Penelope Umbrico, Mirrors (from Catalogs and Home Decor Websites), 2001 - 2011
seen from Germany
seen from China
seen from Panama

seen from France
seen from Germany
seen from China
seen from China
seen from Netherlands
seen from China
seen from Malaysia
seen from Russia
seen from China
seen from China

seen from Malaysia
seen from United Kingdom

seen from United Kingdom

seen from Malaysia
seen from Malaysia
seen from Sweden
seen from United States
Penelope Umbrico, Mirrors (from Catalogs and Home Decor Websites), 2001 - 2011

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CODED GEOMETRY is an anti-disciplinary collective mapping the digitally expanded terrain. Research towards a FUTURE COMMUNISM
Site | Nonsite 1. Open Limits | Closed Limits 2. A Series of Points | An Array of Matter 3. Outer Coordinates | Inner Coordinates 4. Subtraction | Addition 5. Indeterminate Certainty | Determinate Uncertainty 6. Scattered Information | Contained Information 7. Reflection | Mirror 8. Edge | Center 9. Some Place (physical) | No Place (abstract) 10. Many | One
Dialectic of Site and Nonsite | Robert Smithson
Berndnaut Smilde, Until Askeaton has streetview, (2009 [completed by Google in 2012])
(via Berndnaut)
Robert Rauschenberg, Autobiography, 1968, Bowdoin College Museum of Art

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Hasan Elahi, Tracking Transience (on-going)
So it’s not about object-ontologies but image-actions, image-gestures, thing-affinities, chains of reaction of objects, forces, and pixels, that manifest in scars and bruises, but also sometimes in the liquid harmony of the floating world of images.
Artifacts: A Conversation Between Hito Steyerl and Daniel Rourke | Rhizome
The call for a more substantial updating of the condition for art requires not the negation of ‘phenomenological object-particulars’, but the operationalization of a movement between these two realities, where neither modes of describing the world on their own are sufficient–where we can only achieve a more accurate grasp on reality when we are able to synthesize the two.
Patricia Reed in For a Nontrivial Art