Happy Mother's Day.
As a mother of many, I know it's hard to keep a work/life balance.
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Happy Mother's Day.
As a mother of many, I know it's hard to keep a work/life balance.

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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I don't post much cosplay related stuff here.
But this costume took six months since start.
I introduce to my OC Hunter being brought to life.
Whenever you read my fanfic "Warlord's Fierce Companion" this is basically her.
Here's also first ever concept of her back in November 2025
Even before fanfic was in my tiny mind.
Thought I had posted these here before but I guess I forgot? I made some Despair replicas last year for fun! Modeled by me, printed in PLA. I do want to revisit these again and improve the process a bit so I might be able to offer some for sale in the future. Also a lil bonus photo with some of the other props I've made so far, I'll make some separate posts for those later on as well!
your art is so beautiful and impressive to me! every piece from you looks magical, especially your fiber art stuff :3 im fascinated by how many crafts youre skilled in!
Thank you so much for the kind words & Iβm so glad that you enjoy my art!
I have long since given up trying to define what kind of βartβ I do. I feel my skill set epitomises the saying βA jack of all trades is a master of none, but oftentimes better than a master of oneβ (yes, that is the full saying, people often forget the second bit!) as all my skills have been built on all the others, frequently through necessity when trying to create my own ideas.
For anyone curious, hereβs my maker storyβ¦
I started crafting when I was around 5 years old because I complained to my family they didnβt get me the toys I wanted so I needed to make my own. Thus my nan bought me some felt, taught me a blanket and straight stitch, lent me her button box & set me loose. Out of necessity I taught myself to hand draft patterns & created so many soft felt toys - they all still exist, safely stored in my mums attic. I also taught myself (with some help from nan) to sew clothes for the toys I made. Nan also taught me crochet, and mum taught me some knitting basics (which as an adult, Iβve now discovered some stitches I was taught as βstandardβ are actually twisted so have to relearn those) - that equated to more toys and doll clothes. Mum also sent me to Saturday arvo art class until I hit year 1 or so.
As a kid I was taken to all the fabrics stores - the good old fashioned ones where fabric bolts were floor to ceiling, button shelves went to the roof behind the cutting desk, where the clerk cut fabric by the yard & measured shorter lengths using the chest-to-fingertip method. As a result Iβm one of the few Australian millennials who can think in yards (but only for textiles) & metric (everything else) and those trips saw me pick up cross stitch, embroidery, and tapestry because the patterns on the swivel racks were too beautiful.
When older I started to be taken to all the annual craft fairs. Those saw me pick up several styles of beading thanks to kits from small gran&pop craft businesses, paper tole, quilling, different embroidery styles, and more advanced sewing techniques. I also discovered paper tole and quilling, and taught myself some advanced techniques in those crafts by experimenting with kit packs.
In high school, a friend taught me polymer clay work and traditional pottery in her grandmothers pottery studio. I took HSC art and HSC Design & Tech and used all the craft skills Iβve developed in those & added to them.
Throughout university, all those crafting skills just became more advanced as I started to want to make more complicated pictures - cue combination of feltwork, beading & embroidery to create highly complex 3D sculptural pictures. I also got into cosplay, so the sewing skills leveled up with me learning how to alter clothing on the fly from commercial patterns & draft small clothing items. Prop making also started up (because what costume is complete without a prop?) and I spent weekends with grandad puzzling out together how to achieve 2m long scythes/puppet boxes/mechanical doodads to work to spec using budget materials (ie plywood/metal tubing, dollar store junk, & scrounging out stuff from the shed).
During covid, I taught myself to make fursuit handpaws. Then I taught myself to make tails. Then I started experimenting with different tail builds. Then I decided to try to make a fursuit head using a resin base and discovered to do that to the level I wanted I needed to teach myself basic resin work, buff up my existing painting and sculptural skills, and dust off my workshop notes from all the cosplay prop builds Iβd done with my grandad. Then I started experimenting with building eva foam heads. Then experimented sculpting forms with eva as a base and worbla for strength. Suddenly I started getting attention from the furry community as my stuff was HQ & looked like it came from a big maker. I still enjoy doing random commission pieces for fursuiting as it really does need all the skills.
About 3 years ago when visiting my US inlaws, I asked my SIL to show me how to spin as she had a wheel. She showed me how to spin using a drop spindle instead and suddenly I found myself building up a handspindle and fibre arts tool collection. I went from that drop spindle to teaching myself supported spinning, buying an e-spinner, and teaching myself to process raw fleeces. With all the beautiful yarn I was now making, I went full circle back to my roots and have picked up knitting and crochet again, characteristically deciding that my first knitting project in over 20 years would be a double knit cowl requiring me to learn new techniques. Then I bought a loom and taught myself tablet card weaving. Recently Iβve leveled up my crochet by making my first ever thread doilies.
Now I have way too many projects, several I definitely will have to teach myself new techniques, modify existing techniques, or combine skills from various disciplines to achieve the vision I see in my brain.
This blog started mainly as something for myself, to track how my projects progress. As Iβve matured I now like to think of it more as a resource, both for me & anyone else who wants to do any of the things I do but doesnβt know where to start or is stuck on something. Many of the skills I have are considered dying arts and Iβd like what Iβve learnt to live on in someone somewhere.
I also hope that anyone who stumbles on this blog goes away inspired to try.
Try anything.
Get that idea out of your head.
Mash your skills together to create something awesome.
Keep on making, because doing builds skills & skills age well given time.
Maybe I'll even do a tutorial, if it turns out well, but not for free.πβ¨οΈA WIP for Vash's gun in Trigun Stampede. For my cosplay.I'm deciding whether to make it out of cardboard or EVA foam. It won't be very detailed.β¨οΈ
β¨οΈUn Wip per la creazione della pistola di Vash in Trigun Stampede. Per il mio cosplay.Io sto decidendo se fare essa in cartone oppure in gomma eva. Non verrΓ molto dettagliata.β¨οΈ

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch β’ No registration required β’ HD streaming
Been almost a decade, just a test.
A Y-17 trauma override harness statue I made recently. It's been almost 10 years since I have been on here so I'm just getting the feel for it again.
- π³πππππππ πππππ πππ πππππππππ ππππ ππ ππππππππππ -
My completed Sister of Battle "mini" debuted with a base at DragonCon this year! My first armor and foam prop build - entirely self patterned and constructed. I have even more I want to add and upgrade with this, but I love this cosplay so much and canβt wait to wear her again. Keep an eye out @momocon for me!
not necessarily my usual art but i made a couple koopaling shells for some kids costumes! they came out great especially given less than a week start to finish