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XVII The Star ✴️
I'd let the world burn
Let the world burn for you
This is how it always had to end
If I can't have you then no one can
Today is my professional holiday, and to some extent this picture is connected with it. It is enough for me to be a healer in real life not to want to be one in games. But sometimes it is necessary there too.
Pablo Neruda, Full Woman, Fleshly Apple, Hot Moon: One Hundred Love Sonnets; from ‘XVII’, tr. Stephen Mitchell
El coloquio de los pájaros [Mantiq al-Tair, folio 11 r. Farid al Din Attar, s. XII-XIII]. Habiballah de Sava, ca. 1600. Tinta, acuarela opaca, plata y oro sobre papel
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Anne (Part 2) Black Sails Musical Parallels | XIV. XVII. XXXV. XXXVIII.
music breakdown note: the music in this parallel is made up of four different parts. The main parts are A and B, and the additional ones are C, E. (D is almost an overtone rather than a part, and sometimes plays underneath other main parts.)
All the scenes in this group have only A. In XVII, some of D plays before A begins.
music variation note: XXXV is in a lower key In XXXVIII, an additional note is played between the two last notes of the A part.
Part 1 | Part 2 | Part 3 | Part 4
I spent a year rewatching Black Sails and tracking all the bits of music that repeated at any point during the show, and my findings are reinforcing that Bear McCreary is a genius and this show should have been called 'parallels that will kill you over and over again'* (tag | chronological)
Adoration of the Magi, by Diego Velázquez
David vencedor de Goliat, por Caravaggio (h. 1600)
