#x-statix

10. The New Mutants Written By Chris Claremont Drawn by Bob McLeod, Sal Buscema, Bill Sienkiewicz, Steve Leialoha, Mary Wilshire, Rick Leonardi and Jackson Guice Marvel GN #4, New Mutants Vol 1 , #1-54 + 3 Annuals, NM Special #1 59 Issues

It was the 80's and the Uncanny X-Men was marvel's best selling comic. Chris Claremont and a slew of talented game changing artists had turned a once niche property into one of the most layered, engaging and compelling books out there. So naturally Marvel wanted MORE money and to spin off this mother. Chris was reluctant because he wanted the main book to be special and it's own thing.. but was then threatned that if he didn't do it someone else will, so he found a concept he liked: Focusing on teenage emerging mutants something lightly glanced at with Kitty Pryde in Uncanny but this book brough to the forefront.

In the process Clarmeont and Bob Mcleod created a bunch of my faviorite mutants: The outspoken but Compasionate and tactical Dani, her bestfriend/sorta girlfriend and heavily abused prior to her coming to the team Rahne, naive country boy Sam, smooth talking only in his head and hot headed in everywhere including his body and my adopted son Roberto. Theree was also Karma, a later revealed to be queer immigrant (While not done by Chris Claremont here he certainly is responsible for it later int he 2000s', so respect) trying to care for two siblings the book quickly writes out.

The book would add four more to the mix: Amilla who thanks to a messy backstory and not a lot of use is eh, and three of my faviorites: Illyana, Kitty Pryde's best friend and a sorceress who was kidnapped and tortured by a demon man, Doug Ramsey, kitty's other friend and a computer genius who can read any language and in this era was a non combatant and Warlock, doug's best self friend, a goofy gloriously weird looking alien on the run from his abusive dad.

If your thinking this team has a lot of angst you'd be correct: Rahne is introduced running from an angry mob, Dani having to go with a white man she resents after her grandfather is shot, Roberto's girlfriend being killed by bigots and Sam barely able to keep his family fed having to mine in his pa's place after his dad died. The X-Men as a rule carry baggage but these poor kids had a whole planeload, not helped by being hated and feared.

And yet they perservere: they find love, find strength in each other. They sometimes clash, poor Illyana gets accused of being evil due to her demonic powers far too often, Sam has a one sided crush on Amara, and Doug grapples with being the only one on the team whose powers don't make him fight good.

The book also has a fantastic horror tone at times , something uesd early on as the Professor Xavier who brought these kids together to train them, and to not fight which being mutants is still something they run into constantly. While the issues after tried to go for a more conventional superhero book, Bill Skinewietz arrival, gloriously scratchy pencils and endlessly awesome covers helped cement it: these were kids dealing with terrible horrors: aliens who'd kill their own children, the DID ridden head of Charles Xaviers son, demons internal and without, and a demonic bear following Dani Moonstar I still don't fully understand, but still slaps.

New Mutants is one of the best x-books of the 80s, with X-Factor close behind it (It didn't make the cut but I still love Louise Simonson's Run), and one other just ahead. It's a book full of creative swings, ideas that would last the franchise a while and some of the best mutants ever made.

9. Iceman Written by Sina Grace DB Alesandro Vitti, Edgar Salazar, Robert Gil, and Nathan Stockman Iceman V3 1-11, Iceman V4 1-5, X-Men Winters End 17 Issues

This is the shortest out of these runs and that's for a very simple reason: Marvel's Editorial was very shitty to writer Sina Grace. They lambastated him for going on podcasts in a way that was subtly hompohobic, brought him back for another run.. and then cancled it 5 issues in. Grace has since done work for DC and marvel needs to both apologize and either bring him back or at least collect his run.

Iceman comes from RessuXion, Marvel's kinda sorta push to bring the x-men back after trying to kill them with the previous era. That's not hyperbole, there was a giant murder cloud, most of ya'll likely know, and Ike Pearlmutter was thankfully gone so the X-Men got something resembling a push and the fantastic four were reunited. That last part isn't relevant.

Ressurxion was only a half measure: the x-men really didn't interact with the rest of the lines still, one of the two flagship titles X-Men Gold, was a mediocre rehash of a bunch of previous stories wasting the great idea of having Kitty Pryde lead, and X-Men Blue, while awesome and only barely not making this list at various points, felt very weel spinny as Cullen Bunn wasn't alowed to change much as Hickman's run was on the horizon but not set ins tone. Which is stupid and something I doubt HIkcman actually approved or asked for.

Still Ressuction had a hidden gem alongside Blue: Iceman. So long story short that's going to sound weird even to fans who were there: The Original Five X Men were brough to the future by Beast in a stupid move that left them stranded and traumtized. Jean being about as tactful as a hurricane during Bendis run , OUted bobby claimed "he's not bi he's full on gay" and kinda shoved him out of the closet. While this was well meaning as Bobby still was in the closet in present day, it was done hamm handledly with a slice of accidental bi erasure.

Our Bobby coming out though was thankfully handled better with him admitting he didn't admit he was gay and while Bendis handeld the first part of the coming out with a sledge hammer, several previous x writers had left the seeds that the og class clown was indeed gay and it' sa move I support: the grounding was there and even with him dating women he never seemed that invested for the most part.

So the next era was too busy with the murder cloud to do anything of note with him being out, but thankfully they gave bobby to Sina Grace. Iceman is a fantastic solo and a fantastic queer superhero book, with Bobby figuring out what Coming Out means in his late 20's, and being both out and proud.. but still having struggles. He dosen't know how to put his profile together, has an akward mission with his last het romance kitty, a romance that in hindsight perfectly comes off like someone trying badly to pass as straight, and flirts with wolverine's disaster bisexual son who serves as the main antagonist. It's a book that explores just how fun bobby can be and sold me on a character I didn't care about before.

It also goes into his awful parents. His dad was a massive asshole in the 90's, tried to change but snapped back and while the snap back is a bit o fa continuity gafe, it's one that works as Bobby has to come out to two parents who already barely accept he's a mutant, and now have to accept he's gay. And then try to groom his past self to be the perfect son they always wanted.

It's a great run that not only lets Bobby show off his powers but his heart, humor and what makes him a great character. Check it out of you haven't and hopefully we'll get a one volume edition one of these days. Also just so I dont' have to say that a thousand time that goes for EVERY run present.

8. Wolverine and the X-Men Written by Jason Aaron Art by Chris Bachalo, Nick Bradshaw, Jorge Molina, Ramon Perez, Pepe Larazz and Ed McGuiness 42 Issues + Annual + AU Issue + Amazing X-Men 1-5 49 Issues

Wolverine and the X-Men is the big breakout of one Jason Aaron, a writer I have mixed feelings about. He has written comics I like, this one, doctor strange and so far his TMNT run, but has a weakness for putting over the top spectacle over character or cohesive plot, his Thor run degrading with time and his Avengers run having great ideas for plots but no real meat to said plots.

Wolverine and the X-Men does run into that a little, mostly with the x-men themselves as only WOlverine really gets an arc: most of the team gets a spotlight issue, but still spend the bulk of their time in fight scenes. Kitty Pryde is the only one besides logan to net decent focus and that gets thrown out as Brian Micheal Bendis called dibs as soon as he joined post avx. This was the first book I read with rachel summers but outside of her spotlight she's mostly there to be the token telepath. We never really get a sense of what she WANTS out of the school, how she feels about what Scott's up to anything personal. Cannonball, Sam from New Mutants, gets it worse as he's really just there for his sisters subplot and nothing else. I won't evfen get into the horny bird lady sexually harassing iceman. Ther'es also a bad tendency to treat Cyclops as some form of despot and not that guy what over at the other place.

That said the series manages to dodge this being a complete issue with the kids: Wolverine and the X-Men is at it's core a teen x-men book and the reason these teens are back in school at all also provides nice motivation for Logan to be running a school, something the book frequently lampshades is kinda nuts. With mutantkind dwindling at the time, Cyclops kept militarizing the children and Logan, tired of it and wanting them to live rather than surivvie, took half the x-men and any willing students.

The result is a diverse and intresting student body focusing mainly on Idie, a young religoius african teen who sees her powers as a curse and herself as a monster, Broo, my faviorite x-child period and an adorable nerd who happens to be a brood, a group of aliens that try to eat the x-men regularly with the mutation to not be a bloodthirsty monster, Gensis, a cloned apocalypse who was given superman's upbringing in stasis. And of course theirs Quinten Quire whose been overused sense this but hadn't really got to do anything. He's a punk who after a breakdown at finding out he was adopted decided to throw a riot at the school. He'd rather be on Cyclops Island but gets dragged to Jean Grey's School for Hire Leanring, renamed from "I did your wife school of hire learning". It' shis evolution tha'ts intresting: going from a mouthy twerp with way too much power and ego to.. well still a mouthy twerp but one with an actual heart and friends. We also have Kid Gladiator, son of the shiar empreoro gladiator and boisterious hilaroius jock. We also get great additions like eyeboy, sprite and shark girl, albeit none getting a ton of focus here.

While the main cast is great, what throws this series over the top its it's gonzo creativity. More than any writer since morrrison and until hickman, Aaron embraced the batshit insanity of the x-men and grasps at it with a gonzo whimsy few can match. Jason Aaron has had his issues with reining it in but with x-men it's just the right ballance.

The first arc alone, one of my faviorites despite not being a fan of chris bachelos art, Wolverine opens school, and find sit under siege from a revamped hellfire club, now a bunch of tweens lead by Kade Kilgore. Given hellfire was reduced to "sebastian shaw on occasion maybe" by this point, it was a needed revamp and I get it's not everyones taste but for me it works. Especially when one of Kade's minons is a frankenstien (the doctor not the monster man), who grenade launches frankenstiens at our heros and mutates two members of the school board into a wendigo and a sauron. Oh and the schools grounds have become a baby krakoa, the hisland that wallks like a schoolyard, which wins the day and soon becomes my faviorite part of the book. I loved krakoa since I was a teen so seeing him get revamped as this adorable adiditon was great and I still wonder what happened to them and why the krakoa era never adressed them.

Our heroes fight weaponized brood pregancies, go to space casinos to raise funds, deal with angel having come back as an actual angel and possed by.. something, too many tie ins, a murder circus lead by frankenstien, a field trip to the savage land and a final showdown with the hellfire club. It was a wonderfully creative, batshit insane story with tons of great ideas that have been barely touched, like School-Krakoa, Toad as a good guy or Logan's brother dog coming back as a time traveling badass. There are better books than Wolverine and the X-MEn but few have this much fun.

PS: Almost buried the leap, this book brought doop from x-statix back and i'm eternally greatful and his spotlight issue, drawn by co-creator mike allred, is easily the best of the run. I mean it has this alone

So speaking of doop

7. X-Statix Written by Peter Milligan Drawn by Mike Allred X-Force 116-129, X-Statix 1-26, Dead Girl 1-5, Wolverine/Doop 1 and 2 46 issues

X-Statix came about as part of marvel's big relaunch of the X-Men with New X-Men, canceling several titles, relaunching a few and changing up the few left. In this case X-Force, previously about the new mutants as they grew up and got guns then got their personalities back once Rob Liefield left, they instead completely upended it. The old cast was gone, the old premise was gone, and a whole new idea and cast of mutants were introduced.

The series had a genius premise: A shady reality show producer, Spike Freeman, starts up a mutant reality show at the height of the reality show boom starring a bunch of mutants who are desperate to be loved and adored by becoming rich and famous, often being conceded assholes like any reality tv star.

The catch was revealed in the first issue as the bulk of the team is gunned down: Only angry black man with internalized issues about his race Anarchist and the egotistical , pill popping shocking compitent u go girl are left as the team is rebuilt, now lead by the orphan, a man with super sensitivty and a ton of lampshaded angst, Vivisector, an erudite wolfman who later turns out to be gay, Phat, one of the many white kids approraiting black culture at the time, and Dead Girl. THere's many more but this is the core of the cast for most of the book, which was later relaunched as X-Statix. Many a member dies, no one is safe, and it's cyncial as fuck, making fun of celebrity, events, and mutant cliches. Some of the shine has rubbed off this one as a lot of these jokes have been made a lot, but it's still fun thanks to it's compelling cast who get fleshed out amazingly, meditations on fame, and Doop, the little ball of tumors that follows them around. It's it's own neat little pocket of the marvel unvierse: it's revivial is pretty detached from Krakoa and something I need to check out and it's cast, due to mbeing dead a alot, havne't really crossed over. But the book itself stands as a nice unique pocket

And saving the best for last no discussion would be complete without Mike Allred, an artist with a unique style remincent of jack kirbys btu still his own that's this nice art deco chunky goodness and works perfectly here, both giving the mutants all really fantastic designs and nicely giving everything a splash of color to contrast the dark tone. This is one I picked up in high school in backissues and hasn't left me since.

6. Uncanny X-Men Writer: Kireon Gillen Artists: Carlos Pachcheo, Terry Dodson, Greg Land and Daniel Acuna Uncanny X-Men V1 #534.1-544, X-Men Regenisis, Uncanny X-Men Volume 2 #1-20, AVX Consequences 1-5, 36 Issues

So when I first got back into comics reguarly I figured from both is more dangerous new design where he can't see too good

And the way both bendis own much worse companion book and various others like Uncanny Avnegers or Wolverine and the X-Men talked about him and AVX that Scott Summers had become the new magneto and a dangerous edgelord man.

Instead the truth was more nuanced as i'd learn: Some writers made Scott a bit of an ass during his time leading utopia, the slap of concrete what contained all the muants left. But despite some questionable actions down more to bad writing, he wasn't evil. He asn't purely good either as the schism I mentiond proved, driven to do whatever it took to survive. He was shady but never quite took the heel turn, instead being an intrestingly pragmatic character. Also while he did kill charles xavier it was while hopped up on the phoenix force, something he points out reguarly making everyone else come off as assholes for giving Jean a pass but not scott.

And the man who wrote this best was Kireon Gilleon, scottish writer and maestro who came along after a decent but forgetable run from Matt Fraction and gave the franchise the injection it needed.

His run started with the x-men on utopia nad not only reballanced Scott after said bad writing, but showed off the good and bad of Scott: he's repessed and obessive, but also a stategic mastermind determined to save his people. The early part of his run does what the run before it by Matt Fraction did: uses the whole of mutantkind for huge spectacle as well as return Kitty Pryde to normal, she was a ghost for a while, so she can go off with the other book. The highlight is it's climax: juggernaught, jacked up on the power of a god and a hammer like thor, is more unstoppable than normal and Scott throws EVERY plan he has at the guy and every mutant he has at the guy which is ALL OF THEM who aren't children. And even a few children because the situations that bad.

The real meat is the sadly short livedb ut awesome second volume of uncannY: After the schism, Scott splits up, getting Emma because she loves the guy, Namor because he wants to do Emma and i'm not exagerating he's blatant about it, Storm because Scott dosen't trust himself, Hope the mutants own personal jesus, Danger, the former danger room having gained snetience and tried to kill charles for enslaving her

Dr Nemisis, an immortal nazi hunter, Colossus, current host of the juggernaught powers, his sister Magik, Psylocke, and of course Magneto, who'd recently joined up and is master of magnet.

This team of scary motherfuckers is the exctinction team and that name is unsettling on purpose but also dosen't mean kill everyone.. it just means they could and Scott is both helping mutantkinds rep AND scarring the shit out of it's eneies my taking on extinction events: if something can wipe out huamnity it's their job and it's a fucking briliant setup. Take the strongest x-men left on scott's side, which is really most of THE strongest in general and put them against the worst.

This also sets up the big bad of the series and Kireon's best achivment: Sinister. Gilleon revamped him from a fairly sterotypical and deranced mad science man to a campy as hell horrible as hell man who sets out to remake the world literally in his image, thinks turn of the century britan was just fine, hates women and isn't lacking for quips or meance with our heroes stuck in a city of him that can develop safe guards every time they kill one. And he does so by stealing a celestial's head, which means the first mission alone is stop a space god AND a madman.

There's other good romps but sinister is the core and the series weathers the avx tie ins decently, weaving them into what's writtne. IT's ending, consequences, isn't nearly as good, with scott feeling out of character and was meant to set up further adventures that instead got handed off to bendis, but Gielleon's runs a great mediation on absolute power , scare tactics and the meaning of fear regardless and is still a joy to read every time.

5. X-Men Red/S.W.O.R.D. By Al Ewing Art by: Valerio Schiti, Jacopo Camagni, Stefano Caselli , Jacopo Camagni , Yildray Cinar and Luciano Vecchio S.W.O.R.D. V2 #1-11 , Cable Reloaded, X-Men Red V2 1-18 and The Resurrection of Magneto 1-4 34 Issues

Al Ewing is one of my faviorite writers in comics. easily. Starting with Mighty Avengers, i've adored his runs on Immortal Hulk, his ant-man/wasp trilogy, his character defining run for Roberto decosta on new avengers and usa avengers and what i've read of immortal thor among others. Al Ewing is Marvel's best writer these days and in a pool that includes Jonathan Hickman and now once again Gail Simone, tha'ts the highest praise.

So naturally given Ewing had a clear love of x-men from new avengers alone and a deep love of continuity I was chomping at the bit for him to join the krakoan age, a bit disapointed he wasn't in the first round of books but knowing he had ot show up he just had to.

Thankfully my prayers were answered as not only did Ewing arrive he arrived in style, bringing back SWORD, once shield's extraterestial arm now krakoas. Ewing at the time was reworking marvel's space with his Guardians run and wrote SWORD in concert with it, as big evfents happened and SWORD stood ready, while bringing earth, or sol as it's called onto the galactic stage, starting the run with stealing a mystery metal from the heart of creation and then using it to fund the galactic economy. SWORD was a solid captivating book, amping up the idea of mutant circutis (a bunch of mutants working in concert), galactic marvel and earth's place in it.

What's brilliant in hindsight though as while a great book on it's own, making characters I thought were highly underused like Wiz Kid or Frenzy rise to full potetial and making previously also ran mutant Peeper into a star overnight. I mean look at him

I also love Magneto is so .. happy to see him.

While SWORD is great what followed is truly incredibly, some of ewings best work and all the groundwork was laid in sword, from Magneto regretting his past in the hellfire gala tie in to said gala leading to one of the best events in x-history: Arakko. A bunch of mutatns who'd become a warrior civilization needed a home so thier island was put on mars giving them a planet and possible peace... and storm was put there as regent.

This leads to an even better sequel as ewing keeps SWORD head abigail brand on as big bad, wanting to destroy mutant civilzation and make earth a real power in the universe, and thus Arakko is a great chess piece as Storm plays against Abby for it's future for the first two arcs. Storm is a fantastic character and ewing gets her down pat, her grace, her badassery but also her humanity, kindness and mohawk. Helping her are my two faviorite mutants, no really 1 and 2 respectively, Magneto and Sunspot. Magneto was already eating well in the krakoan age, but ewing gives the old man humanity, with Magneto realizing his lost daughter Anya wasn't a mutant.. and thus can't be brought back and wondering what all this was for, being cojolled into things as he realizes as much as he wanted to retire he can't. Roberto meanwhile had a rough start in Krakoa as Jonathan Hickman took out all his brains for some reason despite being the one who started to emphasize that he's more than just a pretty face.

Ewing in his avengers runs made roberto into a master stratageist and chessmaster bar none who still loved parties, champaign robots and the mission impossible theme, so I was utterlyt hrilled to see berto on the cover. Now a consort to Shiar regent Deathbird and having a stake in the game, Roberto comes to arakko to play and quickly gets involved in things, using his skills to help his new team. Ewing is the man who truly made the best roberto decosta and it's so gratifying to see he got a second lap.

Ewing also builds up arakko well: it's culture, i'ts changes, and the challenges storm and magneto face in changing it, concluding in a massive war that ends the series as arakko's past rule comes knocking. Add in a great epilogue exploring magento and storm and you have one of the finest comic runs in recent memory.

4. New X-Men Written by Grant Morrison Art by Frank Quitely, Evan Van Sciver, Igor Kordey, Phil Jiminez, Chris Bachalo, and Marc Silvestri 114-154 Plus Annual 41 Issues

It was the early 2000's and the x-men had hit a fucking a wall. The 90s while fondly remembered for the jim lee outfits, awesome cartoon and other delights, were a nightmare time for the x-men. Just trying to read that era of uncanny and adjectivless to fill the gaps in my knowledge was a waking nightmare with only a few bright spots. I got as far as just after operation zero tolerance and bailed and despite bringnig back heavyweights like Alan Davis or Chris Claremont, restrictive ediotrial mandates, overdone crossovers and other nonsense had left the x-men barley standing.

Desperate Marvel had a bunch of creators pitch various ideas for a bold new take on the x-men.. and the winner was the one, the only Grant Morrison. Grant had already made big splashes at DC with their runs on Doom Patrol, Animal Man and more, had a penchant for writing gloriously weird, sometimes incomprehnsible stories with a beating human heart. So being both a hot writer from the other company and having a bigger bolder vision, and needing badly for the comcis to recover to cash in on the recent film and upcoming X-Men Evolution, they agreed.

The result is the run that made me the x-holic I am today: while I read x-men stories i loved before this, with Chris Claremont and Paul Smith's run being the first this is the one that got me as hooked as I am: a stylish run with what morrison called a kinetic strut, aided by Frank Quitely's weird and awesomely unique art and a variety of other artists of varying quality brought out a vision of a bold new era.

The run came out hot: it stripped it's cast down to a core of iconic x-men, added in Emma Frost finally fully reforming but still 100% that bitch, and threw in curveballs with kind monk with a hell of a look xorn and xavier himself getting his legs back. There were set backs as Colossus was killed before Morrison could use him and Claremont called dibs on rogue and storm for X-Treme X-Men, but they pivoted well.

However a flashy new look wasn't what made the book, it was it's frantic pace and bold new vision: Morrison recontexulizted the x-men as an actaul minority, giving them a culture, a voice and making many weirder and wilder than ever before, showing that not every mutant got to pass. He also threw the x-men out of the shadows: formerly, a group of outlaw mutants hated and feared, they weere still that but thanks to Professor Xavier's twin who tried to choke him in the womb, he's outed to the public and rolls with her , using his body as a suit at the time, doing so to change the x-mens mission, now doing more search and rescue with slick leather jackets. They aren't traditional superheroes anymore, but just a trained team of the best trying to help their own. The X-Men now hav ea worldwide reach with x-corp with missions going from paris to shang hai.

Morrison took plenty of other hammers to the status quo: Xavier and Lilandra broke up, he could walk, Genosha got destroyed in a devistating act, scott and jean had marriage crissi as Emma gaslit him into an affair and Beast got his awesome lion look. The run also isn't afraid to get weird with xavier's twin he seemingly killed in th womb Cassandra Nova, a corrupt general whose skin becomes golems, and a special class made of mutants all with weird borderline useless powers, most of whom would become fan faviorites.

Years ago this would've been my easy number one but age for both me and the comic have revealed cracks; Some bits haven't aged well like Dust, whow hil ea good character now was done with no real research or depth, the u men dangling way too close to a parody of trans people, being just fringe enough to avoid it but still far closer than they should be.

The biggest knock though is the final two arcs: everything up to that is minty fresh and full of cool ideas warts and all. The last two arcs have Morrison try to rerail magneto back into a hateful monster instead of the complicated monster he'd become, something already tried in the 90's but even worse here, with Magneto reduced to the boring silver age villian that got old fast. I'm not against holding his feet to the fire for his worse actions, but this one was too far and swiftly retconned.. in a very dumbass way but still, you uusally only get a patch on a bad story that fast. Here Comes TOmmorow likewise is a trippy and mediocre finale to the run. Not as bad as what just came before, but it's grant morrison at their most self indulgent... that i've read.

Still despite the runs issues.. it's a good ride and worth it for classics like E is For Extinction and Riot at Xaviers alone.

3. X-Men By Jonathan Hickman Art by Pepe Laraz, R.B. Silva, Lenil Francis Yu, Mahmud Asrar and Valerio Schiti House of X 1-6, Powers of X 1-6, X-Men 2019 1-21, 5 Giant Size X-Men One Shots, and Inferno 1-4 42 Issues

Anyone whose read this blog a long time knew this was coming. I mention X-Men as much as possible and the krakoan era, being so weird and wonderful, was something I brought up a lot. Especially the x-men colonizing mars. And I probably will again. The Krakoan age is one of the best eras of x-men and while it ended in fire and a whimper, it started with a bang.

The x-men were in a bad place in 2019. Ressurxion as I mentioned wasn't horrible but wasn't really a reinvention, partly because they woudln't let anyone make any real changes which... again this run could've easily dealt with fine. Before that Marvel , and once again entirely serious tried to kill the x-men, showving them to the side and trying intitally to make the inhumans symapthetic when they needed to get rid of their murder cloud. And the inhumans books WERE great, but no one could get the taste of ike pearlmutter trying to make them the new x-men out of their mouths.

And like the last time the x-men were in a bad spot, marvel sought a hot creator, gave them creative control and let them do a hard stylish reset. Last time it was grant morrison, , this time it was Jonathan Hickman.

Hickman is one of my faviorite marvel writers. While he started slow yet awesome with a small run on secret warriors, a book that remade shield and did black ops glory, he rose to his biggest success with Fantastic Four, taking one of marvel's greatest teams and plunging them out of their rut with a big sweeping sci fi plot, clever ideas like 4 great cities about to go to war, a council of far less moral reed richardses, and smaller scale but no less game changing ideas like havnig the fantastic four open up a think tank for children, the future foundation, finally once and for all resolving ben grimm's on and off state of being cured, and giving the richards kids fleshed out personalities.

I could gush about this run all day but i'll save that for next year.

The point is HIckman had a talent for big wordy sweeping epics and was quickly tapped to follow up Brian Micheal Bendis on avengers, which had also gotten old for some, expanding the team's scope, having a meta plot about the multiverse dying and combining a core of familiar faces (including hulk's first longterm run as an avenger), with people who had yet to wield the circle a like Cannonball, Sunspot and SHang Chi, giving all three a needed boost.

So him doing X-Men was a natural next step that seemingly just.. didn't happen. Ike Pearlmutter's attempt to dempahsises it probably is why and Hickman having completed his sweeping epic across several titles, was ready to go to dc. THen Marvel, desperate to revitalize the circle x.. offered it to hickman. And a thing I didn' tknow is while he got what made the ff and avengers work perfectly.. hickman wasn't a fan of either going in. He did his through homework and you honestly can't tell he dosen't, but X-Men on the otherhand was his teenage obession. Like me, it consumed him and he jumped at the chance to do it his way.

He also saw a franchise that post avx had stagnated, not really inovating and growing and gave it a shot in the arm. Just like New X-men before it, Hickman decided to ditch where the franchise had been stuck, in schools with never aging classes and wars with each other and try something entirley new, something that could not be walked back easily and that even going back to basics, the current run is still feeling the repurcussions of. With 6 golden words:

Hickman in his epic pair of mini series that are really one big 12 issue series, House of X and Powers of X flipped up the wohle gameboard and erased problems that had been plauging the x-men: The constant climate of fear? The X-Men decided to fuck off to their own island nation, Krakoa, the island that walks like a man and is now cool with them. Humanity hating and fearting them? still a problem but they can sue for peace with some mmmm drugs and deal with those who don't take the mmmmm drugs. And they could just give these mmmm drugs that cure brain diseases free but after the rampant genocides, not hyperbole they have a statistic

Their saying enough. And the various mutants killed off for shock value? Well... death no longer matters. In a game changing final reveal, mutants can now be revivied from teh dead thanks to 5 working in concert. Add in a meta riff with Moria Mactaggerts 10 lives and you have a brilliant start

And HIckman did'nt stop there, as his next book , X-Men and i'ts companion piece Giant Sized X-Men was less one long narrative and more a series of ideas for the universe he was creating, a series of brilliant one shots following Scott Summers in a good place in his life: His wife is back from the dead, their embracing polyamory so he can still see emma and Jean can see wolverine who lives with them, both their kids are alive and well. It's a dream. And with every issue hickman provided a great adventure from magneto standing against a tie in, to discovering Krakoa's lost sibling setting up the massive x of sowrds crossover, to a family roadtrip into space to dela with the brood, to the savage land ot fight the golden girls, to a hidden vault to face the future, there was never an end to his creatviity or clever ideas.

Sadly there was an end to his run with Inferno which left on a high tying up some threads and leaving the rest open for those to take up the sword after he left. Hickman's run is gorgeously drawn by a bevy of the best in the buisness, well throught out and stylish and I will likely read it forever. While Krakoa sadly didn't last this run stands forever as what it is : MUTANT.

2. X-Factor By Peter David Art by Peter David and Pablo Raimondi, Ryan Sook, Dennis Calero, Renato Arlem, Roy Allen Martinez, Khoi Pham, Scott Eaten, Valentine De Landro, Larry Stroman, Marco Santucci, Bing Cansino, Emanuela Lupacchino, Leonard Kirk, Neil Edwards, and Paul Davidson Madrox 1-5, V3 1-50, 200-262 , X-Factor The Quick and the Dead, X-Factor: Layla Miller and Nation X: X-Factor 119 Issues

Peter David might be my faviorite x-writer and is the other major reason I fell as hard for x-men as I did. Starting off at marvel with his character defining run on Incredible Hulk, he did a short stint on the x-side of things with X-Factor, following up the original run by focusing on a bunch of lesser focused mutants who weren't afraid to pepper things with jokes, weren't immune to tragedy, and threading a nice line between real danger and humor. It sadly didn't last long, but what we got was great.

So come the 2000's, he returned to marvel after a long stint at dc and another sensational run with young justice, Peter David asked "Are you ready for the sequel?" So came X-Factor, also known as X-Factor Noir to defretate it from the previous two runs, a decade long run rivaling Chris Claremonts in character, franchise impact and sheer girth. David's come the closest to Claremont's flair for shakeups, cast rotation and soap opera.

X-Factor primarily stars Jamie Madrox, an also ran mutant who could multiply who was the comic relief in David's previous run then kinda thrown aside like garbage and used in backgrounds. Clearly liking Jamie and seeing potential in him, David brought his boy back as a private eye working cases in mutant town. What was once the mutant burogh of new york is now filled with those who lost their powers on m-day, something our heroes also investigate as Wanda's mental breakdown wasn't exactly common knowledge.

Helping Jamie in his noir detective fantasy are Strong Guy, his best friend and the best character of the previous run, Wolfsbane, who was also on that team but is now older and angister, even more so after she leaves the team breifly to join x-force, Siryn, jamie's dupes ex and daughter of the banshee and M, monet st croix whose better than you and knows it. Monet is STILl a major fan faviorite and player to this day thanks to this run and everyone got a bump. This included later additons longshot and shatterstar, the latter of whom became a pansexual icon.

The run is massive and something I hope to cover someday in SOME form but loops our heroes as they do buisness in mutanttown, move to the east for goverment work, come back to nyc, and deal with everything from a manical man from the future to the invisible woman going missing. It's a fun run full of deep character development, well executed twists and while I used to feel it had a huge downturn, it seems far more coherent now.. though i'd still have to reread to see for sure. But what's ther eis one of the best runs in x-men , one of my faviorites.. and only one tops it you can transparently see coming

Uncanny X-Men By Chris Claremont Art by Dave Cockrum, John Byrne, Paul Smith, Frank Miller, John Romita Jr, Barry Windsor-Smith, Marc Silvestri, Rick Leonardi, John Bogdanove, Al Milgrom, and Jim Lee Uncanny X-Men 94-279, X-Men Annual #3-12, 14, Marvel Graphic Novel #1, Wolverine #1-4, Kitty Pryde and Wolverine #1-6,X-Men/ Alpha Flight #1 and 2, X-Men Vs Fantastic Four #1-4, X-Men #1-3 214 Issues

Hail to the King Baby. Having recently finally read EVERY issue of this run, I can say Chris Claremont defines the x-men. Even as things change, the basis was set by him. While Lee and Kirby created the x-men, Chris Clarmont made them truly exceptional.

Most of you don't need an intro but just in case: Chris Claremont was an up and coming writer at marvel who exploded when he took over x-men from Len Wein. Wein had relaunched the x-men with giant sized, creating a brand team with artist Dave Cockrum: Xaviers Original students were quickly written on in Wein's planneed next issue leaving only Cyclops, now moodier, as the vetral to command a group that was not 5 teenagers with attitude, later 7, but adults from radically diffrent backgrounds: A near feral and terse secret agent who once fought the hulk, a russian farm boy who can turn to steel, a woman from cairo who lived as a goddess in kenya, a former foe turned experinced ally, and a circus performer with the face of demon but the kindest soul of all.

Claremont would take this great setup and run with it once given full control. He reinforced the mutant metaphor which was present on and off in Lee's run, but now came blaring out, with the series first overarching villian being a mad scientest who speaks of mutants like a feral monster and has an army of shiny new sentinels, as opposed to the misguided previous users of them. The X-Men's rep takes a hit as the series goes and their forced to wipe goverment records as it plots against them. As the run goes on the racisim grows, as the goverment turns against them and the x-men are left as outcasts even among other heroes, going to war with both the ff and the avengers for diffrent reasons. In his most powerful use of this the x-men have to face Revered Striker, a fire and brimstone preacher with a secret paramilitary death squad.

But more than that he gave the franchise humanity: The X-Men here are fully fleshed out people: Scott strains under the role he's been given and trained since childhood and his rough past, Logan grows from a feral asshole who nearly kills nightcrawler for laughing at him, to Kurt's best friend and a wise if still gruff man who loves his found family. Ororo has the biggest evolution: from a shy woman discovering the world, to a goddess, to someone grappling with the darkness in her and the things she must do to keep her found family safe. Colossus grapples with the violence and confusion of his new world and of finding love even if it hurts someone he cares about. Things only get richer as new characters are rotated in: Jean is thought dead after joinnig breifly and leaves an impact and banshee goes to join his true love on a scottish island. This leaves the board open for Kitty Pryde, a 13 year old written shockingly well who grows up year by year and has to deal wtih the reality of being an x-man and of having a crush on a 19 year old and Rogue, who goes from a foe of the x-men they slam the door on badly haunted by her fractured psyche to.. well the last part dosen't go away but she's one of the most trusted x-men with time .

Claremont wasn't afraid to shake this up either: over the course of his run the x-men are thought dead by xavier and left to their own devices, loose jean, cyclops leaves, the mansion is breifly destroyed and their forced to live on magneto's spooky island, the new mutants arrive, and you never get a full sense of peace. When one status quo has set in a while, it flips. Just when the x-men were getting used to rachel summers, jean's troubled daughter from the days of future past, rachel flees and half the team is horribly mauled and they have to almost start over. The x-men sacrifie themselves and use their newfound supposed death to strike from the shaodow. and the final stretch of the run has the x-men scattered to the winds and coming back together.

Change is the constant as is a parade of intresting foes: Magneto is reconfigured from cackling super villian early on, to the troubled complicated man he becomes later, trying hard to be better while the world says no. The Brotherhood of Evil Mutants is reformed into a more modern for the time terroist group with the cunning mystique.. who tehn has the team work with the goverment when she finds that safer. Mastermind is taken from Magneto's lackey to a truly frightining figure whose only beaten because the person he was manipulating with. Then Claremont adds his own: The Hellfire Club, rich mutant assholes hiding in plain sight woh easily outflank our heroes, Nimrod, a robot from the future sent to kill mutants but who sees himself as a hero, the Brood, terrifying xenomorph knockoffs, and the Shadow King: Xavier's oldest and deadlist foe.

Ther'es a lot here: Our heroes go to space, grapple with demons literal nad metaphorical, spend time in the outback with a wiseman who can teleport, go to another dimension or two, there is FAR too much in this decade to recap but it is special

The run isn't without flaws and the age spots may be an issue: there's the entirely stupid and gross kitty pryde and colossus romance which is thankfully kept to mostly a crush but wolverine treats like Colossus wronged her by.. not wanting ot date a 13 year old and finding someone else. The bunche sof brainwashing. Kitty Pryde using the n-word twice. Coloring native american characters bright red. Ther'es a lot of stuff left over from the 80s in here that we'd rather throw back. Now Claremont's bdsm fetish on the other hand.. eh fair enough.