2Rabbit

'Jimi Hendrix' by Jean Giraud (Moebius).

That brief moment when Major Kusanagi and a stranger with her exact same body model catch a glance at one another. How quickly the initial curiosity of seeing the doppelgänger turns into a feeling of unease as the boat carries her away.

She will never meet this stranger. She'll never know anything about her other than the simple reminder that every piece of her cybernetic body is not unique to her. There is no part of her other than her brain and all its memories that she has any true ownership of, and even that isn't immune to being hacked and potentially erased by outside forces. Despite being a part of a bustling city, all she can do is reflect on how utterly isolated she feels as a living being.

How can she possibly define her humanity when she herself is confined in the form of what is essentially a highly modified weapon? How can she relate to others when she has more in common with the mannequins on display in a shopping mall than with the any of the people walking the streets?

Debbie Harry in the studio, 1978