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Gravity forgotten for a moment.
Photo: Thomas Gerwers
๐๐ป๐ฎ๐ช๐ถ ๐๐ธ๐ป๐ฝ๐ช๐ต๐ผ
๐ถ๐๐ ๐๐ ๐๐๐๐๐๐
๐บ๐๐๐๐๐ ๐๐ ๐จ๐๐ ๐๐๐ ๐ซ๐๐๐๐
๐๐๐๐๐๐๐๐๐ : ๐๐๐ ๐๐๐.๐๐๐๐๐๐
๐๐๐ ๐๐๐๐ ๐๐๐๐.๐๐๐
Without You.
By midday, the world feels too much
V. Social Media: Between Irony and Critique
In an era where social media has become a showcase for vanity and emotional consumption, Cole Sprouse has chosen a radically different strategy: turning these platforms into spaces of critique, play, and resistance. His digital presence doesnโt follow the influencer logicโit follows that of an artist who observes, satirizes, and keeps his distance.
Two Accounts, Two Languages
The divergence between his two Instagram accountsโ@camera_duels and @colesprouseโreveals a fascinating duality in his relationship with public image.
@camera_duels is pure satire. Cole photographs people trying to photograph him without permission, flipping the power of the gaze. The tagline, โMay the fastest camera win,โ evokes the dystopian tone of The Hunger Games, turning everyday harassment into a kind of urban duel. The images are raw, spontaneous, imperfectly framedโheightening the urgency of the moment. Each post becomes a theatrical scene where the actor hunts his own hunters. Itโs a fierce critique, disguised as humor.
In contrast, @colesprouse operates like a curated gallery. Here, Cole presents himself as photographer, visual narrator, and artist. The images are cinematic, with deliberate use of light, color, and composition. Nothing feels improvisedโeach post seems part of a broader narrative about identity, melancholy, and control. One account mocks the spectacle; the other directs it.
This duality reveals a sharp awareness of image power in the digital age. Cole doesnโt just allow himself to be seenโhe decides how, when, and why.
Twitter: Where Thinking Is Dangerous
His experience on Twitter was far less playful. What began as a space for unfiltered thoughts became a battlefield. Fandom clashes, public narrative tensions after his breakup with Lili Reinhart, and the perception of his intellectual tone as arrogance made him a constant target.
Cole was labeled โdifficult,โ โpretentious,โ โarrogantโโsimply for speaking about philosophy, anthropology, or pop culture with ease. In contrast to the post-MeToo framing of Lili as vulnerable, Cole was cast as the โexperienced man,โ the one who unsettles, the one who thinks too much. His dry tone, ironic distance, and structural critique of Riverdale (โI have no creative control over my characterโ) were read as signs of conflict, while other cast members made harsher comments without facing the same backlash.
His Own Voice: Thinking as a Subversive Act
In interviews, Cole has spoken lucidly about the emotional toll of social media. After returning to Instagram, he explained that he had stepped away to protect his mental health: โBeing in constant contact with social media became exhausting,โ he said. He acknowledged that the constant use during quarantine had worn him downโand that many others likely felt the same.
This isnโt a superficial statement. Itโs the symptom of someone who understands that social media is a powerful toolโbut also a space of emotional exposure that can turn toxic. His temporary retreat wasnโt dramaticโit was a way to reclaim silence, rest, and privacy.
When he returned, it was with a more sober, contemplative aesthetic. As if to say: โIโm here, but not for unlimited entertainment.โ In a time when overexposure feels inevitable, his stance is an elegant act of resistance.
Epilogue: The Actor Who Thinks
Cole Sprouse doesnโt use social media to sell himselfโhe uses it to think. Whether through the satire of @camera_duels or the aesthetic curation of @colesprouse, he shows that itโs possible to inhabit the digital world without losing self-awareness. In a culture that rewards empty spontaneity, thinking is a subversive act. And Cole practices it with irony, intelligence, and a discomfort that makes him, precisely, necessary.

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"Solving Black-Box AI Models 1"
60 x 80 x 18 cm
Pepijn Simon 2025
The sun beat down relentlessly, casting sharp shadows on the dusty square. He gripped the tarnished brass of his instrument as though it were an anchor, tethering him to a world that spun too fast. His brow furrowed, sweat tracing lines down his face, but his eyes were closed, lost in a place beyond the crowd that milled around him. The notes he played were raw, not perfect, but aliveโeach one torn from somewhere deep inside, a place words could never reach.
Around him, the band moved like clockwork, each player lost in their own rhythm, yet tied together by the music. The drum's steady pulse echoed like a heartbeat, while the strings danced in the background. But he was different. The horn in his hands wasnโt just an instrumentโit was a voice, his voice, in a world that rarely listened.
He wasnโt playing for the crowd, though they clapped and swayed. He wasnโt playing for the coins that clinked into the open case at his feet. He was playing for something bigger, something unseen. Maybe it was for the memories of a father who taught him these songs, or for the ghost of a childhood that felt a lifetime away. Or maybe it was simply for himself, to remind his soul that it still existed beneath the weight of everyday survival.
The horn's wail pierced the air, sharp and unrelenting, carrying with it the pain and joy of a life lived fully, if not easily. Some turned their heads, caught in the emotion of the moment, while others passed by, untouched, as though the music was no different from the wind that swept through the square. But he didnโt care. This was his truth, laid bare in every strained breath, in every trembling note.
And when the song ended, there was no applause loud enough to match the silence that followed. He opened his eyes, his chest heaving, and for a moment, the world seemed to stop. Then the crowd moved again, the coins jingled, and life went on. But something lingered in the air, something only the music could leave behindโa reminder that beauty, no matter how fleeting, was worth the struggle.