I think the Book of Job minisode is everything that Good Omens should be.
- Religious satire/commentary (the absurdity regarding the bet with Job, the archangels being generally clueless, the deconstruction of how to-the-letter you need to be with following the laws of religion)
- Genuinely funny (Ty Tennant having like 3 minutes of screen time and out-fruiting his dad, Jemima and her pot and wanting to be turned into a salamander, Bildad the Shuhite and all that that entails)
- an emotional, character-driven core (Aziraphale learning the limits of his own morality, the discussion of the role good and evil play in events and how each is perceived when done by different parties, learning just how similar Aziraphale and Crowley are as it pertains to personal desires (which we as the viewer know, but chronologically it’s one of the first times they connect like they do)
- the undertones (Crowley tempting Aziraphale into eating which, with the way Aziraphale devours that meat, has zero chance of not being a metaphor for some kind of physical relationship; the nature of being just a little bit different than your peers, and how that affects your views of yourself; and the purely humanistic, just-this-once-everybody-lives kind of narrative that emphasizes the importance and power of familial and interpersonal relationships)
origamiaround
dailybridgerton
titsay
germansingergirl
romaincrisis
