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"The whole film is a jigsaw puzzle of locations in Rome and studio builds. We built the elements of the Sistine Chapel with the amazing craftsmen at Cinecittà and the rooms and corridors of the Casa Santa Marta. This film is about juxtapositions between what we think we know and what we don’t. We discussed playing with those elements to create a more dramatic visual story. Rome is beautiful with amazing ornate architecture, but it also has contemporary architecture that we decided to play with. The feminine shapes and gold, softer side were juxtaposed against hard black lines, and the whites, blues, and blacks against the gold and rich reds." — Suzie Davies, Production Designer for CONCLAVE (2024).

me going through the cycles of contemplation 

thanks baby kevin

“In the recent past, patents on our genes have been purchased. Are we still the sole proprietor of our bodies? From this question arises a sense of arrested freedom in one’s most intimate, solitary state. Models float in the air, embryonic, seemingly weightless and in a meditative suspended animation”

From top: Exedra Atomic Spa (1), Private Spa Sarajevo (2-4), Parco Acque Cappuccini (5-7), La Terrazze (8-10)

celestial dynamics. Earth needs therapy. Goes with out saying but, I apologise to all of science for drawing this

Comme des Garcons 1985 Photographer: Paolo Roversi Stylist: Mako Yamazaki Hair: Didie Maligue Make-up: Mary Greenweel Model: Victoria Art Director: Tohji Murata 

Meet Oliver

A collection of Namie Amuro’s Y2K looks ❤️ (1996-2000)