#mandan

Son of Red Cow and Little Bull, Fort Berthold, 1872

31: Prestadír (requested by @shoshotechi) & collapsed at friend's doorstep (requested by @a-lonely-dunedain)

Native American Outdoors Spiritual Life ... Mandan

Offering the buffalo skull, Mandan - c. 1908

Dance Clubs Cannupa Hanska Luger, 2022 6 ceramic and walnut objects with synthetic hair, fuel hose, synthetic sinew and vermillion ink Photo by @garthgreenangallery

Dance Clubs is a series of objects designed to be held in ones hand for a performance which is never to be activated.

Comprised of gas pumps slip cast in ceramic, coated with a brilliant orange ink, intended to stain ones hand if touched. The visual language is based on Indigenous war clubs of my ancestors - the ceramic and hand carved wooden clubs mirror the ingenuity in creating new technology - These objects transpose power of one idea into another, they are artifacts of necessary behavior shifts and a warning for humanity to pivot from our current actions if we are to survive as a species.

Now on view for BELONGING: Contemporary Native Ceramics from the Southern Plains now at the Louise Hopkins Underwood Center for the Arts, Texas through March 23, 2024. Participating Artists: Karita Coffey (Comanche), Chase Kahwinhut Earles (Caddo), Anita Fields (Osage/Muscogee), Raven Halfmoon (Caddo/Choctaw/Delaware), Cannupa Hanska Luger (Mandan/Hidatsa/Arikara/Lakota), Jane Osti (Cherokee National Treasure), Cortney YellowHorse-Metzger (Osage)

“This exhibit spotlights the diversity of contemporary ceramics practices among Native American artists in the region, and their reflections on belonging based in particular cultural roots, ancestral connections, personal insights, and individual experiences. Curating selected works from eight Native artists, this show incorporates a range of artistic practices from futuristic and customary works based on vessel forms, to more experimental practices that push clay in new directions through multi-media installation and performance.”