HOW IT STARTED VS HOW IT’S GOING: JAMIE + CLAIRE EDITION(101 vs 605)

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HOW IT STARTED VS HOW IT’S GOING: JAMIE + CLAIRE EDITION(101 vs 605)

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i think my best advice to anyone questioning their gender or transness is to focus a lot less on what Makes you a specific gender and focus a lot more on what you Want.
i know that's a lot easier said than done! while it is very useful to deconstruct the concept of gender and come to the conclusion that there is no set of rules to follow in any direction - that's not a very good compass for your own identity. it's maddening, i know, it would be so easy if traits X, Y and Z = The Gender, but that way of thinking is a trap that'll only cause you even more grief in the long run. trying to define gender is like trying to define art. you can certainly try, but it's either gonna be vague or it's gonna be inaccurate.
another trap that's extremely easy to fall into is the idea that you are some kind of important representation in a story narrative, and it would be Bad Representation if you were a different gender, or worse yet, chose to be a different gender. but you are not a character in a tv show! you are a real person that's alive! you are not failing feminism if you'd rather be a man than a woman, or if you'd rather be a conventionally feminine woman rather than a subversive feminine man, or if you'd rather drop having a gender entirely instead of being gender-nonconforming cis/binary person, et cetera. there are so many people in this world, it doesn't rely on You Specifically being the hero of feminism that carries all of womanhood or gender subversion on your shoulders. there's plenty of gender diverse people to go around. there's not a shortage!!
trying to isolate gender desires into What You Want can be pretty difficult when the world is so scary, or if you're a kind of person who hasn't gotten to practice Wanting Things very much, or if it's tangled up with other junk like body dysmorphia or trauma or shame. i don't have any good tricks for solving any of those problems, sorry. i just wanted to say that a good first step about identifying what you Might Want is to do a thought experiment where you remove all the scary obstacles. if there were no consequences, if it was super easy, if all you needed to do was snap your fingers to change the material world, would you Want to be a boy? a girl? neither? both? secret third option? would you want to look super fem but be perceived as a man? or the other way around? would you want everyone to forget the gender binary exists when they see you? would you want your body to be different? would you want everyone to know you by a different name? what would you change if it were easy?
TPOT Fries but he feels like he's becoming weaker every time he's nice to one of his teammates, the feeling of comfort being so unknown to him that he's unable to identify if it's something good or bad
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I can't think about how lonely and scary a time the Standing On The Shoulder writing and recording period must've been for Noel and Liam... all of a sudden, they were Oasis. No one else. Everyone else had left the band. Yeah, they had Alan White, and he was a big part of the sound of the new album in that Noel felt he could trust Whitey to take on his new trip hop, Chemical Brothers' inspired loop-like drum parts. And anyone trying to replicate Reni from the Stone Roses was filling big shoes, so at least they had their drummer. And Noel sort of wrote and almost recorded nearly every other part. Which is not unusual for Oasis, at the end of the day. But Guigsy and Bonehead leaving must've hit them quite a bit. Those two were the only other people that even had an inkling of what Noel and Liam had gone through in the 90s, and now they were gone. It was all just industry people around them. And slowly, they watched a lot of their peers fall silent and go away too. Elastica, finished. Lush, gone. Pulp, a couple of years from disbanding. Blur at crossroads, Damon already onto Gorillaz.
And the world around them was changing: turn of the century, the music industry was changing. Their lives were changing. Partners come and gone (or going, mid-divorce as it seems 2000 caught them). Kids to consider now: the press wasn't just about a picture of Noel or Liam, it was now about protecting their kids from this mad cesspit of showbiz. Who else knew how to deal with it all? It really did seem like the only constant either brother had, the only other person going through it like that was each other. And you can hear that loneliness in a lot of the songs that made it onto that album.
It's not just the comedown from the high of life together. It also felt like the door softly closing. Everyone withdrawing into their own little bubbles. Maybe a sign of the times to come: MySpace would become the defacto music community in about 6 years' time, and then Facebook and YouTube stars, and all the same time, our physical spaces getting smaller, harder to maintain, disappearing. Where did it all go wrong indeed.
So I don't know. There's just a kind of loneliness I hear on that album, that put in the context of Y2K, the disintegration of the old music industry (Melody Maker ran its final issue in December 2000, Pitchfork blogged their first Oasis review in Nov 2000, uh...) magnified this sense of these two brothers being out of place, out of time in 2000: survivors of a sudden shift, an asteroid to the music industry that left few survivors. It's crazy to think that it came out of Noel rushing away to a studio in secret to lay down tracks all by himself, until Liam found out and came to join him, when they got on perfectly, all the studio staff found him to be very pleasant and agreeable and the album was properly in motion. This was all before Gem and Andy joined permanently and helped Oasis feel like a full band again rather than a Gallaghers partnership (+ Alan).
Even still. There's a sense of loneliness and a poignance on this album to me at least. A sense of urgency I hear in the music that sort of betrays just how much Noel and Liam needed each other at that moment in time.
(Note: I have it on good authority from people older than I am that as I had initially suspected, Pitchfork's first Oasis review was in fact Standing On The Shoulder of Giants. Apparently it was such an atrociously bad review that Pitchfork deleted it off their servers later, hence the Masterplan shows up as the first. Which of course only means that I have to go trawling the internet archive for this. ;) god, Pitchfork are idiots. Always were.)
Decided to go through my more recent fanart and post some of the ones I like even after they’ve sat for so long! They go from newest to oldest which I think the way I draw Tenna shows lol.
Most of these were on canvases with other sketches so I just screenshotted them which may affect the quality? I dunno I don’t care too much anyways I’m just trying to get myself used to posting unfinished/basic drawing tbh
alright one thing I'm not gonna do is tolerate Taylor Benjamin York slander okay that man is the Patron Saint of Paramore and we forever support him in this household
we have no idea what happened but it's clearly Not a Good Time for either of them so I think they both deserve grace and might I add AGAIN that T was genuinely the only thing holding Paramore together during the dark years so if I see one more "fan" talking shit on MR. PARAMORE.....just remember to thank him on your way out the door 👋🏼👋🏼👋🏼