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Love Is Like an Itching In My Heart by The Supremes debuted Apr 69 and peaked at number nine. It did not make the year end top chart because it only charted for eight weeks.
The emphasis on rhythm on this Holland Dozier Holland song was a contrast to their lighter pop hits and did not chart in England.
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My World is Empty Without You by The Supremes debuted Jan 66 and peaked at number five. It did not make the year end top 100 because if only charted for 11 weeks.
The song did not chart in England. Pop music historian Andrew Grant Jackson once said that The Rolling Stones' later Paint it Black bears a strong resemblance to The Supremes hit.
Nothing but Heartaches by The Supremes debuted Jul 65 and peaked at number 11.
The number 11 peak was a big disappointment for Berry Gordy and his group, as The Supremes' previous five releases all went to number one. They would return to number one again with their next release, I Hear a Symphony.
View of singer Mary Wilson with teenage participants from the Metro Arts program. Label on back: "On a recent visit to check out Metro Arts, Miss Mary Wilson of the Supremes thrilled Metro Arts participants by taking pictures with them, answering their questions, and autographing textbooks, cards, papers and anything else the youngsters could find!"
E. Azalia Hackley Collection of African Americans in the Performing Arts, Detroit Public Library
When the Lovelight Starts Shining Through His Eyes by The Supremes debuted Nov 63 and peaked at number 23.
This was the first Supremes release written and produced by Holland-Dozier-Holland, who went on to have six number ones in a row with The Supremes 1964 and 65.
This was the Supremes first time in the top 40. They had already charted three times 1962-63 but got no higher than 75. The follow up to this record only peaked at number 93. Their next release was their number one breakthrough Where Did Our Love Go.
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The Supremes Someday We'll Be Together ♪
View of Diana Ross, Florence Ballard and Mary Wilson of the Supremes standing on stage; Diana Ross stands at microphone. Banner in background reads: "Welcome the Supremes." 1971-04
E. Azalia Hackley Collection of African Americans in the Performing Arts, Detroit Public Library
