Why I hated Rise of the Titans, and how I would have fixed it
Everyone hated the movie in this fandom, but I want to give my own reasons why I didn't like it.
1.-Steve's character. If his development was already bad in 3 Below and Wizards, in Rise of The Titans it was 10 times worse. The writers made him pregnant for some reason I still cannot understand, and instead of making him important to the plot they just reduced him to be the comedy relief. And they failed miserably, because everytime he appeared he made me cringe instead of laugh.
2. Claire's character. In s02e13 of Trollhunters, she opened a portal -with the help of her friends- from the Trollmarket to the woods. And then, her hair turned a little white and she almost fainted. But in Rise of The Titans, she opened a bigger portal to another continent, without the help of anyone, and the only thing that happened was that she felt dizzy for an instantā without having more consequences in her body. Even if she was stronger than in Trollhunters, there's no way opening that portal didn't cause secondary effects.
3. The team selection. Of all the teams they could have chosen, they just had to choose the worst of them. They made Nomura and Aaarrrgghh go with Douxie when they knew trolls were vulnerable to the sunlight and could die. Well, at least they should have known it. Because they wouldn't have chosen those teams if they remembered trolls turn into stone when exposed to the sunlight.
4. The adults. Jim is the leader of the team, so I'm gonna suppose he was the one who chose the teams. And my question is: Why the adults just accepted it? Why didn't they say "No, these teams won't guarantee our victory"? Why they just did what Jim told them to do, instead of thinking about what they really should do? They are supposed to be the adults of the team (Strickler, Barbara, Aaarrrgghh, Blinky, Nomura), and yet, they just put the weight of the world in teenagers' shoulders (especially in Jim). They should have been there to actually support the teenagers, act like the adults they are, and help the teenagers to make the decisions instead of just following their orders.
5. What happened after the time-travel. I understand that Jim wanted to date Claire and wanted Strickler to redeem as soon as possible, but the way it was done felt so rushed. Instead of forcing those two things since the beginning -Strickler being with Barbara and Jim being with Claire-, the writers should have made it feel more natural.
6. Toby being the Trollhunter. Even after all these years, I still hate this. Jim would have never put Trollhunters' weight in Toby's shoulders. "He wanted to protect Toby!". Well, I think that giving him the amulet and made him fight Bular, Gunmar and other enemies is not the best way of protecting him. "Jim would have gotten the amulet back eventually!" Yet, what made special the show for me is Jim being the trollhunter, and it wouldn't feel the same with him not being the only trollhunter. Besides, what happened with the whole "Only Jim can be the trollhunter" of s02e11 Unbecoming? "The world would have been destroyed with Draal being the trollhunter!" I think the lesson to Jim for that episode was "Only you can be the trollhunter. Don't let anyone else be it" not "Draal being the trollhunter will doom the world". Merlin might be manipulative, but I'll decide to agree with him on this. Only Jim can be the trollhunter for me. And I can accept discussions in the comments, sure, but this is just my opinion. As well as I'm not forcing anyone to think like me, don't force me to change my mind.
And I also wanted to talk about how I would have fixed these things:
1.-Steve's character. First, delete the mpreg plot completely. It seemed like a way of saying "I hate these character" from the writers, and I would have respected Steve not making him pregnant. Secondly, he wouldn't have been an idiot like in 3 Below and Wizards. He would have fought in the battle, alongside Aja, and would have supported Jim before he used the Krohnisfere, showing that he matured as a person.
2. Claire's character. The only thing I would change about her in the movie is the consequences of opening a portal to another continent. I would have made her faint, or maybe turn her whole hair white, like in one of the storyboards.
3. The team selection.
ā Amulet Team (the team to fix the amulet): Krel, Eli and Stuart. This team is the same as canon because it's the only redeemable team.
ā Camelot team: Strickler, Nomura, Barbara, Claire and Jim. In the canon, this team needed a witch/wizard, and I included Nomura too because she would have been safer there than with Douxie.
ā Hong Kong team: Aaarrrgghh, Blinky and Toby. Not only because they work well together, but because Toby wasn't very useful in the original team he was and because Aaarrrgghh and Blinky are also safer.
ā Earth Titan team: Douxie, Zoe, Aja and Steve. Zoe is included here because she could have been a great supportive character in the movie, and Aja and Steve because they work well together and none of them would have turned into stone with the sunlight.
4. The adults. As I said before, I hated how they seemed to put the weight of the world in Jim, Claire, Toby, Aja and Krel shoulders (Of course, they are supposed to be the protagonists of the movie, but come on. They are teenagers, despite everything they went through they need help to make their decisions), so I would have fixed that making the adults actually support the teenagers, and be more involved in the last fight against Bellroc (also I would have made them convince Jim that the election for the different teams is not right).
5. What happened after the time-travel. I wouldnāt have included anything after the time-travel. Maybe I would have kept the scene where Jim and Toby hug, but as they get closer to the canal, I would have ended the movie there to let the viewers imagine what happens next. I also wouldnāt have included Jim talking to Strickler to push the Stricklake, or him joining the tryouts to lay the groundwork for dating Claire. Like Aja said, some things are meant to happen. And if they are meant to happen, itās better to let them unfold naturally.
6. Toby being the Trollhunter. Don't show it. Yep, that's all. I wouldn't have shown the amulet calling Toby's name.
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I cannot overstate how much the people who think apollo should've stayed human are completely missing the point
don't you get how sad that is? how tragic??
after eons of defiance, after stubbornly clinging to his identity in the face of someone who would love nothing more than to see him fall, to have apollo, finally, break, and give up, have him finally let go of the world, to conclude that it's not worth it, that nothing he does will ever make a difference and just try to enjoy this short term happiness and completely forsake the future
To say "yes" "gods indeed cannot change" not because of an inherent incapability to but because the system is just,, so big it's not worth even trying to fight it, and if you really cannot accept it anymore, then your best option truly is to lay down and wait to die
to have zeus finally succeed in completely breaking apollo, to make his little scheme with taking away apollo's identity work and to, at long last, find a way to neatly remove him and his threat and his influence and power and to take him completely out of the picture, to fully cement his absolute control and authority over the other olympians and take away any hope they may have had for good
The Copollogism Essays - Part 4: Leo's Questions/Seeing Commodus Again
THE RETURN OF THE ALDER ! ! ! ! !
From The Book: Part 1 (The Tent) ~ Part 2 (The Assassination) ~ Part 3 (Lester's Reaction) ~ Part 4 (Leo's Questions/Seeing Commodus Again) ~ Part 5 (The Arena) ~ Part 6 (The Waystation) ~ Part 7 (The Yacht) ~ Part 8 (The Final Moment)
Analysis: Part 1 (Apollo and Commodus as Individuals) ~ Part 2 (Toxic Relationship?) ~ Part 3 (Codependent - Or Is It?) ~ Part 4 (Other Thoughts)
it's copollo time yo
we're doing two different scenes so buckle up buttercups!!
Leo's Questions
āSo whatās with you and the emperor?ā Leo asked me, his feet pedaling merrily along as if the exertion didnāt bother him at all.
I wiped my brow. āI donāt know what you mean.ā
āCāmon, man. At dinner, when Meg started shouting about commodes? You ran straight to the bathroom and spewed.ā
āI did not spew. It was more like heaving.ā
āEver since, youāve been awfully quiet.ā
- Chapter 20, The Dark Prophecy
I really want to bring attention to how Leo, in his own roundabout way, tries to find out why Commodus upset Apollo so much <3 These two have a LOT in common, so I think it's fascinating how Leo is the one to reach out and give Apollo an opportunity to talk about what happened.
"Ever since, you've been awfully quiet." Leo says, meaning he notices what is normal for Apollo, and what isn't. And he tries to help!
Don't forget that this is not the first time Leo's met Apollo either - the first time, Apollo suggested killing him (and Hazel and Frank). Now, we the ToA fandom know that was very likely a bluff, but Leo doesn't!
And yet, he still shows compassion, in his very Leo-like way <3
Because let's also remember - Apollo is the reason Leo is alive.
Apollo gave Leo the Curse of Delos, allowing him to survive the fight with Gaea and rescue Calypso.
Apollo and Leo can be something so personal <3
Murdering Commodus was traumatic for Apollo. Something that can help with trauma is talking about it with others. Apollo has with Jo, and now he discusses it with Leo and Meg.
These three - Jo, Leo, Meg - are the ONLY ONES in the ENTIRE SERIES to hear from Apollo himself what went down between him and Commodus. As far as we know, they don't tell anybody else either. It's only them.
āCommodus blames me for his death,ā I said.
āWhy?ā Meg asked.
āProbably because I killed him.ā
āAh.ā Leo nodded sagely. āThat would do it.ā
WHEEZE Leo you and Apollo are MEANT to be friends. humor to lighten the mood? instant friendship, go commit arson together <3
I managed to tell them the story. It wasnāt easy. As I stared ahead of us, I imagined the body of Commodus floating just below the surface of the canal, ready to rise from the icy green depths and accuse me of treachery. You. Blessed. Me.
...and there's the water-related PTSD. ouch.
When I was done with the story, Leo and Meg remained silent. Neither of them screamed Murderer! Neither of them looked me in the eye, either.
Fair reaction, all things considered. I myself wouldn't know quite what to say or do if someone I knew told me how they had no choice but to kill their lover in cold-blood.
āThatās rough, man,ā Leo said at last. āBut it sounds like Emperor Toilet needed to go.ā
LEO !! VALIDATING !! APOLLO'S !! ACTIONS !!
THIS IS GOOD BECAUSE APOLLO NEEDS FRIENDS AND FRIENDS WHO TELL HIM WHEN HE DID THE RIGHT THING !!
IMPORTANT FOR HEALTHY COMMUNICATION !!
THEY ARE FRIENDS YOUR HONOR !!
Meg made a sound like a catās sneeze. āItās Commodus. Heās handsome, by the way.ā
I glanced back. āYouāve met him?ā
don't sound so eager Apollo lmao i'm joking
āOnce,ā she said. āIn New York. He visited my stepfather.ā
āNero,ā I urged. āCall him Nero.ā
āYeah.ā Red blotches appeared on her cheeks. āCommodus was handsome.ā
I rolled my eyes. āHeās also vainglorious, puffed up, egotisticalāā
āSo heās like your competition, then?ā Leo asked.
āOh, shut up.ā
*cackling*
let's look at this real quick.
firstly, Meg 100% thinks Commodus is hot.
secondly, Apollo's immediate reaction to finding that out is to point out all of Commodus's flaws, meaning he knows just how flawed Commodus is.
thirdly, Leo teasingly points out his hypocrisy, and all Apollo does in response is "Oh, shut up."
delightful little exchange, with a valuable piece of information in there to boot!
āOne thing I donāt get,ā Leo said. āWhy Commodus? I mean, if this
Triumvirate is the three biggest and baddest emperors, the Roman supervillain dream teamā¦Nero makes sense. But Commode Man? Why not some eviler, more famous guy, like Murderous Maximus or Attila the Hun?ā
āAttila the Hun was not a Roman emperor,ā I said. āAs for Murderous Maximusā¦well, thatās actually a good name, but not a real emperor. As for why Commodus is part of the Triumvirateāā
āThey think heās weak,ā Meg said.
we're going to come back to this.
She kept her gaze on our wake, as if she saw her own assortment of faces below the surface.
āYou know this how?ā I asked.
āMy stepāNero told me. Him and the third one, the emperor in the west, they wanted Commodus between them.ā
I wonder what that discussion was like.
Nero: hey uncle for this to work we need someone between us. to keep us from trying to stab each other to death Caesar-style.
Caligula: a triumvirate. excellent. absolutely nothing can go wrong with a triumvirate of the evilest, baddest, most notorious emperors of all time! But who-?
Commodus, exploding out of the nearest river, in a manic rage, screaming for bloodlust:
Nero & Caligula, evilly nodding: oh yeah. that one. that one would do juuuust fiiiine.
in all seriousness though, it really does sound like Nero and Caligula were alive first, and Commodus was added later! Caligula was the first to die out of these three, with Nero being the second - that is, if he killed himself in the RRverse same as historical him. He very well could have already made himself a pseudo-god and faked his death...
Caligula, though, was murdered by his own guard, so he had to have been resurrected - perhaps at Nero's behest? Ooo! Perhaps Nero thought he could get Caligula indebted to him, but underestimated just how...uh...batshit his uncle is, and quickly grew to fear him?!?!
perhaps then leading to a proposition of a Triumvirate, and looking back at the past emperors of Rome...they found Commodus.
I have no idea how they could have found out about Apollo & Commodus until Commodus himself told them, so here's another theory:
Nero and Caligula found Commodus in the Underworld, perhaps trying to track down which emperor to join their Triumvirate.
Now, I have a personal headcanon about how Commodus stayed out of the Fields of Punishment. I even wrote a fic about it.
So this is all STRICTLY headcanon! We are in the thumbtacks and strings zone. Tinfoil hats for everyone!!
In any case, they manage to find Commodus in limbo, and upon hearing his MANY greviences with Apollo, decide he's the one.
āSo Nero and the dude in the west,ā Leo said, āthey want Commodus to be a buffer between them. Monkey in the middle.ā
Meg rubbed her nose. āYeah. Nero told meā¦.He said Commodus was like his Peaches. A vicious pet. But controllable.ā
what an interesting why to describe your coworker...hmm.
really makes you think on how Nero, at least, sees Commodus. We'll talk more on Caligula and Commodus in The Tyrant's Tomb.
Nero seems to see Commodus as a tool to use, just like he does with everyone. It's especially interesting how he specifically uses animal metaphors to describe Commodus - even Leo indirectly contributes to this image of Commodus!
A monkey is commonly seen as a wild creature. Then we have Peaches, a very wild nature spirit.
Both of these individuals can be vicious, as Nero said. When provoked.
You know what that reminds me of?
Don't poke the lion.
curious how it's the lion Commodus wraps himself in, and yet he is perceived as this animal that's been brought to heel. A pet, as Meg explains. A predator, even, to draw out and frighten the Triumvirate's chosen prey...
Controlled, with the promise of revenge.
and yet, we must ask him and ourselves - what will happen after that revenge? when his use against Apollo has run out?
nothing good, that's for sure; for the world, and no doubt for Commodus himself.
against even one of the other two emperors, he is the weakest. his only purpose was to be a buffer between them.
to them, Commodus is no threat. not at all.
Seeing Commodus Again
I peeked over the edge of the channel and was immediately sorry I did.
Commodus was right there.
- Chapter 22, The Dark Prophecy
AN EXCELLENT START 10/10 HILARIOUS
Lester sure did have his "Shit, it's my ex!" moment!
Thank the gods, we had crossed slightly behind his throne, so neither he nor his Germani guards saw me. My least favorite Cornhusker, Lityerses, knelt before the emperor, facing my direction, but his head was lowered. I ducked back below the edge before he could spot me. I gestured to my friends: Quiet. Yikes. Weāre going to die. Or something to that effect. They seemed to get the message. Shivering miserably, I pressed against the wall and listened to the conversation going on just above us.
āāpart of the plan, sire,ā Lityerses was saying. āWe know where the
Waystation is now.ā
Commodus grunted. āYes, yes. Old Union Station. But Cleander searched that place several times before and found nothing.ā
pardon me but HISTORY NUT TIME!
Cleander was the name of Commodus's chief advisor! Well, his second chief advisor, who may have had a hand in assassinating the first one, who at the time had been a close friend of Commodus.
interesting implication that Commodus isn't aware of that. furthermore, it's interesting that Cleander (if it's the same guy) was allowed to return to work despite his MASSIVE FAILURES during his time in Rome.
like. look up Commodus, find his wiki page, find Cleander, click on the link, read about him. absolute DINGUS. look Commodus 100% had a hand in the downfall of Rome, mainly because he shuffled his duties off to other (untrustworthy) people, but BY GOD CLEANDER...CLEANDER WAS A BIG PART OF IT.
he had a MOB ready to tear him apart, and it scared it so much he went running to Commodus to save him. if i remember correctly, Commodus quit literally threw him to the wolves. i might be wrong on that so READ UP on Cleander please and roll your eyes at how abysmally he failed.
good lord how embarrassing.
perhaps he started at the VERY bottom of the ladder. and since Commodus goes through right-hand men VERY quickly, that's how he ended up as chief advisor once again.
before being killed, of course. by our man Lityerses, Reaper of Men.
āThe Waystation is there,ā Lityerses insisted. āThe tracking devices I planted on the griffins worked perfectly. The place must be protected by some sort of magic, but it wonāt stand up to a fleet of blemmyae bulldozers.ā
My heart climbed above water level, which put it somewhere between my ears. I dared not look at my friends. I had failed once again. I had unwittingly betrayed the location of our safe haven.
Commodus sighed. āFine. Yes. But I want Apollo captured and brought to me in chains! The naming ceremony is tomorrow. Our dress rehearsal is, like, right now. When can you have the Waystation destroyed?ā
Lityerses hesitated. āWe need to scout the defenses. And gather our forces. Two days?ā
āTWO DAYS? Iām not asking you to cross the Alps! I want it to happen now!ā
āTomorrow, then, at the latest, sire,ā said Lityerses. āDefinitely by
tomorrow.ā
āHmph. Iām beginning to wonder about you, son of Midas. If you donāt deliverāā
why in chains specifically commodus- i'm sorry i'll see myself out
another very interesting relationship to discuss is between Commodus and Lityerses.
there's some type of stepdad-stepson thing going on here, faintly. it's not focused on much, but reading between the lines (and knowing what we know about Lityerses and Midas) we can conclude that Lityerses, at least, sees Commodus as a surrogate father-figure.
unfortunately, he may be even worse than Midas rip
hmm...hrm...
you know...this makes me wonder. is Commodus perhaps reflecting Marcus Aurelius's parenting style, or could he be projecting what he thought he felt from his father's rebukes and lectures? putting these unreasonable expectations onto another in an effort to make himself feel powerful and in control?
much to chew on here. hrm hrm hrm...
get some damn therapy Commodus.
āIncursion at the front gates!ā
Lityerses growled. āI will deal with this, sire. Never fear. Guards, with me!ā
Heavy footsteps faded into the distance.
I glanced at Meg and Leo, who were both giving me the same silent question: What the Hades?
I had not ordered an incursion at the front gates. I hadnāt even activated the iron manacle on my ankle. I didnāt know who would be so foolish as to launch a frontal assault on this underground palace, but Britomartis had promised to look for the Hunters of Artemis. It occurred to me that this was the sort of diversionary tactic they might arrange if they were trying to distract Commodusās security forces from our presence. Could we be so lucky? Probably not. More likely, some magazine-subscription salesman had rung the emperorās doorbell and was about to get a very hostile reception.
I risked another peek over the edge of the canal. Commodus was alone now with just one guard.
Perhaps we could take himāthree on two?
Except that we were all about to pass out from hypothermia, Meg probably had some broken ribs, and my own powers were unpredictable at best. On the opposing team, we had a trained barbarian killer and a semi-divine emperor with a well-deserved reputation for superhuman strength. I decided to stay put.
a very wise decision, Apollo. Marcus Aurelius would be proud.
Commodus glanced at his bodyguard. āAlaric.ā
āLord?ā
āI think your time is approaching. I grow impatient with my prefect. How long has Lityerses had this job?ā
āAbout a day, my lord.ā
āSeems like forever!ā Commodus pounded his fist on his armrest. āAs soon as heās dealt with this incursion, I want you to kill him."
see what i mean by 'going through prefects real fast'? Lityerses dodged a bullet.
āYes, lord.ā
āI want you to wipe out the Waystation tomorrow morning at the latest. Can you do that?ā
āOf course, lord.ā
āGood! Weāll have the naming ceremony immediately afterward in the
colosseum.ā
āStadium, my lord.ā
fun fact I've been to the Colts Stadium for a high school trip.
āSame difference! And the Cave of Prophecy? Is it secure?ā
My spine took a jolt of electricity so strong I wondered if Commodus kept electric eels in the channel.
āI have followed your orders, sire,ā Alaric said. āThe beasts are in place. The entrance is well guarded. None shall gain access.ā
āLovely!ā Commodus jumped to his feet. āNow letās go try on our racing outfits for the dress rehearsal, shall we? I canāt wait to remake this city in my own image!ā
Commodus tries on his racing clothes...meaning he puts meticulous detail and attention into his visage...he appears exactly as he wants to appear...
I waited until the sound of their footsteps receded. I peeked over and saw no one in the room.
āNow,ā I said.
We dragged ourselves out of the canal and stood dripping and shivering in front of the golden throne. I could still smell the scent of Commodusās favorite body oilāa mix of cardamom and cinnamon.
APOLLO STILL REMEMBERS THE SCENT OF COMMODUS'S FAVORITE BODY OIL DO I NEED TO SAY ANYTHING MORE
anywho this is why i'm obsessed with giving Commodus those SPECIFIC scents in my fics. always.
though also remember he has roses in his bathwater...(does he still, you think? hmm...)
hey. cardamom symbolizes love, health, and prosperity. cinnamon symbolizes protection, prosperity, and health.
...Commodus. you aren't fooling us.
I can easily interpret this. *cracks knuckles*
you see, the protection part is important because Commodus is trying hard to not only kill, but sacrifice Apollo - doing so will grant him ultimate power, as per Trophonius's prophecy. Thus, granting him protection - from Apollo, and from the other emperors.
Health and prosperity is simple - that's part of what Commodus wants. He wants to be immortal, eternally handsome and hale. He wants to reign in a kingdom of his own, with entertainment to spare.
but even if he manages to get all of that...it won't be enough. because we all know that deep down, what he desires - nay, covets the most...is love.
how intriguing. to gain the power he wants, he must quite literally sacrifice the only person he ever loved.
TW suicide, suicidal ideation and suicidal thoughts
I'm reading the Of Nero for the first time (I haven't finished it, They just defeated Nero) and I really didn't expect how actively suicidal Apollo is in this book. Is it just my impression? Because every time he faces a problem his solution is like 'and that will lead me to my inevitable death'and he doesn't sound scared or worried, even when those are feelings he's experiencing, there's almost a sense of *relief* and *comfort* in his internal narrative
And for me it's much more active than in the previous books. I feel like the first time Apollo can be classified as suicidal and not just self-destructive is when he stabs himself with the arrow (even if he doesn't think so. His excuse of "I knew it wouldn't kill me" resonates too close to some of my own thoughts for me to be comfortable) and then, crushed by guilt and forced to confront some of his worst actions (which he doesn't even really try to justify unlike in previous books), he acts passively suicidal, but here he gave me the impression of a death seeker.
It doesn't feel like the other heroes behave, they are willing to fight and recognize that death could be an outcome, but they still want to live. Apollo behaves as if this outcome is not only probable but also... Not horrible, because to himself he does not recognize that he is behaving suicidally, that he constantly thinks "My destiny is to find death" is not a normal line of thinking.
But that could be me projecting, I'll admit that.
My thoughts for now are that a. Apollo may be scared of what comes next, not of facing his enemy but of returning to his own abusive home (especially since Meg has always been his narrative foil and contrast and he already explained in detail what it meant to return to that environment) and b. In a mix... I don't know if I should call it guilt and admiration, Apollo has come to think that giving his life is not only the ultimate act of atonement but of love and sacrifice for all the people he loves.
Apollo has also been through a lot in just a few months. Rick treated him like Apollo was his blorbo during whunptober. There was plenty of character development, but it also didn't shy away from some of the consequences and psychological weight.
Hm, Apollo didn't seem suicidal to me in Tower of Nero, really. But he'd definitely accepted the idea that he'd probably die, and that he'd rather that he die than anyone else. He'd seen plenty of heroic sacrifices throughout his trials after all, with the dryads in THO, Heloise in TDP, Jason AND Crest in TBM, and Frank made a solid attempt at it in TTT. Honestly both Jason and Frank seemed to have a similar approach to the idea of dying as Apollo does. They definitely don't want to die, but they won't run from it if that's what it takes for the people they care about to survive.
The Copollogism Essays - Part 2: The Assassination Scene
Part 1 (The Tent) ~ Part 2 (The Assassination) ~ Part 3 (Lester's Reaction) ~ Part 4 (Leo's Questions/Seeing Commodus Again) ~ Part 5 (The Arena) ~ Part 6 (The Waystation) ~ Part 7 (The Yacht) ~ Part 8 (The Final Moment)
Analysis: Part 1 (Apollo and Commodus as Individuals) ~ Part 2 (Toxic Relationship?) ~ Part 3 (Codependent - Or Is It?) ~ Part 4 (Other Thoughts)
Oh ho ho ho. Here it is. The One You Have Been Waiting For.
A little personal backgroundā
This was the scene that I remembered that made me pick the Trials of Apollo books back up last year.
It was this scene that brought me back into the fandom.
Everyone say thank you to this scene because it is a masterpiece and I sure damn well hope I do it justice.
Anyway. Let us begin~
I KNOW WHAT YOU are thinking. But, Apollo! You are divine! You cannot commit murder. Any death you cause is the will of the gods and entirely beyond reproach. It would be an honor if you killed me! I like the way you think, good reader. Itās true I had laid waste to whole cities with my fiery arrows. I had inflicted countless plagues upon humanity. Once Artemis and I slew a family of twelve because their mama said something bad about our mama. The nerve!Ā
None of that did I consider murder.
None of that, none of the deaths Apollo has caused, did he consider murder.
But Commodusās he does.
This has always stuck out to me, even when I first read the books.Ā
The praetorian prefect Laetus had pulled me aside only an hour ago: We failed at lunch. This is our last chance. We can take him, but only with your help.
Marcia, Commodusās mistress, had wept as she tugged at my arm. He will kill us all. He will destroy Rome. You know what must be done!Ā
They were right. Iād seen the list of namesāthe enemies real or imagined whom Commodus intended to execute tomorrow. Marcia and Laetus were at the top of the list, followed by senators, noblemen, and several priests in the temple of Apollo Sosianus.Ā
Something that was pointed out by @amiti-art was how Apolloās priests were set to be killed. This is baffling for a couple reasons: 1) Apollo is well known to deliver terrible punishments onto those who even treat his priests with disrespect (Agamemnon in The Iliad got a nice plague for his disrespect); and 2) Why would Commodus do this? Why would he specifically kill Apolloās priests?
I suggested it could be a way to āget his attentionā so to speak. Because remember, in Part 1, we know Apollo left after Marcus has died. And now, Commodus is deep into his paranoia and lashing out at everyone and everything he perceives as a threat.
Perhaps something triggered him to think the priests were some sort of threat, or maybe heās so far in his delusions that he thinks he can have everything be āfixedā if he draws Apollo back to him. As we saw in Part 1, Commodus looked to Apollo first at the news of Marcusās deathā maybe even now, heās trying to rebuild that bridge because everythingās falling apart.
If soā¦he did not think it through š¬ I mean⦠*eyes the plague Agamemnon got; Clytemnestra being killed by her own son for murdering Cassandra* yeahā¦things donāt end well for those who mess with the people in Apolloās cult.
I pushed open the bronze doors of the emperorās chambers. From the shadows, Commodus bellowed, āGO AWAY!āĀ
A bronze pitcher sailed past my head, slamming into the wall with such force it cracked the mosaic tiles. āHello to you, too,ā I said. āI never did like that fresco.ā
*wheeze from alder* I get the feeling there was very casual banter in their relationship lol
Commodus knelt on the floor, clinging to the side of a sofa for support. In the opulence of the bedchamber with its silk curtains, gilded furniture, and colorfully frescoed walls, the emperor looked out of placeālike a beggar pulled from some Suburra alley. His eyes were wild. His beard glistened with spittle. Vomit and blood spattered his plain white tunic, which wasnāt surprising considering his mistress and prefect had poisoned his wine at lunch.
This whole paragraph really gives you a glimpse into Commodusās mindset, even if we donāt see his thoughts. He is quite literally at his witās end. His mistress and prefect have just tried to assassinate him. Everyone is against him. He is completely alone; no father, no lover.
Except Narcissus.
But if you could look past that, Commodus hadnāt changed much since he was eighteen, lounging in his campaign tent in the Danubian Forest. He was thirty-one now, but the years had barely touched him. To the horror of Romeās fashionistas, he had grown his hair out long and had a shaggy beard to resemble his idol, Hercules. Otherwise he was the picture of manly Roman perfection. One might almost have thought he was an immortal god, as he so often claimed to be.
Not very important but short-haired teenaged Commodus canon š
Sike, this can be important because it is INTERESTING that Commodus deviates from the traditional Roman culture here. He grows his hair out, as well as a beard. Roman men didnāt typically do that.
But you know who does?
Greek men. Such as Heracles (which is why Commodus does so.)
I find this VERRRYYY interesting, especially paired with his relationship with Apollo. Because if you look at Commodusā¦heās not very Roman, no? Iād say heās more Greek-flavored than Roman.
Because hereās the deal: Besides the longer hair, Commodus (historically, at least) also liked to sing and dance. That was 100% accepted for men to do in Greece, but in Rome?
Rome had a very convoluted attitude towards singing and dancing. It was essentially āoh the upper class OBVIOUSLY can get SUPERB teachers for it, but if they're TOO GOOD AT IT they are NO BETTER THAN A WOMAN OR A SLAVE!!!!ā
The kicker here is that the Greeks were typically slaves within Rome. They were regularly hired by the Roman elite to perform music and dances.
(Interesting how Apollo is their god, too.)
Out of all the Romans, out of the Roman eliteā¦Apollo falls in love with the most Greek one he can find.
Whatās even better is that Commodus continues the trend of āApolloās lovers are related to his domainsā because of music and dance.
That is what they bonded over. You bet Apollo made Commodus feel better over what he liked doing when the society he lived in looked down on it.
My poor, precious heart š„²
āThey tried to kill me,ā he snarled. āI know it was them! I wonāt die. Iāll show them all!āĀ
My heart ached to see him this way. Only yesterday, Iād been so hopeful. Weād practiced fighting techniques all afternoon. Strong and confident, heād wrestled me to the ground and would have broken my neck if Iād been a regular mortal. After he let me up, weād spent the rest of the day laughing and talking as we used to in the old days. Not that he knew my true identity, but still⦠disguised as Narcissus, I was sure I could restore the emperorās good humor, eventually rekindle the embers of the glorious young man Iād once known. And yet this morning, heād woken up more bloodthirsty and manic than ever.
Ouch. Owie. This hurts.
Time to discuss Apolloās disguise now.
Narcissus, now, was a real person. But it appears in the RRverse, Narcissus was Apollo the whole time. And Apolloās goal here was to, and I quote; ārestore the emperorās good humor [and] eventually rekindle the embers of the glorious young man Iād once known.ā
Apollo initially disguised himself because he wanted to stop Commodus from going down his bloody, awful path. Apollo had been keeping such a close watch on what was happening that he knew things were getting bad enough to warrant his interference, with the hope of steering his former lover away from a dark fate.
*insert āI can fix him!ā meme here* ah, Apollo. If only you could RIP
Also wow, Commodus wrestled Apolloā Apollo, who beat Ares in a wrestling matchā to the ground? And would have broken his neck if he were mortal?
Iām guessing Apollo was holding back here, consideringā¦well, considering the ending of this scene heh. But I doubt Apollo was a slouch even holding back, so Commodus is probably very good at hand-to-hand combat. Sheer brute force is exactly his style.
I approached cautiously, as if he were a wounded animal. āYou wonāt die from the poison. Youāre much too strong for that.āĀ
āExactly!ā He pulled himself up on the couch, his knuckles white with effort. āIāll feel better tomorrow, as soon as I behead those traitors!āĀ
āPerhaps it would be better to rest for a few days,ā I suggested. āTake some time to recuperate and reflect.āĀ
āREFLECT?ā He winced from the pain. āI donāt need to reflect, Narcissus. I will kill them and hire new advisors. You, perhaps? You want the job?ā
Itās really telling how much Commodus trusts Apolloā that is to say, Narcissusā here.
Itās also telling how Apolloā his loverā is using his fatherās words to get him to stop.
Marcus Aureliusās advice is coming out of Apolloās mouth, but Commodus has no idea; he does not know itās Apollo telling him this.
Not until itās too late, that is. When itās revealed once and for all that he has no intention of stopping.
But it does make you wonder what Commodus would have done if he had known it was Apollo. Would the combined might of his fatherās advice and his lover be enough to prevent him from killing more innocent people?
Or would it have only made things worse?
I did not know whether to laugh or cry. While Commodus concentrated on his beloved games, he turned the powers of state over to prefects and cronies⦠all of whom tended to have a very short life expectancy.
āIām just a personal trainer,ā I said.
āWho cares? I will make you a nobleman! You will rule Commodiana!ā
I flinched at the name. Outside the palace, no one accepted the emperorās rechristening of Rome. The citizens refused to call themselves Commodians. The legions were furious that they were now known as Commodianae. Commodusās crazy proclamations had been the final straw for his long-suffering advisors.Ā
āPlease, Caesar,ā I implored him. āA rest from the executions and the games. Time to heal. Time to consider the consequences.ā
He bared his teeth, his lips specked with blood. āDonāt you start too! You sound like my father. Iām done thinking about consequences!ā
Apollo is once again putting on his Marcus Aurelius hat.
But once againā¦Commodus does not listen. Heās done listening to wise counsel. Heās done doing what other people have told him to do.
Heās emperor, after all.
Nobody can stop him. Heās blessed, after all. Who would even try?
My spirits collapsed. I knew what would happen in the coming days. Commodus would survive the poisoning. He would order a ruthless purge of his enemies. The city would be decorated with heads on pikes. Crucifixions would line the Via Appia. My priests would die. Half the senate would perish. Rome itself, the bastion of the Olympian gods, would be shaken to its core. And Commodus would still be assassinatedā¦just a few weeks or months later, in some other fashion. I inclined my head in submission.Ā
āOf course, Caesar. May I draw you a bath?ā
Read no further if you wish for a happy ending š¢
Commodus grunted assent. āI should get out of these filthy clothes.āĀ
As I often did for him after our workout sessions, I filled his great marble bath with steaming rose-scented water. I helped him out of his soiled tunic and eased him into the tub. For a moment, he relaxed and closed his eyes. I recalled how he looked sleeping beside me when we were teens. I remembered his easy laugh as we raced through the woods, and the way his face scrunched up adorably when I bounced grapes off his nose.
Their relationship was more carefree in nature. It was more teenager-esque, with Apollo even saying āwhen we were teensā, despite the fact he is merely a teen in body.
Even soā¦
I sponged away the spittle and blood from his beard. I gently washed his face. Then I closed my hands around his neck. āIām sorry.āĀ
I pushed his head underwater and began to squeeze.Ā
Apollo begins with gentleness. With cleaning him off. He doesnāt immediately kill himā perhaps to give both of them one last moment of peace.
But then that gentleness turns to murder.
Commodus was strong. Even in his weakened state, he thrashed and fought. I had to channel my godly might to keep him submerged, and in doing so, I must have revealed my true nature to him. He went still, his blue eyes wide with surprise and betrayal. He could not speak, but he mouthed the words: You. Blessed. Me.
Apollo is forced to reveal himself in all his gloryā and in that moment, they are both aware of his betrayal. Commodus is floored by what he seesā by who he sees.
This isnāt merely his trainer who he has grown to trust.
This is his lover who he has loved for decades.
The lover who blessed and reassured him that everything would be fine.
But itās not.
Apolloās the one with the hands around his throat, and all Commodus can do is throw his promise back in his face: You. Blessed. Me.
*and this is the moment everyone knew: they started bawling*
Tissues, anyone?
The accusation forced a sob from my throat. The day his father died, I had promised Commodus: You will always have my blessings. Now I was ending his reign. I was interfering in mortal affairsānot just to save lives, or to save Rome, but because I could not stand to see my beautiful Commodus die by anyone elseās hands.
And even at the end, we can still see the toxicity that permeates their relationship.
Commodus took Apolloās love and support for granted. He thought he could do anything he wished because he had the love and blessing of a god.
Apollo loved Commodus so much that he couldnāt stand the thought of someone else killing him. He could have kept his own hands clean of the kill, but he did not.
Because he wouldnāt be able to bear it to allow someone else to do the deed.
His last breath bubbled through the whiskers of his beard. I hunched over him, crying, my hands around his throat, until the bathwater cooled.
Even after Commodus is dead and gone, Apollo stays sitting there. Crying. He is utterly distraught by what he has done, and will continue to torment himself over it.
Perhaps even for eternity.
Britomartis was wrong. I didnāt fear water. I simply couldnāt look at the surface of any pool without imagining Commodusās face, stung with betrayal, staring up at me.
That, my friends, is how you write an ending. That is how you write a tragic, doomed romance.
This is the deepest romance in all of Rickās books. And weāve only gotten through the flashback scenes.
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Today I am here to discuss one of my all-time favorite shots in Tales of Arcadia. It's incredibly brief, and the part that makes it my favorite isn't even really the focus of the shot. It's this:
This shot appears in both halves of the Trollhunters/3Below crossover, and that's because of how telling it is. Up to this point in Trollhunters, Aja and Krel seem just completely oblivious and doofy.
And then we get this look from Krel, and the doofiness doesn't add up anymore. This tiny little shot is key to exposing how intelligent and aware Krel actually is in this moment. It's hardened, focused, shrewd- this look is more Krel than most of what we see in the Trollhunters half of the crossover (In Good Hands). You can build an entire sense of what Krel is truly like under his oddity just from this one little shot of his expression and body language narrowing in on the screen. You can see his royal regality for a moment in the way his shoulders set; you can see in his eyes just how much he's absorbing and comprehending inside.
And wow is that just some truly incredible work from the animators.
anyway I think it's very neat that they made claire and jim's powers shadow and light
Jim's sword is made of daylight. His armor glows. And his character is all about learning to continue to be that light to everyone he loves, even in the face of unbelievable darkness (the darkness won in rott, and this is one of the reasons the movie failed). His weapon is light and he goes into the dark.
Claire's innate magical ability is shadow. She's the dark that makes Jim's light mean something, thematically (and not including Toby, for the purposes of this specific train of thought) the focal relationship that makes it clear just how much of a beacon Jim is. Her character is about taking the darkness in her, be it magical or traumatic, and finding a way to bring it to the purpose of the light. Her weapon is darkness and she goes into the light.
That's why they're Romeo and Juliet btw. By nature they should be a tragedy, but they're still in love despite being doomed by the narrative.
I've been thinking about this for a while but like. The gods don't have a human conscience. And I know that's obvious, but the closer you look, you realize that they don't really feel emotions the same way humans do. They don't comprehend time, or death, or love in the same way that humans do. Apollo tells us he's lost track of centuries and forgets that people from thousands of years ago are dead and gone. The gods are incapable of change because they have no reason to do so, and few to no consequences if they don't.
When Apollo is turned mortal he is annoyed, sure. But he has trouble getting the concept of mortality through his head. He's seen thousands of people die- heck, he himself has brought plagues upon cities and set his wrath upon his mortal enemies with no hesitation. But humans to gods are playthings.
And so it isn't until he loses Jason, someone he knows, his half brother, that he understands true loss. He laments Hyacinthus and Daphne, but it was his own godly power that caused their demise- his wrath and jealousy. It was infatuation, sure. But did he really know what love was before he was cast down from Olympus?
Jason doesn't only die, but actively sacrifices himself to save Apollo. This is also moments after Apollo tried yet failed to kill himself instead, and it was in part this failure that led to Jason's death. This is a wound of guilt that eats away at Apollo for the rest of the series, and the lasting effects of grief are shown masterfully in the remaining books, with tears and breakdowns occuring seemingly at random, with overwhelming gratefulness at simple acts of kindness, and with the lingering sense of something missing.
Out of all of the remaining gods, it is probably Artemis who understands grief and other human emotions as closely, since she spends most of her time among born mortals in the human world. When she loses one of hunters, she shares in grief with the rest of her troop. She is in touch with the mortal world, I think, as much as a god can be.
And, as an honorable mention, Hestia- who is used to being overlooked and forgotten but is always ready to offer a smile and a warm meal to anyone in need. I think she understands isolation and loneliness as much as any human, and regularly appears in the mortal world to organize soup kitchens and food pantries for those who are struggling. That's just a headcanon though :)
I hope you enjoyed reading this, I've been itching to get these thoughts out for a while.