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2025
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Keeper
2025

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Dangerous Animals
Movies watched in 2025
Dangerous Animals (2025, USA/Australia)
Director: Sean Byrne
Writer: Nick Lepard
Mini-review:
Man, it feels like I've been waiting a bazillion years for Sean Byrne to put out a new movie. Thankfully, nothing has changed in all this time: he's still one of the best horror filmmakers working today. And he's made his return with a truly refreshing twist on the shark movie genre! Although he hasn't written this script, it's almost as ingenious as his previous work (even if not quite as impactful). The twists just keep coming, and tension ratchets up in all the right moments. Jai Courtney has the time of his life playing this villainous role, which is also key for the movie's success, and Hassie Harrison proves to be a remarkable final girl. In short, it could be said that Dangerous Animals is one of the most impressive (and landmark) shark movies of the last couple decades. I just hope we won't have to wait so long for Byrne's next work.
Thoughts on Sean Byrne's Dangerous Animals
I was surprised to see how underused the shark trope was and couldn't make sense of it, but I think it may have been intentional. Not only are sharks portrayed as wild animals as opposed to horror movie monsters because they're not the "dangerous animals" the movie is referring to, but some of Tucker's lines suggest he might not be the subject of the title either.
"You're just like me", he says to Zephyr. "You think you don't wanna watch, but you do", he tells Moses. It's as if some of these comments are addressed directly to the audience.
Tucker is a very unredeeming character who kills women (and men) in horrible ways and it's safe to say most of the audience would regard him as a lowlife. We all want to say it with Zephyr - "I'm nothing like you".
But in reality, it's the audience who paid to flock around a movie screen lured by the prospect of bloodshed, almost feeling let down by the lack of shark deaths and visible gore. When Tucker watches the VHS tape, he is esentially being placed in the same position as the audience watching this entire monstrous story (yet we still think he's sick for it).
Tucker goes on about how men don't know what lights them up until they've tried it and can no longer hide it once it's out, and throughout history it's been evident that masses love blood.
It's not people like Tucker - or the sharks - it's us. And the divided response this movie received makes it even better. While many are cheering, satisfied by the amount of suspense and gore they've been fed, others expecting more are ripping into the movie without looking back.
This could be taken as a metaphor portraying the difficulty of walking the tightrope as an artist releasing new products into the world and having to deal with whatever kind of unfiltered reaction echoes back. Crowds are uninhibited - if they love you, they do so fanatically. If they hate you, they will tear you to shreds. One wrong move and you're cancelled/socially dead - and the crowd grows ever hungrier.
Nick Lepard - The Newest New Year (2013), detail.

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Nick Lepard, Self-Portrait with Paint, 2012
Nick Lepard, Milan to Vienna, 2006
Osgood Perkins regresa con 'Líbralos del Mal', una película sin nada de lo especial de 'Longlegs' o 'El Mono'.