Pearl Bailey and Jack Crowder, in the all black casting, during the original Broadway run of Hello Dolly! New York, 1967.

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Pearl Bailey and Jack Crowder, in the all black casting, during the original Broadway run of Hello Dolly! New York, 1967.

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Glory Van Scott
The Prodigal Son, 1965 (w/ Philip Stamps) Divine Drumbeats, 1980 Fly Blackbird, 1962 (w/ Jack Crowder) Miss Truth, 1972 The Great White Hope, 1968 (w/ James Earl Jones) Elizabeth Catlett’s Glory sculpture, 1981 The Wiz, 1978
5.33 The Brain Center at Whipple’s
Director: Richard Donner
Director of Photography: George T. Clemens
“There are many bromides applicable here: too much of a good thing, tiger by the tail, as you sow, so shall ye reap. The point is that too often man becomes clever instead of becoming wise. He becomes inventive, but not thoughtful. And sometimes, as in the case of Mr. Whipple, he can create himself right out of existence.”
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WENDY shows Pac-Man how it's DONE by jackcrowder
Afternoon TV - November 1969Â - What Do You Think of the Wedding? - One Life to Live

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I like the refined, deliberate, delivery of Jack Crowder's Cornelius.
and Pearl OWNS the "Ermegarde, stop sniveling, don't cry on the valises..." section.
but why is the percussion buried so far in the back?