The great battle between Rama and Ravana c 1780, Guler style, Pahari
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The great battle between Rama and Ravana c 1780, Guler style, Pahari

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Low-key waiting for more people to realise/know/talk about how there was no Sita-Swayamvar in the Orginal Valmiki Ramayan....
Because I think this single thing can give rise to such beautiful fictions and stories and a lot more variety
We all know Ram Sita loved eachother very much. They were eachother's everything and even beyond. One soul two bodies. All of the love.
IMPORTANT: I am taking Valmiki Ramayan as canon and other every single source or scriptures as ahemm... āfanfictionā ... *gasp* how dare I! Yes... But live with it
But canonically they had not met eachother. Not before the breaking of Hara Dhanu. In other versions they meet at the Swayamvar where they both fall in love at first sight and all. Even some version have a pushpa vatika scene where they meet and fall in love...
SO my question, when did they fall in love in the original version???
Ram had not scene Sita, before Janak told them about the entire thing of how he had found Sita, and whom he wanted her to marry.
I would be guessing, it was the time between, after breaking the bow and the ACTUAL marriage. I mean Janak surely needed some time to send letters to Dashrath and for the Ayodhya family to come to Mithila right? (Who am I kidding ofcourse it did)
I am taking some... 1-2 months..?? If that would be enough... Or too much I don't know.
So now we are left with a lot of time to... Hmmm set everything. Honestly. First meeting? Accidentally first meeting?? Eager to meet the other? Anxious?? Maybe shy or nervous? Or scared? Or totally clueless??
How did they fall in love?? Was it love at first sight?? Gradually falling for one another? Or did they fall in love even before meeting eachother??
Was Lakshman supportive? Did he tease Ram? Was he confused himself??
Did Sita fall first? Or was it Ram?? WHO CONFESSED FIRST?? WHO TOLD THEY LOVED THEM?? WHAT HAPPENED THEN??
I want to know so many things. Read so many stories. So much to could be done...
...sigh
Y'all are sleeping on such a good opportunity to write amazing fics my lawrd!!
I would be writing 5 libraries if I was good with arranging words honestly
ALSO: No I am not playing with anyone's emotions or believe or what they love to believe. Because Ik almost all of you prefer the Swayamvar version one... even I do, yes. Because that is the cutest thing ever. Even better with the pushpa vatika scene.
I am just stating what's there in the Valmiki Ramayan. If you don't like my post dni just scroll past it or even block me idc. But dare you come to my comments or reblogs and shit about me or try to pick a fight
excerpt from an audio-translation I worked on with a colleague of mine; we translated DraupadÄ«'s imposing speech as rendered in modern MahÄbhÄrat retellings. DraupadÄ« utters this speech after she is dragged to the royal hall by her hair, and is assaulted & sexually harassed by the men of the Kuru dynasty. she renounces her status as a wife; in the Sanskrit Mbh, symbolically, by refusing to tie her hair again, while in modern renderings, explicitly, by directly renouncing her husbands who passively watched her humiliation.
in this sequence, DraupadÄ« curses the Kurus. the curse bears similarities across the Sanskrit & modern tellings; that just as she bled in the sabhÄ (royal court / hall), so will all the men bleed on the battlefield, and just as she wept with her hair untied, so will their women cry before their corpses with their hair dishevelled (tied hair was the marking of a wife / bride, untied hair, of a widow).
photo: Pooja Sharma as Draupadī. Pooja is my Draupadī.
a joy to present my PhD work at the School of Divinity [Edinburgh] yesterday on my first research panel š i talked about the gendered politics inscribed in the body of DraupadÄ«, the MahÄbhÄrata's heroine. i argued that it is significant that a text such as the MahÄbhÄrata, which holds so much religious, cultural and spiritual weight, includes the story of a sexually assaulted woman, and, moreover, one of divine origin, because it offers women subjected to gendered violence the opportunity to unearth psychological comfort in DraupadÄ«'s story, and the opportunity to shed shame and fears of impurity rooted in varied internalisations of social or religious messages. through the prism of shared experience, the trauma is voiced and processed, which percolates in the social stratum, where, by claiming and reimagining DraupadÄ«'s symbol, women ask for and enact socio-political change. i am exploring this movement in my thesis. ā¤ļøāš„
astounding to listen to & learn from the presentations of the colleagues who shared the panel with me, and to engage with the work differently during the q&a portion; openings to approach the work differently, freshly, in ways i wouldn't be prone to without external stimulus.
thank you @ishitahp for the photos & video! š«¶
Some of my favorite pages from the manga Itihasa by Mizuki Wakako
"Water becomes water when it flows. Wind becomes wind when it blows. And Humans become human when they waver."

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Endless list of Ren's favourite stories - 1/?
Itihasa by Wakako Mizuki
Post # 131
A bridge, its history and its mythology...
In 1860, a British Indian Naval Officer, Alfred Dundas Taylor, proposed that the time and distance taken by ships traveling from the west coast of India to its east coast and vice versa could be cut down significantly, if a sufficiently wide and deep passage was made connecting the Gulf of Mannar and The Palk Strait, separating the Indian mainland from Sri Lanka. Because of the shallow waters in the Gulf and the Strait, ships had to circumnavigate 400 nautical miles more, around Sri Lanka, taking them upto 30 more hours and a commensurate increase in cost. From 1860 till Indian independence in 1947, nine proposals were made and evaluated. But no action was taken.
In 1955, the independent Indian government set up a committee called the Sethusamudram Project Committee. After evaluating the costs and benefits, this committee found the project feasible and viable. Five more proposals and technical reports followed. But no action still, till 2005, when Dr. Manmohan Singh, the then Prime Minister, inaugurated the project, 145 years after the original proposal was made.
The project, budgeted at INR 2600 crores, was supposed to take 3 years, and was supposed to dredge a canal 165 km long, 300 meters wide and sufficiently deep to let cargo ships traverse that route.
Today is 2020. Fifteen years have passed and still no Setusamudram canal. Why? Because, right from its inception, the project had a few issues:
1. About 65 % of the ships in that area come from Africa and Europe. For them, the time saving was not 30 hours, but just 8 hours.
2. The channel could take only 30000 tonnage vessels. But most of the new ships, which are of 60000 tonnage and tankers, which are 150000 tonnes or more, cannot use the canal.
3. The project would disturb the ecological balance and destroy corals and kill marine life. It would also destroy conch trade worth INR 150 crores annually.
But the biggest issue was - the Sethusamudram canal would cut through and destroy what was left of the mythological Ram Sethu or Adam's bridge. And that would be disastrous to the political fortunes of the government that did that.
So what exactly is the story of the Ram Sethu or Adam's bridge? And why is it so sensitive? Therein lies a tale.
The Ram Sethu is today, a 50 km long chain ofĀ limestoneĀ shoals, between a village called Dhanushkodi, on Rameswaram Island (also called Pamban Island), in Tamil Nadu,Ā India, andĀ another village called Talaimannar on Mannar Island, in Sri Lanka. The bridge is believed to have been made by LordĀ RamaĀ and hisĀ VanaraĀ army to reachĀ LankaĀ and rescue his wife,Ā SitaĀ from the evilĀ king, Ravana. The Sri Lankan muslims, on the other hand, believe that Aadhaam, their first Islamic leader, walked over this bridge by foot from India to Lanka and thus this bridge has a holy connotation for them. Aadhaam got morphed to Adam, because the British found it easier to pronounce. Hence, this bridge was also called Adam's bridge. But for most Indians, especially Hindus, this bridge is Rama Setu or Nala Setu (because it was built by Nala, the architect-monkey in Rama's army).
That makes it mythological, right? Why worry about mythology in the 21st century?
Because that also makes the issue religious. In India, religious issues become political issues. Right wing parties like BJP and organizations like VHP put their foot down and said, "How can you break a bridge built by Ram?" Secular parties said, "Since Ram is mythological, Ram Sethu is mythological too."
I also grew up believing Ram and Ramayan to be undoubtedly mythological. But recently, I read a book called Historical Ram, written by D K Hari and his wife, D K Hemahari (who run an organization called Bharat Gyan), wherein they attempt to provide scientific and logical proof that Ram and Ramayan are historical.
The various arguments they put forward are as follows:
1. They say Ramayana and Mahabharata are called Itihasa in Sanskrit. Itihasa = Iti + hasa. Meaning - It happened like this = History.
They say that until the British came to India, Ramayana and Mahabharata were indeed considered to be have happened. The British classified these epics as mythology.
2. They use a technology called archaeo-astrology and make some powerful propositions. Archaeo-astrology is a technique of charting the future or past sky using a scientific tool called planetarium software. This tool helps to arrive at planetary positions, given a date in future or past. Vice-versa, given a set of planetary configurations, the tool can help identify the date in future or past, when the planetary configuration will or could have occurred.
This software was apparently developed by NASA to estimate the planetary positions of Voyager missions that would take 10-12 years to reach their destinations. Now, declassified, it is available for public use. Reminds me of how the internet was a classified invention of the US defence before it was made publicly available.
The authors refer to one Mr. Pushkar Bhatnagar, who used the original Sanskrit text of Ramayana and this technique to date the era of Lord Ram. For example, the birth of Rama is explained in detail by Valmiki.
This information, when fed into the software, tells us that Ram was born on 10th January, 5114 BC, at 12.30 pm, as per the Gregorian calendar!
This way, all major events in Ramayan were dated. Fantastic, isn't it?
Notice how the dating shows that Ram gets exiled when he was 25 years old, and how the Khar-Dushan episode happens in the 12th year of exile. Pretty consistent results, eh?
3. The geographic locations in Ramayan are actual places that exist even today - some of them have the same names then and now.
4. There is one school of thought that says that Ram Setu could be a natural phenomenon. The book refutes this possibility by saying that the layers of the bridge are so discrete that they can only he man-made.
None of these arguments are conclusive by themselves. But honestly guys, put together, there is a strong case that, after all, Ram and Ramayan may not be mere mythology. Maybe they are history - Itihas!
If they are, I would agree with Dr. Hari and his wife that Ram Sethu should be a protected monument. I will join them in demanding for a UNESCO world heritage site declaration for this piece of geography. Already in the past 500 years, a large part of it was lost to a cyclone. It is said that till 1480 AD, the bridge was a meter over sea level and one could walk from India to Sri Lanka over it.
And I look forward to the current BJP led NDA government and its minister, Nitin Gadkari's proposal that a bridge should be made from India to Sri Lanka, instead of a canal. This fits beautifully with this government's Look East foreign policy, whereby they are connecting all our neighbouring countries, as a counter to China and its aggressive intent.