#irregular reports

Answer whichever questions you want about your current WIPs!

How many WIPs/main WIPs do you have? - 10

Which WIP do you have the most done on? - A Minecraft one that's meant to be 20 chapters (I've got 14 done so far, I think)

Which WIP do you dislike the most? - Some PotO Christmas one

Which WIP do you like the most? - Either the Minecraft one or a "passerine" inspired one with Ranboo in it.

Do you have any original work WIP's? - 1, LOL-

How many of these WIPs of you "stopped working on"? - 5. Two of them are literally just ideas that I want to do, but it's mapped out so I consider them as a WIPs.

If you had to continue working on one, which one would it be? - The Minecraft one, probably...too many of these WIPs are just ideas at this point that I have mapped out.

If you wanna share which WIPs you have, go ahead!

…beat their King? Survive in a land they’ve NEVER been in before and annihilate a fire-breathing turtle JUST to save some girl they’ve never met?

Then they, y’know, take her home… She gets to know them on the way there… They’re exhausted, injured, super confused and lost… Then they get back to the kingdom, which is in TOTAL disarray, and she has to explain this strangers and who they are to everyone (ESPECIALLY Toadsworth and the rest of the council)?!

They have to clear these guys for passage (because you KNOW Toadsworth is suspicious as HECK of these random men who sound weird and can speak another language), they have to introduce them to the kingdom, they have to get them settled in a place, they have to EXPLAIN THE KINGDOM?!

And then, like, they have to be integrated into the kingdom’s royal politics at some point because they’re heroes now—they’re celebrities. AND THEY’RE OUT HERE JUST TRYING TO ADJUST. I also say they get into the politics because

A). They’re friends with Princess Peach and are swiftly forced to be acquainted with the entire nobility and staff involved in running the kingdom because they’re heroes that just showed up.

B). Mario goes to Sarasaland to save Daisy, and you just KNOW that if he was assigned to that “hero” role and sent to a foreign kingdom, he’s gotta be involved politically somehow.

C). Mario genuinely goes wherever Peach does, and realistically, it’s not just because they’re “friends”. Luigi scarcely shows up in a lot of early the main games, and he’s friends with Peach. Most likely, Mario gets assigned as Peach’s bodyguard (probably around the time of Super Mario World)… wwwhich means he’s part of the political spectrum of the kingdom.

ANYWAYS.

y'all know the tunnel rats in s6? HEAR ME OUT-

Someone writes a fic where they are a vigilante group. Rek is leader (please because that way there's an excuse for-) and the main villain? PARROTX2 BABYYYY DIAMOND DUO ANGST >:333

Like - Donald Pickering's Watson is so...SO different from any other I've seen. He's so much more regal, elegant, stoic, and posh. He's quietly brilliant even-keel, and yet, he's expressive in that restrained, soft way.

And then there's Geoffrey Whitehead's Holmes, who is eccentric and mischevious. He's got real humor and displays his complete disregard for societal norms through facial expressions and body language. He's out of place but fits right in next to Watson.

We never get a Mycroft. Holmes is an independent man who doesn't ask for help, and Watson is a soldier at heart who doesn't take bullcrap - not even from Holmes.

So imagine Holmes comes stumbling back to 221b Baker Street thin, pale, and broken from those two years after Reichenbach. He's got healing wounds from torture. He's got longer hair and trembling limbs. More than anything, though - he's got a want to see his best friend.

Watson has been struggling. He never marries Mary, he never creates a practice for himself. He continues working with Scotland Yard and, more specifically, with Lestrade thanks to his work with Holmes and his own strengths in the medical aspect/deductive talents. He's a worn, tired man who sticks to habit, takes long walks, and tries to keep himself occupied and groomed, even as the nightmares continue and his patience with the world is dwindling.

He gets up when he hears faint knocking. He's tired. His eyes have bags and permanent stress lines at the corners. His hair is just a little longer than he should prefer. He opens the door.

Sherlock is there. Green eyes are glazed, a scar runs across his right eyebrow, his strawberry blonde locks fall over his brow. And both just...stare. Like Watson's determining if he's a hallucination, and Holmes is determining what to say now that his prepared, mental speech has burned.

Watson reaches out to take Holmes' wrist. As a man of logic and steeled nerves, he has to test. The pulse of his friend beats under his calloused fingers; weak, thready, and quick...but there. Watson looks up. Stares at his trembling friend. Takes a few steps back...

...and faints.

Hint: You don't have to be canon compliant for a reason. It's called an "Alternate Universe" for a reason <333

If you disagree, feel free to take your opinions elsewhere.