he wanna fuck slayyyter richard we should link later get to my hotel and suck him off in the elevator
ojovivo
will byers stan first human second

Discoholic đŞŠ

â
Claire Keane

titsay
Aqua Utopiaď˝ćľˇăŽĺşă§č¨ćśăç´Ąă
Cosmic Funnies

Origami Around
Game of Thrones Daily

oozey mess

izzy's playlists!
I'd rather be in outer space đ¸

shark vs the universe

Andulka

JBB: An Artblog!
trying on a metaphor

Janaina Medeiros
d e v o n
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@tepot
he wanna fuck slayyyter richard we should link later get to my hotel and suck him off in the elevator

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Frantz Fanon
A Roman polychrome wall painting fragment Circa 1st Century A.D. Preserving a medallion decorated with a Gorgon mask encircled by confronting snakes with intertwined tails, a border of overlapping circles above.
you canât give lana del rey more than 50 all time classics

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Clip of Lucy Dacus on the Las Culturistas podcast.
F. Scott Fitzgerald, The Beautiful and Damned
cars shot by nan goldin
Don't bend; don't water it down; don't try to make it logical; don't edit your own soul according to the fashion. Rather, follow your most intense obsessions mercilessly. Only if you do that can you hope to make the reader feel every particle of what you, the writer, have known and feel compelled to share.
Anne Rice, from the forward to a collection of Franz Kafka's Short Stories
to pretend that horrible people cannot make good art is another way to conflate beauty and talent with integrity and morality. the works of monsters are best examined with knowledge of the author in mind but art is not inherently reflective. human beings are creative, and habitual liars- it'd be stupid to pretend art must always be a portrait of its creator

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16th c. spectacular fireworks machines
miniatures from a richly illustrated manuscript of friedrich meyer's bĂźchsenmeister- und feuerwerksbuch, a book on gunsmithing and the pyrotechnical arts for entertainment as well as military purposes. produced in strasbourg (?), 1594
source: Munich, BSB, Cgm 8143, ff. 143r, 135v-136r, and 145r
on the culture of early modern fireworks spectacles see, among others, kevin salatino: incendiary art: the representation of fireworks in early modern europe (1997) [link to pdf]
oofotyknit
fem, magda cârnerci
Venus and Mars, German 15th Century
Telegram / Facebook / Sacred Ibis fb group
princeton university press is having a 50% off sale and i limited myself to just three books but the temptation to go back and browse for more is extremely strong
so i'm telling you all about it instead. it goes until june 9!

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âTact, like empathy, is based on a certain form of mutual understanding. But while empathy implies the idea of entering someone elseâs mind inasmuch as it is linked to the presumption that âI know how you feelâ, tact exists to create a form of bonding between individuals that is not based on the idea of intrusion but, conversely, on the respect for existing boundaries, and on a willingness not always to assume that one knows. While empathy requires resonance and proximity, tact is there to restore distance, and to accept the diďŹerence between the individuals involved in order to protect and preserve their dignity. Tact is based on an attention towards otherness.â
â Katja Haustein, âHow to Be Alone with Others: Plessner, Adorno, and Barthes on Tactâ (via mehreenkasana)
Cotton Day Gown
c. 1832
Chertsey Museum