❝ There's a whole world outside your window. You'd be a fool to miss it. ❞ AVATAR original character Addison (Addi) || Daughter of Norm Spellman written by fuu (she/her, 21+) || Guidelines || About
i don't do bad sauce passes
Keni
Peter Solarz
Stranger Things
KIROKAZE
"I'm Dorothy Gale from Kansas"
Today's Document

Game of Thrones Daily

Kaledo Art
Three Goblin Art
art blog(derogatory)
2025 on Tumblr: Trends That Defined the Year
taylor price

Alisa U Zemlji Chuda
noise dept.
TVSTRANGERTHINGS
ojovivo
Monterey Bay Aquarium

seen from Vietnam
seen from United Kingdom
seen from United States
seen from United States
seen from United States
seen from United States
seen from United Kingdom

seen from Malaysia

seen from United States
seen from Netherlands
seen from Germany

seen from Israel
seen from United Kingdom
seen from Spain

seen from United Kingdom

seen from United States

seen from Malaysia

seen from Australia
seen from United Kingdom

seen from Kazakhstan
@tahnisreu
❝ There's a whole world outside your window. You'd be a fool to miss it. ❞ AVATAR original character Addison (Addi) || Daughter of Norm Spellman written by fuu (she/her, 21+) || Guidelines || About

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
@fawnaura
↪ 𝑫𝑰𝑹𝑬 𝑺𝑰𝑻𝑼𝑨𝑻𝑰𝑶𝑵𝑺 . ( a collection of dire / urgent situation sentence & action starters . adjust phrasing + ʳᵉᵛᵉʳˢᵉ as necessary . )
𝐃𝐈𝐀𝐋𝐎𝐆𝐔𝐄 :
hide . hide now .
shh !! there’s somebody in the house .
i’m not gonna hurt you ! see ? look , i’m putting down the [ weapon ] .
[ name ] , what were you thinking ?!
you’re being followed , pretend you know me .
stop , stop ! just put the [ weapon ] down !
drive , just drive fast !
you seriously think i could’ve done this ?
can you walk ? i need you to walk for me , okay ?
let me handle it , just go !
what was your plan ?? you could’ve gotten yourself killed !
you’re just going to leave me here ?!
[ name ] , can you hear me ? get out of there !
you knew and you didn’t tell me ?!
don’t you know how dangerous this is ?
you’re not going to shoot me .
move and you die .
i’m gonna come back for you , do you hear me ?
we have to stop the bleeding .
can you see how many fingers i’m holding up ?
i just want to go home !
don’t move a fucking muscle .
if it weren’t for you , we wouldn’t be in this mess .
i almost DIED back there , and you’re laughing ?
you’re only making this worse for yourself .
you think this is a joke ?
if i go down , i want you to run .
we’re gonna die , so what’s the point ?
this was the ONE thing i told you not to do .
i can’t promise we’re going to make it out of here .
where’s your first - aid kit ?!
just calm down and find your phone , we need to call the police .
someone’s been stalking me .
just listen to me for once !
i didn’t think you had it in you .
put the gun down , and kick it over here .
we can’t stick around here , let’s go .
kiss me before we die .
do whatever you need to do , hurry .
i can’t breathe , i can’t -
please , please - let me in , there’s someone -
i’m gonna give you one last chance .
you have to believe me , i didn’t do this !
run , and don’t look back .
this is real , i’m real . look at me .
take this . it’ll keep you safe .
follow my instructions very closely .
put your hands where i can see them .
you can’t just let me die !
i think … i think i need a doctor .
we need to get out of here , come on .
no , this isn’t it . we’re getting you out of this .
you panicking is not going to help us right now .
𝐀𝐂𝐓𝐈𝐎𝐍𝐒 :
[ GETAWAY ] sender acts as a getaway driver for receiver .
[ MEDIC ] sender arrives on receiver’s doorstep , badly bleeding .
[ HIDE ] sender and receiver hide from a threat together .
[ HUSH ] sender clasps a hand over receiver’s mouth to silence them .
[ DRAG ] sender physically hauls receiver to safety .
[ RIGHTS ] sender calls receiver from a police precinct .
[ REALITY ] sender helps receiver through an episode of derealization .
[ SHELTER ] sender and receiver must find shelter from a storm .
[ ARMED ] sender brandishes a [ gun / knife ] at receiver .
[ CRASH ] sender and receiver survive a [ car / bike ] crash together .
[ SEARCH ] sender barges into the hospital demanding to see receiver .
[ BACKUP ] sender calls receiver panicking after committing a crime .
[ CORNERED ] sender menacingly backs receiver into a corner .
[ UNEXPECTED ] receiver comes home to find sender already inside .
[ BREATHE ] sender helps receiver get through a panic attack .
[ BADGE ] sender and receiver flee from the cops together .
[ STRANDED ] sender and receiver become stranded in the woods .
[ EMBRACE ] sender kisses receiver thinking it’ll be the last time .
[ STRANGER ] sender can’t remember who receiver is after an injury .
[ TOKEN ] sender gives receiver a lucky charm before they go into battle .
[ CHOICE ] receiver has to choose between sparing their own life or the sender’s .
NIGHT FM ’95
༄˖°.ೃ࿔*:・

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
Adygea Mists by I Can Win
Laurissilva forest, Madeira
@michaelkagerer
I don't know how much, if any, of this beautiful forest survived the Bear Gulch fire of '25. And I have to admit that I'm afraid to find out. I just hope this post isn't in memoriam...
Near Staircase Campground - Olympic National Park, WA.
random misc dialogue … sentence starters
tw: mentions of rejection, death
“You sound like my dad.”
“Are you hurt or are you scared?”
“He looked like a Gilligan’s Island extra.”
“You might be a doofus, but you’re my doofus.”
“I’ve never been more afraid of anything in my life.”
“Are you trying to creep me out? ‘Cause its working.”
“He gave me flowers… and I panicked and ate them.”
“How many chocolate truffles does it take to kill a man?”
“Don’t talk to me like that. Don’t ever talk to me like that.”
“You’ve given me too much power and I am already corrupted.”
“I just want to be every animal’s friend, is that too much to ask?”
“There’s a lot going on here. More than I can deal with. I’m sorry.”
“I mean, I was only legally dead for a couple minutes. No big deal.”
“I don’t think there’s any way we’re getting out of this in one piece…”
“I think I was born in the wrong era… I mean, I was meant for hunting mammoths.”
“Our course tonight includes a PB&J… because it’s all I know how to make, enjoy.”
“Are you finally ready to talk? Or are you going to keep throwing temper tantrums?”
“There was absolutely nothing I said that should’ve made you think I approved this.”
“In all seriousness, do you want to get married so we can claim more on our taxes?”
“When did I get elected Resident Mom Friend? I don’t remember putting forward my candidacy.”
“Maybe you should worry less about what others think of you… and more about what you think of yourself.”
“I didn’t think anyone could ever make me fall in love… and I was right, they still haven’t. You give yourself too much credit.”
𝐑𝐄𝐀𝐒𝐒𝐔𝐑𝐀𝐍𝐂𝐄 𝐏𝐑𝐎𝐌𝐏𝐓𝐒.
idk what this is my dudes, i got angsty, then spot.ify gave me a soft song, and i decided to resolve the angst briefly by writing up these! i hope y’all enjoy!
DIALOGUE PROMPTS.
“ hey, look at me… you can do this. okay? you can. “
“ it’s gonna work out, alright? i promise.
“ you’re not alone, okay? not anymore. i’m right here with you. “
“ you good? “
“ here. hold my hand. you get scared again, squeeze tight, and i’ll help you. got it? “
“ shh… it’s okay… breathe with me, okay? in… and out… good job. “
“ we’re gonna figure all this out together, i promise. “
“ that’s it… there we go, good job… let it all out. “
“ of course i came. you called me. what’s wrong? “
“ hey, why don’t we get out of here? would that be better? “
“ you wanna get out of here? i know a great coffee shop a few blocks away. “
“ do you wanna talk about this, or be distracted, or left alone? “
“ you don’t have to be so strong all the time. it’s okay. cry. i’ll be strong for both of us. “
“ hey, i got you some water. drink it all, you’ll feel better. “
“ it’s been a long day. why don’t you stay here tonight? i can take the sofa. “
“ c’mon, you gotta eat something. and i can’t cook, so take-out it is. eat up. “
“ let’s go for a walk. staying here is the worst thing we can do, right? “
“ don’t you pay any heed to those morons. they don’t know you. not like i do. “
“ it’s okay. i got you… “
“ we don’t need to talk unless you want to. i’m happy to just sit with you for a while. “
“ it’s alright. you take your time… i’m gonna be right here whenever you want to talk, okay? “
ACTION PROMPTS.
[ KNEE ]: sender gently rests a hand on the receiver’s knee to stop them from shaking it.
[ MOUTH ]: sender notices the receiver’s distress from across a crowded room, and silently mouths “are you okay?” to them.
[ SIT ]: sender guides the receiver into a seat after noticing them becoming upset.
[ BESIDE ]: sender sits next to the troubled receiver at a social event so that they don’t have to feel alone.
[ BACK ]: sender rests a gentle hand against the receiver’s back, silently checking in on them.
[ HAND ]: sender takes a gentle hold of the receiver’s hand, as a form of emotional support and reassurance.
[ JOIN ]: sender follows the emotionally unsettled receiver out of a crowded party and into a secluded space to check on their well-being.
[ BREATHE ]: sender begins to take slow, deliberately even breaths, encouraging the receiver to copy their motions until their own breathing is back to normal.
[ SPOON ]: sender lies beside the receiver and becomes the big spoon to comfort them.
[ GLANCE ]: sender glances at the receiver while in a public setting to assure them they aren’t alone, and ground them in doing so.
[ BLOCK ]: sender deliberately stands in front of the receiver to prevent them from seeing something that may upset them further.
[ SHIELD ]: sender deliberately stands in front of the receiver to protect them from a targeted attack (verbal or physical).
[ DISTRACT ]: sender, noticing receiver’s distress, provides a distraction for them (by conversation, a mobile game, a detour, etc.).
[ ARRIVE ]: sender shows up at the receiver’s door after receiving a troubled phone call from the receiver.
[ CIRCLE ]: sender rubs slow circles on the receiver’s back while hugging them in an effort to calm them down.
[ FOREHEAD ]: sender lowers their head to press their forehead against the receiver’s, trying to comfort them in the process.
[ ANCHOR ]: sender places a hand on the back of the receiver’s neck and pulls them close in an effort to physically and emotionally ground them.
[ HOLD ]: sender holds out their hands to the receiver, either to hold hands or to hold them.
[ AROUND ]: while sitting together, the sender quietly wraps an arm around the receiver’s shoulders as a support.
[ SHOULDER ]: sender reaches out and places a hand on the receiver’s shoulder, both to catch their attention and silently ask if they’re okay.
[ JACKET ]: sender notices the receiver beginning to shake after an immensely distressing incident, and removes their own jacket to wrap it around the receiver’s shoulders.
[ CATCH ]: sender, noticing the receiver’s legs beginning to give out beneath them, rushes over to them and catches them before they collapse to the ground.

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
AVATAR (2009) dir. James Cameron
Tahuya
❛ you're so clumsy you could trip over the wifi network. ❜

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
CARING FOR THE SICK PROMPTS.
i found this list and kinda fed into it each time i got the flu or a migraine, and u know what, it's just me revealing just how much i love the caring threads and the soft threads and the fondly exasperated "let me help you" threads! use at your pleasure, DO NOT ADD TO THE LIST NOR EDIT IT! i will be changing it accordingly!
" i found you passed out in the kitchen. you wanna stop working yourself so hard? or do i need to keep hitting the gym to carry you to bed every day? "
" you're burning up. "
" your neighbour called me and said you could use a nurse. looks like they were right, too. "
" you were told to take it easy, so... yeah. this is kinda on you. "
" you took a sick day. you NEVER take a sick day. so yeah, i got worried, and i figured i'd come over and keep an eye on you. "
" you texted me a long and incoherent text that held about 90% of the emoji list and about four different languages. figured it wouldn't hurt to drop by and see how you were doing. "
" how long have you been sick for? and don't lie. "
" you look like hell. "
" i brought you some soup; let me heat some up for you? "
" okay. it's time you went to the hospital. "
" hey… hello there, sleeping beauty. you gave me a bit of a scare yesterday. how are you feeling? "
" i swear, if you even think of getting out of that bed… "
" you know when i said to call if it's an emergency? a fever is most DEFINITELY considered an emergency! "
" if you think you're going to work like this, you better think again. "
" don't worry. my family swears by this remedy; just let it work its magic and you'll feel good as new in no time. "
" I don't care about getting sick. i'm not leaving you until you're back to full health. "
" you didn't stop to think that this might happen when you're burning the candle at both ends? "
" yeah, I can play the role of nurse AND say "I told you so" at the same time, actually. "
" you better drink every last drop of this tea, no matter how disgusting it is. "
" i told my boss it was an emergency so they've given me a full week to look after you. "
" quit being so stubborn and get into BED! "
" what part of doctor's orders hasn't sunk in yet? bed rest! for the WEEK! "
" right, where do you keep your saucepans? i'm going to make you my famous noodle soup. it's a cure-all, i'm telling you! "
" hey, unless you're going to the bathroom or the sofa, I don't want to see you out of that bed. got it? "
" when are you gonna start letting people look after you, huh? "
" i know, i know, i turned off all the lights once i figured you had the migraine. you want some tea? water? "
" don't be mad, but i saw your fridge, and... it frightened me. so i've taken you back to my place, and i'm gonna get deliveroo to bring some groceries to your place tomorrow. okay? "
" i know your appetite is a little off, so i ordered in a whole tonne of options. just try a little bit of something, please? for me? "
" i've brought half a pharmacy, enough movies and boardgames to last us a decade, and every single snack i could fit into the basket at the grocery store. so sit your butt down, eat your soup, and try and make the most of your bed rest for the next week, will you? "
ACTION PROMPTS ( SEND THE FULL LINE! and feel free to reverse if u wish! ):
[ TOUCH ]: sender gently rests a hand against the receiver's forehead to check their temperature.
[ DAMP ]: sender presses a cool cloth against the receiver's face, neck and forehead to try and lower their fever.
[ BLANKET ]: sender wraps another blanket around the receiver to try and stop them from shivering.
[ SPOON ]: sender gently coaxes spoons of soup into the receiver's mouth to build up their strength after an illness.
[ CARRY ]: sender, finding the receiver weakened/unconscious on the floor, immediately lifts them up and carries them back to bed.
[ AROUND ]: sender keeps a protective arm around the receiver to help them walk without the risk of stumbling or collapsing.
[ STAY ]: sender decides to stay by the receiver's bedside after learning that they're sick.
[ HAIR ]: sender smooths back the receiver's hair in a soothing gesture to try and help them go back to sleep.
[ TILT ]: sender tips a bottle of water up for the receiver to sip from.
[ HUM ]: sender hums/sings to soothe a sick receiver back to sleep.
[ BACK ]: sender gently rubs the receiver's back, either to soothe them or warm them while they're unwell.
[ SHARE ]: sender climbs into the receiver's sickbed with them, wrapping their arms around them to offer warmth and comfort.
[ SHOWER ]: sender, learning the receiver has a high fever, takes a cold shower with them in order to lower their temperature.
[ WAKEN ]: the receiver wakes up in bed, having been found unconscious by the sender and carried into the bed from the floor.
[ QUARANTINE ]: the sender and receiver, both being sick, decide to quarantine together and spend the recovery period with each other.
‘TOL AND SMOL’ PROMPTS
feel free to combine these with dialogue whether it’s something you make up or from other memes your partner has reblogged.
[ BEND ] for the shorter muse to tug the taller muse down so they can kiss their forehead.
[ LEAN ] for the taller muse to lean down to kiss the shorter muse’s forehead.
[ LIFT ] for taller muse to lift up the smaller one and sit them on a surface where they can be eye level.
[ CLIMB ] for the shorter muse to find somewhere to perch so they can be eye level with taller muse.
[ INTERRUPT ] for shorter muse to stop during the middle of a conversation and stand on a chair/sit on a table so they can be eye level with the taller one.
[ GIVE ] for the taller muse to place their jacket around the shorter muse’s shoulders, the garment essentially ‘swallowing them whole.’
[ TAKE ] for the taller muse to find the shorter one has ‘borrowed’ a shirt/sweater/jacket etc. which is oversized on them.
[ GO ] for the taller muse to pick up the shorter one and carry them away from a potential/just started fight.
[ RIDE ] for the taller muse to give the shorter one a piggyback ride so they don’t have to keep up.
[ SEE ] for shorter muse to insist on getting to ride on the taller one’s shoulders.
[ FIND ] for the taller muse to lift the shorter one by the waist so they can reach something.
[ EMBRACE ] for the taller muse to lift the shorter muse off the ground when they hug.
[ CATCH ] for the shorter muse to run and jump into the taller muse’s arms.
[ CARESS ] for the taller muse to pick up the shorter one to kiss them.
[ GIVE ] for the shorter muse to stand or climb to sit on a higher surface to demand a kiss from the taller one.
[ PULL ] for the shorter muse to tug the taller one down by the collar to kiss them.
[ URGE ] for the taller muse to tilt the shorter one’s chin up so they can look at their face.
[ LOWER ] for the taller muse to kneel in front of the shorter one so they’re less intimidating.
[ HELP ] for the taller muse to use the advantage of their stature to shield the shorter one from something.
[ AID ] for the taller muse to pick up the shorter one to lift them over something ( stairs, while hiking, a large puddle etc. ).
[ INSIST ] for the shorter muse to guide the taller one to sit so they don’t have to keep looking up.
[ COMFORT ] for the taller muse to tuck their chin atop the shorter one’s head while they hug.
[ MELT ] for the taller muse to lean down so they can bury their face into the shorter one’s shoulder.
[ GENTLE ] for the smaller muse to hug the taller one while they are seated so the taller one can hide their face against them.
[ BLOCK ] for the taller muse to stand in front of the shorter one to prevent them from having to see something.
[ CUDDLE ] for the taller muse to the big spoon.
[ HELD ] for the shorter muse to be the big spoon.
[ TENDER ] for the taller muse to kiss the shorter one’s head while they embrace.
[ GENTLE ] for the shorter muse to kiss the taller one’s chest while they hug.
[ REST ] for the shorter muse to lean forward and press their forehead against the tall one’s chest/shoulder while they stand in front of each other.
[ TOUCH ] for the taller muse to lean down and press their forehead to the shorter one’s.
[ PRESS ] for the shorter muse to take hold of the taller one’s face to pull them down so they can press their foreheads together.
[ GAZE ] taller muse is sitting and the shorter one who is standing in front of them takes their face into their hands while they talk.