Swedish Stoner-Doom Trio OCKRA Air Melancholy Full-Length ‘Gratitude’
~Doomed & Stoned Debuts~
By Billy Goate
Artwork by Arjen Kunnen
Progressive doom meets dark rock and folk on the new album 'Gratitude' (2023) by Gothenburg's OCKRA. It would, of course, be tedious (if not impossible) to trace back the various strands of influence on the songs before us. As I stated in my review of their EP, 'Infinite Patterns' (2020):
It’s a bit tricky to draw a direct comparison between OCKRA and other acts. After all, it’s not often we hear a band attempt blending progressive rock with doom metal!
The name Ockra is not, as I briefly assumed, a reference to "okra" (that dreaded nemesis of my childhood, along with brussel sprouts), but rather "ocher" in the Swedish tongue. Ocher, that is, the color and substance of earth. Thus it is no surprise to find that Ockra's songs deal with earthly matters of the here-and-now, leading off with the track "Introspection," which preludes such songs as "Acceptance," "Tage Wie Dieser" ("Days Like This"), and "Tree I Planted." This is music that's meant to be intensely relatable.
"Weightless Again" starts as a straight-up garage rocker that features robust drumming from Jonas Nyström, bouncing about joyfully amidst stirring vocal harmonies and traditional doom riffage. The piece slows up and gets misty, with an aura of sadness at about three-minutes. I praised Cruthu for capturing a similar spirit on 'The Angle of Eternity' (2017), which takes a folk-like approach to writing doom. As the song crescendos, confidence rises, and we return to the peppiness of the beginning, but the atmosphere is still bittersweet, and the chorus remains psychologically piercing. The vibe is "things will get better, just keep hanging on" -- or, to quote the song, you'll be weightless again.
"Tree I Planted" is singer-songwriter fare that hints at the old country and western tradition. If you like the songs that Alice in Chains singer Jerry Cantrell writes, this one is a cinch. Alex Spielhaupter's vocals are earnest, with a serious metallic edge, and get bluesy at times, backed by guest vocalist Stefanie Spielhaupter.
Fourth track "Acceptance" is bound to find its way onto a "Metal Classics" playlist one of these days. From the opening riff on, guitarist Erik Björnlinger had me hooked. The vocals are dark like Pentagram, moody like Goodeye, producing a bonafide earworm of a chorus. The song is thoughtfully structured, took, with a bridge of overlapping voices that brings The Byrds to mind.
The folk influence really shines through on the next track, "We, Who Didn't Know." What might have found life as a two-minute interlude, gets fleshed out into a full-fledged seven-minute song. After a soft vocal introduction (which references "Weightless Again"), the balance shifts to a largely instrumental portion. The whole feel for me was one of daisy-lit hills, until the band goes full metallic at the four-minute mark. Again, Ockra goes for grand, with a crescendo and a full-on rush of soundwaves launching an impassioned chorus, finishing with the solitary note of the guitar.
"Imorgon Här" ("Tomorrow Here") follows, and while the title is in Swedish, the lyrics are still in English. The song is has got an upbeat, bluesy tempo (not unlike Graveyard), but the strength of Ockra's harmonic singing distinguishes them here in a way that is simply magical.
"Tage Wie Dieser" ("Days Like This") is sung entirely in Swedish. Personally, I love when bands include a song or two in their native tongue. If you approach vocals as just another instrument in the band (rather than someone telling you how to think or feel about the song), you may find you appreciate the experience all the more. Here the vocal harmonies are consoling and heavenly.
Suffice it to say, there were things that grabbed me upon first listen (namely "Acceptance"), but the second spin turned out to be even more meaningful, probably because the material was more familiar and I could lean into the songs more comfortably.
Look for Ockra's Gratitude on Friday, May 26th, releasing digitally and on compact disc on Argonauta Records (pre-order here). Stick it on a playlist with Young Hunter, Dunbarrow, and Asteroid.
Give ear...
LISTEN: Ockra - 'Gratitude' (2023)
SOME BUZZ
The band OCKRA arose in early 2018 in Gothenburg from what was left of the stoner doom band Sulphur Dreams. With a strong desire to stretch musical barriers away from what is known as classic stoner or doom metal, the trio around Jonas Nyström, Erik Björnlinger and Alex Spielhaupter set out to develop their songwriting skills and find their own style under the new name OCKRA. The band has a wide range of influences from metal to folk, americana and jazz.
The first EP with four songs was self-recorded in a 'DIY' spirit at the home studio in Onsala during spring/summer 2019 (with guest singer Ammy from EPA/Lastkaj14) and was released in March 2020 via Argonauta Records a week before the first lockdown put everything on hold.
The songs were well received by the media and the reviews in online and print magazines turned out very positive. As an example, the EP got 12 out 15 points in Germany's largest print magazine for extreme metal "Legacy."
Gratitude by OCKRA
Infinite Patterns by OCKRA
During the summer of 2021, the trio went out to the little village Hesedorf near Hamburg to record their debut album 'Gratitude' together with Peter Voigtmann (The Ocean Collective, Heads.) at his studio "Die Mühle" (the mill).
The calm environment and the nature around made it possible to go into a state of creative isolation. That may have had an impact on the music, which now has more elements of singer-songwriter and folk music.
The lyrics have been written in the shade of the pandemic and severe illnesses amongst close friends and family members in this period. Writing these very personal lyrics has been some kind of therapeutic and despite the severeness of the topics they are meant to provide a glimpse of hope.
Follow The Band
Get Their Music
