Mar 22, 2017
As an audio guy, I shouldn't be trusted to label the lighting console.
Loading...
seen from China
seen from United States
seen from China
seen from Portugal
seen from China
seen from United Kingdom
seen from Russia
seen from United States
seen from United States
seen from Türkiye
seen from T1
seen from United States
seen from United Kingdom
seen from Canada
seen from China
seen from China
seen from Japan
seen from Germany
seen from United States
seen from China
As an audio guy, I shouldn't be trusted to label the lighting console.
Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
Thanks David for the Pixout ArtNet DMX recorder review, you can find very detailed review the following
Best Offers Available on Lighting Console at Systech Middle East
Get a full access to the theatre and stage lighting with Avolite's innovating Lighting console - Multi-User lighting compatible tool allows intuitive control of channels and effects. Buy this quality control system at Systech Middle East at a reasonable market price.
NYE opping/designing a rave for 1700 drunk Scots!
Who else here has a ETC ion in their venue?
Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
Off to make some lights do pretty things
I'm starting to feel comfortable with the M1 lighting console and the automated rig at work. I've got to run a show on the fly, and a show that was cue based, and to be honest I really like the way the M1 functions. I like that when I add a light to a cue, it updates every following cue with that info until I tell the fixture to change, and then removes info from all following cues. I miss having traditional submasters and positions, but I like that I can make cue stack of positions, intensities, or color, and for he most part stack them on top of each other.
Recording cues took some mental adjustments though. I'm used to the Ion which seems pretty intuitive recoding whatever is set on stage, and the Congo series, where you have to select everything before recording which makes for chaos cues when done on the M1. However, I do like the attribute filtering options when recording cues on he M1, and am positive that I will find tons of amazing ways to use it as time goes on. I also like how smoothly I can run multiple cues at the same time.
The M1 unlike most boards I have used Is NOT intuitive. It wants a lot of very specific information in order to function smoothly. Which I can relate to. It's a small console that can do big things.
Or maybe I just like it because so few people do.
Baby and I are gonna be together for a total of 13 hours today. Just started hour 11.
-Sydney