Hello moots!! Sorry for the disappearance over the past few weeks, I have negative spoons atm so have just been focused on surviving really. But I'm getting there <3 <3 I cba tagging atm, so just tagging back the people who have tagged me in stuff over the past few months, I'll get around to all your beautiful creations when I have a bit more energy <3 <3 @sulphuricgrin @skyrim-forever @chiqita @cresu @theoneandonlysemla @dirty-bosmer @labskeever @changelingsandothernonsense
Not much writing progress atm, I'm having pretty bad writer's block atm but here's a bit of music for you all <3 <3 Just playing around with the Oasis song Whatever and my loop pedal :)
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Although their label Spectacles Bonzai predates the existence of Saguenay duo Angine de Poitrine by some years, the name feels exceptionally fitting for the home of their surprisingly viral music. Spectacle ā of course, you can detect part of it just by looking at any picture of ābrothersā Khn and Klek de Poitrine. If youāre one of the many, many viewers of the KEXP set that brought them their current notoriety you know their sound has its own kind of arresting flashiness too. And then Bonzai, halfway between a cry uttered when doing something extravagantly (unwisely?) over the top, and the careful art of crafting a living thing and its environment so that it turns out just so. Precision, abandonment, spectacle; thatās Angine de Poitrineās second record in a nutshell.
And yet/but also, thereās theĀ actual music. There have been tons of prog rockers, Zappa disciples, music theory aficionados, etc. over the years that have played material roughly this wonky, with varying degrees of success (some of us have very little appetite for most of it, some will take second helpings of it all). Where Angine de Poitrine truly stand out, what has made them more than a weird video that a bunch of people watched once and then forgot about, is that all 37 minutes ofĀ Vol.IIĀ both rocks and kinda swings. While the clear prog and math rock influences are absolutely relevant here, relying on just them would miss something about the overall ethos. Imagine a spot halfway between the more aggro moments of Australian sax/drums duo Party Dozen and the austere āorganic technoā of Japanese power trio Nisennenmondai, and youāre kind of there.
Thereās more to say about the duo, their music, and the weird spot in contemporary music they find themselves occupying (everything from analyses of what blowing up so fast can do to a group to accounts of how they truly couldĀ only be from Quebec) than could ever fit in a record review, but itās also crucial to note that all of that is ultimately secondary. Angine de Poitrine makes mostly instrumental rock music that roils, thrashes, bobs and weaves, pulses, jitters, soars, and drags you along for the ride. That sound is just as infectious as their thoroughly goofy presentation; if you suspect you might be even a little on their wavelength, you owe it to yourself to giveĀ Vol.IIĀ a listen.
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