#rainbow characters

Let’s start with this: my world has no gender binary assumptions. It is a futuristic speculative version of our reality, so the history of the binary is there; therefore, people have an understanding of man and woman, but also an understanding of bi-, tri-, multigender, genderfluid, etc.

Gender norms have been tossed and nobody gives a damn about them anymore. But most importantly, they have an understanding that the body of a person doesn’t define them.

 So, how do you describe FULL gender diversity in a world which doesn’t focus on bodies or gender stereotypes.

Quick answer is: you don’t.

 If you are going to be respectful towards the gender of your characters, then you mustn’t fall into the trap of doing the opposite of what you’re advocating for.

The thing is, that in a world like mine, any and every of my characters could be trans and it wouldn’t matter. There are trans characters I have introduced who have not been explicitly outed, unless you have stumbled upon my online list of transgender and genderqueer OCs.

Here are some of the mistakes authors (and most specifically cis authors) could and have made in order to “reveal” a character as trans:

- have them be misgendered or their identity otherwise disrespected

- have them be the object of a hate crime

- have them “play the role” of who they were assigned at birth

- talk about their bodies

 Let’s get this question out of the way:

But Rori, I write romance/erotica and I want to describe my character’s bodies!

Here’s an actual trans reader and writer who has a brilliant piece about this topic. (Warning: the author is very straightforward so beware the 18+ content, plus use of the *q-word*.)

Their strongest point is: detailed description of body-parts could jolt a trans or gender-nonconforming reader out of the story. If you intend to cater to trans readers, and intend to be respectful towards trans characters, maybe lay off the genitalia talk.

I guarantee reading trans authors would give you better ideas how to handle this, but here’s a quote from a yet-unpublished story from my world:

“My hotel has excellent room service,” I say.

She just nods and kisses me again. As I press against her, working my hips so my desire would show, I could tell by the similar reactions of her body, that these first minutes of exploring each other have been as good for her as they have for me.

~ ‘I Think I Know What Love Is’ by Rori I

 Parts 2&3 of the article above talk more about how to avoid trapping your characters in a box and I think it has something valuable to say about describing a body for SF&F authors as well. (It references “Ancillary Justice” in particular ^^)

  Back to topic.

Mine is not a yes or no solution. There have been trans authors who have successfully included negative experiences of being trans in their stories. (A. Sieracki and Austin Chant come to mind.) But they are trans authors – they don’t need my list of things you could do to respect your OCs. Those are their stories.

 (Quick thing: I identify as genderqueer yet exclusionary attitudes still have me pausing on saying “our stories” even if it shouldn’t.)

 So how do we make space for trans people in writing—or most importantly, how do you represent trans people well—when you shouldn’t be making the mistakes described above.

Well, here’s a thing: you don’t have to have done anything to your body, or to be presenting a certain way, to be trans. Trans people come in all shapes and sizes.

People who use pronouns alternative to “she” or “he” have been by far the easiest.

My solution was to have everybody introduce themselves with their name and pronoun, which supports the idea that there are NO assumptions and no gender norms in my world. This way, I have already introduced a few characters as fluid, and one character who uses “zie” and is multigender.

As for the rest:

Unless you don’t want to focus at all on the character, there are ways to talk about their trans identity without stereotyping.

 1. A change of pronoun.

An example from my world would be when a character (Sergeant Sophronia Ulu) decides she will begin using “she/her”; the others acknowledge that change, and then move on to other things. You could write similar off-hand mentions to demonstrate that such a change is addressed but not obsessed over in your world.

Note: you don’t have to have the character be misgendered to show the change. The character can open the conversation with the news of their new pronouns, or you could have in-world signs that a character uses a certain pronoun.

Nowadays, some people use bracelets or buttons. Even in a fantasy universe, there could be a way to represent that – a symbol sewn into the clothes, a certain type of crown or other jewelry.

I warn you though that this method should still not be used to represent the person’s body. Don’t say “this person had sewn a fox symbol on her clothes, meaning she’d used magic to become female”.  Say “the fox was a symbol of womanhood” or “the fox on the jacket/tunic/whatever directed me to using feminine pronouns”.

Also, don’t single out your trans characters. If they wear a symbol, have cis characters wear it too!

 2. Another way would be to have the character reference their trans-ness in some form themselves.

For contemporary stories, it could be as easy as saying, “I am trans.” If you’re writing SF&F and have chosen to be as ambiguous as I have, here is the way I’ve tried to approach it:

“Well— […] I was supposed to meet my doctor on Tuesday, after this team gathering thing. I missed my last two chances for doctor’s appointment because of work and because I was on a vacation. If this occupation lasts for weeks – which it might – I might miss my next hormone doze. F**k it, I shouldn’t have cancelled my appointments!”

“You can’t miss a dose at all?” Rutherford wondered.

“Well, I could, but I don’t want to, and it makes me nervous. With the implant, I have never skipped one since I was fifteen.”

~ Chapter 27, ‘Blacklight’ by Rori I

 This is not ideal and does make the character uncomfortable, but it doesn’t put them in harm’s way. Most importantly, it is an opportunity to show respect towards the trans experience:

[M]odern healthcare was attentive to patient’s needs and everybody with a hormone implant received regular dosage, pre-programmed and regulated by physicians during scheduled check-ups. Nobody had to worry about forgetting to take a hormone pill – the implant was so much part of them that they never had to think it was there, or so Gareth had been told.

“We’re on an Army base, Suarez,” Gareth reminded. “Somebody could have a look at your implant.”

~ Chapter 27, ‘Blacklight’ by Rori I

 It gives you the chance to make space for trans and genderqueer individuals, to make them a respected part of your world.

This is perhaps the most important question when you include any diversity in your story: how does my world accommodate this character’s needs and if it doesn’t why shouldn’t it?

And let’s make this clear right now: accommodating the needs of anyone, based on their identity, their ethnicity, their race, their physical or mental health, is not a troublesome burden which authors have had forced upon them because of PC culture.

If you however believe it is, you are simply better off not including diversity in your novel. Any identity must be treated with the respect it deserves or left alone.

Therefore, a world must have tools in place to address the needs of any individual it includes. If it doesn’t, there better be a good reason why.

 And here is my last bit of advice:

Talk to trans and genderqueer people. Seek out Beta readers who can help you with representing them correctly. Do your research. Read a lot of literature written by trans authors. Here’s a list of some you can start with.

And when you get all that feedback on your story, don’t take it as “good enough”. 

The implant idea you see described in the above excerpt came from a trans acquaintance. This didn’t mean it put a stop on how far I must go to accommodate trans characters.

 Finally, one more time, and I hope this helps: if any of these steps, ideas, hints, give you a headache and overwhelm you rather than inspire you to change your story-world, then I am afraid inclusivity might not be for you.

And that’s just how it is.

 As always:

Stay readin’!