked nose and full lips make his heritage hard to pin down. Silverās only tattoo is a geometric band around his throat of dwarven design, but he has plenty of scars. One on his upper lip, from when he was a child, faint ones around his wrists and ankles from the Tevinter slave ship, an acid burn across his hip from his first job with the Crows, and various scars on his arms and legs from narrow escapes. About half the time he goes around with an easy smile and relaxed posture, trying to slip under peopleās guard and notice, and the other half of the time he has a tight, wide eyed grimace as he tries to wiggle out of whatever problem heās stumbled into.
Personality
Silver has lived too many different lives, now the masks he wears feel more real than the man underneath. He is the Epitome of āhumor as a defense mechanismā. The last person who really truly loved him unconditionally died saving his life, so he believes he must keep people at a casual distance for their sake as well as his own, but if someone were to really get to know him? To understand all that he is and want him still, platonically or romantically? āDevotedā wouldnāt cover the half of it. A stranger just meeting him would see a smooth talker with an easy smile, joker, flirt, kind of a little shit, who will startle people with flashes of real sincerity and concern for others. Usually this care and concern lands him neck deep in trouble, but eh, what can you do. Someone who has known him for a while would see a man who watches and listens more than he seems, observation being his primary key to survival. Silver will always try to talk his way out of a problem first, but less in a āpacifism, kindness, youāre better than thisā kind of way, and more of a ācon man with his back to the wall and a pitchfork in his faceā kind of way.
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being friends with english majors is so fun you'll send a text like hey are you free for brunch and they'll respond with some shit like "haven't the faintest clue, my schedule is utterly fucked"
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You can enjoy things in fiction that would be awful in the real world. Like playing a murderhobo in a game! In the real world, being or supporting a murderer-thief would be pretty damn awful, while in the game it's just good fun. Same with anything else you choose to do with the pixels on the screen, like kinks that don't affect anyone real, so they're okay in fiction, but would be pretty damn bad in real life.
No one else is responsible for your online experience. They are required not to harass you, but they are not and never will be obligated to not post about ships, kinks, or tropes you dislike just to avoid you seeing them. It's up to you to blacklist words or phrases, block tags, or even block users as needed to avoid seeing content that upsets you.
No one can force you to read anything against your consent. Any content you don't like seeing can be instantly avoided by closing out of the offending post/fic.
You are not owed an online experience free of discomfort.
Nothing that happens in your imagination can ever make you a bad person. Words you write or read about fictional characters will never make you a bad person.
The claim that media consumption influences real-life behavior is intellectually dishonest and serves only to excuse the behavior of real offenders.
Fiction is a safe way to explore horrifying or confusing concepts. Therapists agree that fiction, even (or especially) about taboo topics is a good coping mechanism, especially, but not exclusively, for trauma survivors. Fiction is to adults what play therapy is to children. This doesn't stop being true if the work in question is of a sexual nature.
Sex isn't an inherently worse or better motivation than anything else. A work written to create feelings of arousal isn't dirty, shameful, or in any way less pure than works written to entertain, provoke moral questions, or for other reasons. And worth noting is that multiple purposes can exist in the same story, especially fanfiction.
You aren't entitled to an explanation for why someone reads, writes, or otherwise enjoys certain works, kinks, tropes, ships, etc.
I never checked what Lucanis says about Solas in the finale, other than the romance lines. Now I'm curious to check all the possible options.
Lucanis: Elgar'nan's life is measured in hours. As for Solasā¦
----------
If Rook is romancing Lucanis.
Lucanis: He used blood magic against you. He betrayed us.
Lucanis: He pulled you into that prison.
Lucanis: I leave his fate to you, but I will not let him hurt you.
Rook: Lucanis.
----------
Illario is forgiven. The Regrets of the Dread Wolf quest is completed.
Lucanis: It's been asked if he can see reason.
Lucanis: Solas has proven his word cannot be trusted. Why give him the chance to prove it again?
Lucanis: But then, I gave that chance to Illario. Is there hope for him, or was I foolish to think so?
----------
Otherwise.
Lucanis: If any deserve to set his fate, it's you. But if it were meā¦
Lucanis: I would not banter. I would not give room for lies and false promises. Find your opening and strike.
If the player saved Treviso
Lucanis: There has been enough suffering in the wake of this.
If the player saved Minrathous. Illario is imprisoned. The Regrets of the Dread Wolf quest is completed.
Lucanis: The cost of mercy is too high when others might die in its wake.
If the player saved Minrathous. Lucanis' personal quest is complete. The Regrets of the Dread Wolf quest is not complete.
Lucanis: If only one of you leaves this alive, make sure it's you.
Bonus cut line from Spite.
Lucanis (Spite): Make. The liar. Bleed.
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Every so often I catch a glimpse of the book drama going on over on the Insta/Threads sphere of the Internet, and it makes me so glad Iām considered too Tumblrina to sit at their tables.
What do you mean an author is railing against people using libraries/the Libby app because itās āfreeā (itās not. you as the author get money from the library purchasing the digital lending license) and meanwhile their book is on Amazon for free to try and get readers??? Hello????
I am staring directly into the camera like Iām on the Office in Librarian. Libraries are literally an authorās best friend. We get books to people they never would have known about otherwise, & create Fans out of disinterested bystanders. And! Libraries are often paying MORE for a book than the average user, at least for digital editions, because it is expected that the library will lend it to more people, so theoretically we need to pay more to compensate the authors! (This is not I think how it works in practice, it more often just benefits the digital lending company instead of the actual author but. Greed is ever thus). Also, in some countries (sadly not the US, boo hiss) authors get paid for every checkout of a book. So, you can literally get royalties on those āfreeā books. (Also, theyāre not free, theyāre paid for with tax dollars for the good of everyone). How some fool can think temporary freeness on Amazon Kindle is superior to libraries I cannot fathom. Like, how does this person even manage to function in the real world?
Anyway. Authors. Love your librarians. We love you and seek only to help you get more readers so you can write more books. We have a symbiotic relationship, each needs the other.
I have been saving screenshots kind people send me of All Hail Chaos having many library holds with glee. This is all beyond my comprehension. The library is where I found Terry Pratchett. The library is my friend.
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Once when I was in undergrad, someone described something as āproblematicā in class and our professor was like, āThatās cool, but āproblematicā doesnāt really mean anything. It means that the thing youāre describing has a problem, and in and of itself thatās not bad. Art, especially, should always have problems, or else itās not interesting and not art, either. It sounds like youāre trying to say that this is bad, but you donāt want to say ābad.ā Is that right?ā
So from then on whenever one of us called something problematic, he would make us talk it out until we could name the ābadā thing we were hinting at. In this particular class, 7/10 it was some type of oppression, and the remainder was like, āIām uncomfortable because this is very new/confusing/pushing boundaries that made me feel safe.ā
Once we stopped calling things āproblematicā and stopping at that, class got way more interesting and... we all had to say, like, āthatās racistā or āthatās misogynisticā or āew capitalism grossā out loud, which a lot of us had never done in a classroom before. Or we had to be like, āUhhh... Iām not sure whatās so bad?ā and confront our own beliefs and that was maybe even more useful.
Anyway. Whenever I see the word problematic, I canāt help but think of this professor being like, āGood starting point, now letās get specific.ā I think when we have to commit to saying āthatās ___ā it requires a lot more careful thought about the truth and impact and complexities of whatever weāre claiming. Sometimes there really is some bullshit afoot, and also sometimes itās art, and it should be full of problems, because thatās what art is.
I once saw an article put it this way: often "this is problematic" is used to shut down discussion of a thing, by casting a sweeping but vague judgement. But really if used at all it should start a discussion about what the problem is.
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