FLASH BIRTHDAY
Today is the birthday of original member and co-founder, MarkFlash.
You can find his work here: http://theflashnificents.tumblr.com/tagged/markflash
Many happy returns.
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FLASH BIRTHDAY
Today is the birthday of original member and co-founder, MarkFlash.
You can find his work here: http://theflashnificents.tumblr.com/tagged/markflash
Many happy returns.

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Merry Christmas
To everyone who contributed stories, read some of our prose, or knows us, Merry Christmas.
364 Days
Meat. Must have it. We hunt in a pack. I organise the reindeer, chasing down arctic foxes. Gored vulpine remains shudder and heave as Rudolf’s red nose presses into the flank, shining and wet. When they've eaten their fill, the real hunt begins. Harnessed to the sleigh, the reindeer circle in the perpetual night, gaining height while I seek out a herd of seals. This is my larder for the year ahead. My fat, fur skins and meat. The candles that light my home, the bones that are carved into tools. What dyes the costume red? What do you think? I've seen the grotesque cartoon mockeries gracing your cards and advertisements. Try living here for a year. Think I've got anything to laugh about? And when I enter your homes, you leave me brandy or wine. I have a job to do. I'd never deliver anything if I actually drank the stuff you gave me. Not to mention the pies, sandwiches and chocolate. Have none of you seen me recently? Couldn't just one of you leave me a fucking salad? Your weakling children are so pleased to see me, for one night only. I am invisible for the rest of the year, left unheeded. If they saw me in June they would be repelled by me. Obese old man smelling of salt, seal blubber and sweat. Undisturbed until December, I'm reminded of your existence by the fledgling letters of greed. Children learning an artificial need, encouraged by parents too stupid to understand what it is they’re encouraging. Begging letters. I want, I want, I want. Ritual is a powerful magic. I cannot abandon you entirely without ceasing to exist myself. An old man dying alone in the snow. My displeasure with this annual summons has to be manifested in small ways. The gift of socks, the right item in the wrong size or colour, the absence of batteries. This piece originally appeared on this page on 27th December 2012.
Avenue Y?
It’s the trees I object to. The space that could be used for traffic. Instead of sailing down this road into town, I’m trapped behind a hundred other cars, while to the left and right there are green and pleasant spaces, with trees at twenty metre intervals. I’M LATE FOR WORK. Don’t the council understand that commerce is the lifeblood of our city? They’re slowing progress, a barrier to the future. Just give me ten days in charge of their planning office. I’ll soon put a few things right. I’m sure the people who live in those houses are very pleased that they’ve got public lawns and trees separating them from the traffic, but unless they’re paying more council tax for the privilege, then THOSE BASTARDS SHOULD PREPARE FOR AN EXTRA LANE. Oops. Window’s down.
Impulse Buy
'Poor guy' she thought, looking at the cake vendor standing alone at his stall. The shoppers were all streaming past him and swarming up the escalators to McDonald's and Costa Coffee. Yet with the full majesty of global capitalism towering above him, their illuminated signs bigger than his entire stall, he defiantly remained. India kept a close eye on his stall as she passed. 'If I see something I like,' she thought, 'I'm going to buy it.' She nearly missed it, but the crowd cleared at just the right time. It looked like a chocolate brownie. India was all about the chocolate brownies. It never knew what hit it. There was a blur of conversation and possibly some money changed hands, but the next thing the brownie knew was that a bag had been thrown over it, and it was being carried unceremoniously away from its display case. It considered calling for help. It was only later when India reached the bus stop, licking her chocolate covered lips and feeling in her empty pockets for bus fare, that she began to ponder the wisdom of her impulse buy...

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Sssshh!
I even hear them turn into our road. Jenna and Andrea are both giggling hysterically while Simon is trying to calm them down. They spend ten minutes outside arguing about who gave the key to who. Eventually Andrea, who has just delivered a stirring monologue on how she has never even seen the front door key, finds it in the bottom of her bag.
There is then a further two minutes of attempting to gain entry by what sounds like Andrea randomly stabbing at the front door with the key in her hand. This causes Jenna another giggling fit, and is followed by Simon attempting to take the key. A peeved ‘I CAN DO IT YOU KNOW, GET OFF ME’ reverberates down the street.
Eventually Jenna stops giggling long enough to meekly ask if she can have a go. She takes the key, inserts it into the lock and opens the door. Simon and Andrea were clearly observing her technique closely, as the next noise is three people falling into the hall. This starts Andrea and Jenna giggling again, while Simon shouts ‘Sssshh! You’ll wake him!’
The giggling continues, slightly quieter. The TV in the lounge goes on loud. I look at my bedside clock which dutifully informs me it is 03:10. I begin work at 6am, as my beloved housemates well know - it’s why I wasn’t out myself. I switch on the light and pick up my book.
After half an hour or so the TV goes off. There are thunderous footsteps on the stairs and then a loud conversation directly outside my room, determining order of priority in using the bathroom. Simon points out that they are standing directly outside my bedroom door, so they helpfully move slightly to the left. Periodically Simon says ‘Sssshh!’ which leads all three of them into a chorus of Sssshh’s of varying pitches and volumes, before conversation is resumed as before.
There follows about an hour of Jenna retching repeatedly into the toilet, while, to my mild discomfort, I can hear Simon and Andrea loudly and unsuccessfully attempting sex.
Eventually all is quiet. I glance back at my alarm clock, 04:50. Light off. Sleep.
I curse my job and my housemates as I’m dressing in the dark forty minutes later. I swig a hastily made coffee and my thoughts turn to music. After careful deliberation I make my choice.
I set the track up and turn the volume control sky high. Then I leave, locking my bedroom door and taking the remote with me. As I stand in the driveway I point the remote at my bedroom window and press play. The less than delicate strains of Tobacco’s ‘Motorlicker’ fill the air. Grinning evilly I jump into the car. I see lights come on in the house as I pull carefully out of the driveway. On the drive into work I wonder idly if the track is on repeat. Do you know, I can’t quite remember myself…
Stop Motion Animation
She looked at him jerkily. The iris tracking across the sclera, pixelated and burnt-in. He smiled, blocky triangles of white bordered by pink. When they kissed, the perspective changed. Two pink ovals became two pink lines and merged. Arms wrapped around each other, two distinct beings formed one unique shape. Afterwards, heads, shoulders and arms protruding from a fiercely rectangular bed, they smoked. Tiny squares of white smoke drifted out toward the perfectly proportioned window. The tips of the cigarettes cycled between orange and black, the figures lay motionless. She reaches a blocky arm out toward the blocky lamp on the blocky bedside table. As she hits the switch, I render the scene using every black block at my disposal.
Mirror Mirror
When the runner stumbles into my dressing room to tell me I’m wanted on set, I’m enjoying the company of the director’s wife. She screams, the runner swears and exits the room, I don’t even break my rhythm. Muttered apologies drift under the door. ‘No problem!’ I shout, ‘Am I wanted?’
‘Uh, yes please.’ comes the reply. I force the wine bottle I’m holding between my companion’s lips and lift it, suggesting she drinks to us. We both leave our bodies for those few seconds that make life worthwhile, and then come to a sweaty juddering halt. Ten seconds later I’m out the door and striding toward the set.
The movie is being filmed entirely underground, it’s incredible. There are floodlights set up every hundred yards or so, visibility is great next to a light, and almost non-existent away from one. I like the dark, there is fun to be had in the dark. I’m loving everything about this shoot, I thought I’d hate it. It’s some weird art-house shit about the duality of existence. I didn’t even read the script before filming began, but my agent told me the director was respected and I needed something slower and out of the mainstream if I didn’t want to end up like Steven Seagal or Chuck Norris.
So here I am. As I stride past the catering department I wink at one of the pretty catering assistants who likes to take special care of me. I stop for a second. She offers me chicken, which I gratefully accept. ‘Could you stop by my room this evening? I need to practice some lines and I need a partner to read with.’ She grins and asks what time. I love this job.
I take a left turn and head down the corridor. I’m moving quickly, full of animal spirits and not wanting to keep people waiting. The corridor is unlit, but theoretically should be a short-cut through to the set.
I’m surprised when I step forwards and stumble through what feels like a false wall into the glare of a floodlight. I’m even more surprised to find that the false wall had glass as well as chipboard.
At first I think I’ve stepped through a mirror, but the glass (now broken) holds the image of a man who looks like a skinny and miserable version of me. I wonder who on earth would want to immortalise such a pale, unhappy life and stride onwards, brushing myself down as I go.